Sentences with phrase «center of the sheet of paper»

Not exact matches

In one instance, F.B.I. agents showed a former trader a sheet of paper with headshots of his former colleagues, with Mr. Cohen at the center.

Once they are firm, place the baking sheet in the center of your preheated oven and bake for 15 to 17 minutes, or until the cookies are nice, uniform brown color — like they came right out of that brown wax paper bag in that Nabisco box.

I do not have a bread stone — I just baked it on a sheet pan with parchment paper — in the center of the oven.

Remove the top baking sheet and parchment paper, and place in the center of the preheated oven.

Position the oven racks in the top third and center of the oven and preheat the oven to 375 degrees F. Line 2 large rimmed baking sheets with parchment paper or silicone baking mats.

Place oven rack in center of oven and preheat to 400 degrees F. Line a small heavy light - colored rimmed baking sheet with parchment paper; set aside.

Place a rack in the center and upper third of the oven and preheat 350 degrees F. Line two baking sheets with parchment paper.

Place rack in center of the oven and preheat oven to 375 degrees F. Line a large baking sheet parchment paper or a silpat mat and set aside.

Lay down one sheet of parchment paper and dust with some arrowroot powder, place your dough ball in the center and flatten slightly into a disc, then dust with more arrowroot or cassava flour.

Slide the parchment paper onto your baking sheet and place them in the center of your preheated oven.

Line a baking sheet with parchment paper then turn the meatloaf out of the pan onto the center of the baking sheet.

Line a baking sheet with parchment paper and place the cake ring in the center of it.

Lay down one sheet of parchment paper and dust with some arrowroot powder, place your dough ball in the center and flatten slightly into a disc, then dust with more arrowroot or cassava flour.

printed on a sheet of construction paper and displayed at a learning center where students will do this activity;

There was a lounging section (black leather sofa, two black leather chairs, glass coffee table) to his right, an executive desk (oval, cherry, black leather reclining chair for the executive, two green leather armchairs for visitors) in the center, and a wall unit (cherry, glass doors, white folders in neat rows) to his left, in front of which Clark Edwards, in a dark suit, was standing and feeding sheets of paper into a pullout shredder.

• Nespresso Coffee makers complete with Decaffeinato Internso, Ristretto and Arpeggio coffee capsules • Mouthwash, large soap bar, bath salts and Loofah pads • LCD Television — 46» • Cable TV connection with pay - per - view channel • Fairmont channel and Safety channel • Telephone on nightstand with should be multi functional with pre-set buttons and message light capabilities • Fairmont mattress and bed ensemble • Feather duvet • 4 sleeping pillows • Environmental Sheet Exchange Card • Duvet Cover • Bed Service tray placed on the bed with Fairmont magazine, In Room Dining Menu, Laundry Service, Remote Control, Breakfast Doorknob Menu • In Room magazines for guestrooms must be of high quality • Full - length mirror • Manual Alarm clock • Refreshment Center or small refrigerator • Refreshment Center equipment (2 old fashioned water glasses, 2 wine glasses, 8 hotel - branded cocktail napkins, 1 hotel - branded corkscrew, 1 hotel - branded bottle opener, 2 Fairmont branded styrene stir sticks, ice bucket with ice tongs and paper liner) • Tea coffee making facilities (including 1 tray, 2 coffee mugs, 1 pouch of regular coffee, 1 pouch of decaffeinated coffee, 2 stir spoons, assortment of Fairmont teas, sugar and sweetener, signage indicating creamers and milkettes available in the Refreshment Center complimentary) • Cordless Telephone, multi-functional with pre-set buttons and message light capabilities • Desk lamp • Hangers — 8 wooden hangers and 2 with skirt • Iron and ironing board • Luggage rack • In - Room safe • Shoe shine basket

Creed has become particularly renowned for his aggressive deployment of a range of seemingly banal materials such as a blob of blu - tak stuck in the center of a wall, sheets of letter paper that are filled in with highlighter or ballpoint pen, collections of an enormous variety of balls, stacks of lumber, or neon spelling out simple words or phrases such as «Things», «Feelings» or «Everything is going to be alright».

Printed by Brand X on Somerset Textured Rag paper and published by the Lincoln Center for the Performing Arts in New York City, Vera List Program Measurements Sheet: 34 1/2 inches x 44 1/2 inches Frame: 38 inches x 48 inches A rare piece with very special historical significance, as it was commissioned by Lincoln Center, and owned by the first first director of the Lincoln Center print program.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 67/125 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 26 3/4 x 39 1/2 in.

Artist: Kiki Smith Title of Work: Moon Three (set of three) Year: 1998 Sheet Dimensions: 24 3/8 ″ x 19 1/4 ″ Material: Three photogravures on Hahnëmuehle Cover paper Photo Line: Courtesy LeRoy Neiman Center for Print Studies, Columbia University Collection Credit: Neiman Center for Print Studies, Columbia University

Downes himself constructs composite views by adding sheets of paper to his initial drawings, expanding the visual field with multiple viewpoints; these generate the splayed effect of «A Bend in the Hackensack at Jersey City» (1986) or the curving beams of an empty floor of the World Trade Center.

HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 6/136 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinges at the reverse of the upper sheet corners with very soft associated creasing, otherwise in excellent condition, framed S. 27 x 39 9/16 in.

HELEN FRANKENTHALER Solar Imp screenprint in colors, 2001, on Somerset rag paper, signed in pencil, numbered 53/126 (there were also 18 artist's proofs), published by The Lincoln Center / List Poster and Print Program, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 39 1/4 x 29 7/8 in.

HELEN FRANKENTHALER Essence Mulberry (H. 57) woodcut in colors, 1977, the colors fresh, on buff Maniai Gampi handmade, signed and dated in pencil, numbered 21/46, published by Tyler Graphics Ltd., Bedford Village, New York, with their blindstamp, the full sheet printed to three sides, soft rippling throughout (characteristic of this paper) stronger along the upper edge, several vertical hairline fissures in the center of the image (common to this edition), soft crimping at the extreme lower edge of the sheet, otherwise in very good condition S. 39 1/2 x 18 3/4 in.

HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 71/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 26 x 46 1/8 in.

Here's a demonstration video, courtesy of NASA's Goddard Space Flight Center, showing how you can turn a cereal box into a solar eclipse viewer with nothing more than the box, a scrap of tin foil, a sheet of white paper, some tape, and a pin.