Sentences with phrase «center of the show»

It also has a truly remarkable main character in Claire Danes» Carrie Mathison, who is now the undisputed center of the show.

Though she didn't always get the best material, she proved to be a rare moral center of the show, and her relationship with Russo was truly heartbreaking.

His character is the clear center of the show, and his role only becomes more impressive when the credits role and audiences discover just how hands - on he was as a director and producer.

Authorities are predicting huge traffic jams, strained cellphone networks, and insufficient bathrooms for the masses driving to the center of the show.

And so the every - week celebration of birthdays is not merely a gesture; it's a key to the center of the show.

But the people at the center of the show are not raving or outlandish villains, written to make belief in God look bad or silly.

's season - two premiere took that religious context and brought it to the center of the show.

Crashing's season - two premiere took that religious context and brought it to the center of the show.

He doesn't seem like the center of the show.

Underwood is at the center of this show; she is likely to take the lion's share of the criticism for its shortcomings.

Consequently, when Carrie's the center of the show, Homeland is an outstanding and methodically paced LeCarre - like thriller.

Joan Allen's mysterious Colonel Margaret Rayne is at the center of the show's fourth and final season.

This exchange between site and space, artistic inclination and the fluid acts of design are at the center of this show.

The exhibition boasts numerous strengths, but the peak of the experience, for this reviewer, is to be found in the near - perfect installation of one gallery located at the center of the show.

At the center of the show is the work of artist Nancy Shaver, whose readymade art displayed in an antique store in Hudson, New York, confuse high and low, craft and fine art.

All of that is a wonderful palette for the New York City - based artist but the center of the show features something relatively new, dozens of what he calls «ugly pots.»

At the center of the show's curatorial premise are the connections that can be made between the selected works and the daily happenings of the market.

At the center of the show are two new films by Philippe Parreno: Marilyn and C.H.Z..

Additionally, a microphone at the center of the show keeps the conversation going.

Robert Mapplethorpe hovers at the center of the show; although his work is not included, many of the exhibiting artists were close friends with Mapplethorpe and worked in dialogue with his graphic depictions of the sexual male body.

In the center of the show and presented on the ground floor of the gallery space is the Beasts series, dating from 1989 - 1991.

Split Wall with Drains stands at the center of this show, which focuses on the extensive holdings of Robert Gober's works in the Emanuel Hoffmann - Foundation's collection; it also features works from the Öffentliche Kunstsammlung Basel and a private collection.

At the center of the show were three horizontal paintings, each installed on a pillar, thereby creating a series of cross shapes, which could be walked around.

Josef Albers and his color theories - in addition to the 2013 release of the 50th anniversary edition of «Interaction of Color» - are at the center of the show, along with his 1971 silkscreen «I - S VVII.»

They want to interact; each figure in the show turns to face the front door with the exception of From A Hanging Garden which resembles both calligraphy in space and a complex wood carving and offers a place at the center of the show to stop and converse.