Sentences with phrase «center of their activism»

Not exact matches

Trump to take center stage at the NRA convention as the gun industry faces a wave of backlash, activism and weak demand
Church attendance is decreasing, though, and a larger share of the population is made of recent immigrants and their children who have no history of center - right political activism.
There was, first of all, a discernible shift away from church activism, and churches began manifesting a training - center model.
MLK's activism was centered around the theme of justice.
Michael is very bullish on the improvements, saying that «by changing the messaging policy, Facebook will soon find itself the center of online activism
Domestic proponents of reforms need to push questions surrounding oil and gas to the center of political life and foster large - scale activism against bad governance.
Raskin's PAC contributions, totaling $ 45,000, include permissible funds from fellow state legislators, $ 10,000 from the Center for Humanist Activism, and $ 10,000 from the International Brotherhood of Electrical Workers.
Sullivan, 52, offers a background in business development, environmental activism and healthcare, while projecting a left - of - center profile similar to U.S. Sen. Kirsten Gillibrand.
Newell huddled with supporters in front of the former Jewish Daily Forward Building in Straus Square, a center of left - leaning activism for decades.
«This was a watershed year in the use of the Internet for political activism,» says John Palfrey, codirector of the Berkman Center for Internet & Society at Harvard University.
«Environmental activism has led to more aggressive action on pollution control,» says Jennifer Turner of the Woodrow Wilson International Center for Scholars.
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Chinese President Xi Jinping visits the Marxist literature center at Peking University, long a bastion of patriotic student activism, in Beijing on Wednesday.
Some of us aren't fortunate enough to have the benefit of institutions like the Reginald F. Lewis Museum of Maryland African American History and Culture (Baltimore, MD) or the Schomburg Center for Research in Black Culture (New York, NY) in our hometowns, but many similar institutions offer a variety of school programs designed to educate young people — not only about the legacy of chattel slavery in America, but also the legacy of resistance and activism against injustice that it nurtured.
Furthermore, youth activism seems to be placed in the center of these concerns.
Talk: Visual AIDS Last Address Tribute Walk at Whitney Museum The sixth annual Last Address Tribute Walk, run by the arts and activism organization Visual AIDS, will center around a tour of West Village spaces that have significance within larger histories related to AIDS in New York.
Notable traveling group exhibitions include Art, Activism and Civil Rights in the 1960s, traveling to the Blanton Museum of Art, Austin (2015); Hood Museum of Art, Hannover, New Hampshire (2015); and the Brooklyn Museum, New York (2014); For All the World to See: Visual Culture and the Struggle for Civil Rights, traveling to the Center for Art, Design, and Visual Culture, University of Maryland Baltimore County (2010); the International Center of Photography, New York (2010); and the National Museum of American History, Smithsonian Institution, Washington, D.C. (2011).
During their residency at 18th Street Arts Center, they will be working with researcher Paulina Varas on the project Interzona for the exhibition Talking to Action: Art, Pedagogy and Activism in the Americas presented at Otis College of Art and Design (September 17 — December 10, 2017) as part of Getty - led PST: LA / LA.
2001 AccessZone 0.2 for Emerging Artists, Bronx Museum of Art, NY HIV and Arts Activism, Audre Lorde Project, Brooklyn, NY (Un) Suitable Girls in Texas, University of Texas at Austin, TX Arts and Politics, East Coast Asian Students» Union Conference, NY Under Western Skies, Jindal Center for Contemporary Art, Mumbai, India International Women Artists» Conference, W.E.R.I.S.E., Barnard College, New York, NY
Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute for Social Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore
2006 Brooklyn College, Brooklyn, NY, Visiting Artist Lecture Mass Art, Boston, MA, Visiting Artist Lecture Pratt University, NY, Visiting Artist Lecture Gods, Monsters, and Divas Lesbian Gay, Bisexual and Transgender Community Center, NY City Without Walls, Newark, NJ, Guest Artist Lecture Fuel for the Fire: Intersections of Arts and Activism, Amnesty International family Project, NY Meeting Artists» Needs: The Elevator Speech, CUE Art Foundation, NY University of Florida, Gainesville, FL, Visiting Artist Lecture Columbia University Asian American Studies, NY, Visiting Artist Lecture
A public garden and cultural center located in the Bronx, Wave Hill's spring show acknowledges the continued need for activism and cultural production that builds bonds across lines of identity and difference, informing and empowering individual and collective memory.
Seen through the eyes of collective discussion and decision - making, the collection at its center articulates the politicized engagement against right - wing social and economic policy that emerged in 1980s and 90s New York, not least the activism that solidified around the AIDS Crisis.
Lambert is the co-founder and co-director of the Center for Artistic Activism, a research and training institute to help activists be more creative and artists to be more effective.
«It's not often that artworks that emerge out of community activism and social practices get center stage in art galleries, which makes the latest exhibit at Otis College of Art and Design a particularly unique and poignant one.
Other institutions — for example, Yerba Buena Center for the Arts, which, until 15 August, is showing an impressive exhibition called Take This Hammer: Art + Media Activism from the Bay Area — grapple with these issues by featuring the socially engaged art of regional artists.
On a Saturday in November of 2016, during his exhibition Continuous Services Altered Daily at the Aldrich Contemporary Art Museum in Connecticut (May 1, 2016 — February 5, 2017 and on view at the Bemis Center in Omaha June 1, 2017 — August 26, 2017), David Brooks, an artist recognized for his commitment to illuminating our complex human relationship with the natural world, sat down with Greg Lindquist to talk about his current show, ecological activism, and scientific fieldwork.
She was a guest speaker for the Distinguished Visiting Artist Program, University of British Columbia, Indigenous Feminist Activism & Performance event at Yale, Native American Cultural Center and Women's Gender and Sexuality Studies, and the Indigenous Rights / Indigenous Oppression symposium with Tanya Tagaq at the School of Public Policy, University of Maryland, MD..
Annandale - on - Hudson, NY, July 21, 2017 - The Center for Curatorial Studies (CCS Bard) and the Human Rights Project at Bard College announced today that the curator and writer Galit Eilat has been selected as the fourth recipient of the Keith Haring Fellowship in Art and Activism.
Alec Soth (Little Brown Mushroom), Alison Wong (Butter Projects), Andrea Zittel, Austin Thomas, Billy Dufala and Steven Dufala (Rair Philly), Brett Wallace (The Conversation Project), Caitlin Masley, Cara Ober (BMoreArt), Carrie Moyer (Dyke Action Machine), Carron Little (Out of Site Chicago), Chlo ë Bass, Duncan MacKenzie (Bad at Sports), Edgar Arceneaux, Euan Gray, Faina Lerman and Graem Whyte, Jane South, Jayme McLellan, Jean Shin, Julia Kunin, Kat Kiernan (Don't Take Pictures), Khaled Sabsabi, Lenka Clayton, Mark Tribe, Martina Geccelli (Raumx London), Matthew Deleget (Minus Space), Michael Scoggins, Morehshin Allahyari, Paul Henry Ramirez, Peewee Roldan (Green Papaya Art Projects), Robert Yoder (Season), Sharon Butler (Two Coats of Paint), Shinique Smith, Stephanie Syjuco, Steve Lambert (The Center for Artistic Activism), Tim Doud and Zoë Charlton («sindikit), Wendy Red Star, William Powhida.
2002 Creative Expressions: Prints and Works on Paper, Tobey C. Moss Gallery, Los Angeles, CA Free Expressions: Community Voices and Contemporary African American Art from the Collection, Newark Museum, Newark, NJ African - American Art: 20th Century Masterworks, IX, Michael Rosenfeld Gallery, New York, NY; Tubman African American Museum, Macon, GA Consequences of Empire, Public Resource Center for Activism and Arts, Washington, DC Successions: Prints by African - American Artists from the Jean & Robert Steele Collection, Art Gallery, University of Maryland, College Park, MD; Carleton College, Northfield, MN; University Art Gallery, University of Scranton, Scranton, PA; Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA; The James E. Lewis Museum of Art, Morgan State University, Baltimore, MD; Art Museum, North Carolina Central University, Durham, NC; Tubman African American Museum, Macon, GA The Belles of Amherst: Contemporary Women Artists, Mead Art Museum, Amherst College, Amherst, MA In Memory: The Art of Afterward, Sidney Mishkin Gallery, Baruch College, New York, NY Personal & Political: The Women's Art Movement, 1969 - 1975, Guild Hall Museum, East Hampton, NY Some Assemblage Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, NY; Madison Art Center, Madison, WI; Polk Museum of Art, Lakeland, FL
2003 African - American Art: 20th Century Masterworks, X, Michael Rosenfeld Gallery, New York, NY American Art and Artifacts Featuring the Chris Webber Collection, Crocker Art Museum, Sacramento, CA My Mother's an Artist, The Educational Alliance Art School and Gallery, New York, NY Layers of Meaning: Collage and Abstraction in the late 20th Century, Pennsylvania Academy of Fine Arts, Philadelphia, PA An American Legacy: Art from The Studio Museum in Harlem, The Parrish Art Museum, Southampton, NY African American Masters: Highlights of the Smithsonian American Art Museum, New York Historical Society, New York, NY; Cheekwood Museum of Art, Nashville, TN; The Cummer Museum of Art, Jacksonville, FL; Cincinnati Art Museum, Cincinnati, OH; Currier Museum of Art, Manchester, NH; The Delaware Art Museum, Wilmington, DE; Long Beach Museum of Art, Long Beach, CA; Utah Museum of Fine Arts, Salt Lake City, UT Turning Corners, University Art Museum, University of California, Berkeley, CA Seizing the Myths: Arts of Rebellion, Resource Center for Activism and Arts, Washington, DC Twenty - Fifth Anniversary Exhibition, Tobey C. Moss Gallery, Los Angeles, CA Focus on the Figure: Selections from the Permanent Collection, Palm Springs Desert Museum, Palm Springs, CA Popular, Pop & Post-Pop: Color Screenprints 1930s to Now, Philadelphia Museum of Art, Philadelphia, PA
«Intersections of Art and Architecture,» Catalyst Iowa, Des Moines, IA, November 11, 2009 «Temple Exercises: A Building Performance,» Levine Museum of the New, South Charlotte, NC, October 29, 2009 «Arts and Activism in St. Louis, Detroit, and Chicago,» Little Black Pearl Art & Design Center, Chicago, IL, October 1, 2009 «Representations Series,» Experimental Station and Illinois Humanities Council, Chicago, IL, April 10, 2009 «Artist talk with «Temple Exercises» fabrication team,» Little Black Pearl, Chicago, IL, January 10, 2009 «Shacks, Sheds, and Other Small Spaces,» University of North Carolina, Charlotte, NC, 2009 «Symposium on Contemporary Painting, Performance,» University of Illinois, Champaign - Urbana, IL, 2009 «Unpacking Yamaguchi, Myth, Ecstasy and the Black Church,» School of the Art Institute, Chicago, IL, 2009 «Why Make Art Now,» Performance Studies, School of the Art Institute, Chicago, IL, 2009
The book Nongovernmental Politics, published in April 2007, contains a collection of scholarly essays that are centered on the challenges and importance of nongovernmental activism in contemporary society.
Shifting Movements: Art Inspired by the LIfe & Activism of Yuri Kochiyama, co-sponsored by the Asian American Women Artists Association and the API Cultural Center, San Francisco, CA
RECOMMENDED FILM SCREENING Monday, September 13 7:00 PM & 9PM at the IFC Center, 323 Avenue of the Americas, New York (www.ifccenter.com for more information) Queer / Art / Film presents: Douglas Crimp & The Films of ACT UP When theorist Douglas Crimp first published an essay called Mourning and Militancy in 1989, he set off a bomb in both the art and AIDS activism worlds in which he was deeply entrenched.
Rochester Art Center January 22, 5:30 — 9:00 pm Exhibition opening: Amanda Curreri: The Calmest of Us Would Be Lunatics VIP preview, 5:30 — 6:30 pm; Opening Reception, 6:30 — 9 pm Art as Social Activism: An Intergenerational Conversation with the Guerrilla Girls and Amanda Curreri, 7:30 pm
Funded by The Pew Center for Arts & Heritage, A Fierce Kind of Love, a new play by theater artists Suli Holum and David Bradley, will recount these untold stories, revealing how past activism has informed present - day issues.
Outterbridge is no stranger to this kind of community activism through art, having been the director of the Watts Towers Art Center from 1975 to 1992.
A permanent home of The Dinner Party, the Elizabeth A. Sackler Center for Feminist Art is a nexus for feminist art, theory and activism.
«Crochet Coral Reef: TOXIC SEAS is a community - centered project that builds on the feminist tradition of using craft in the service of activism.
rts education, public art, art in community and service centers, artistic activism, community - based museums, expanded access to art, art in the service of social justice or change and the promotion of under - recognized artistic practice.
The infamously outspoken (and masked) women's activism and art collective, Guerrilla Girls, is also celebrating its 30th anniversary with Twin Cities Takeover, a three - month - long series of events and pop - ups including exhibitions at institutions like Walker Art Center and Hopkins Center for the Arts that examine sexism, racism, and the pioneering history of the Guerrilla Girls themselves.
«Reyes's multidisciplinary approach to art - making and activism is an ideal fit for the creative exploration and discovery taking place across MIT every day,» Evan Ziporyn, faculty director of the MIT Center for Art, Science and Technology, said.
contributors include: Alec Soth (Little Brown Mushroom), Alison Wong (Butter Projects), Andrea Zittel, Austin Thomas, Billy Dufala and Steven Dufala (Rair Philly), Brett Wallace (The Conversation Project), Caitlin Masley, Cara Ober (BMoreArt), Carrie Moyer (Dyke Action Machine), Carron Little (Out of Site Chicago), Chlo ë Bass, Duncan MacKenzie (Bad at Sports), Edgar Arceneaux, Euan Gray, Faina Lerman and Graem Whyte, Jane South, Jayme McLellan, Jean Shin, Julia Kunin, Kat Kiernan (Don't Take Pictures), Khaled Sabsabi, Lenka Clayton, Mark Tribe, Martina Geccelli (Raumx London), Matthew Deleget (Minus Space), Michael Scoggins, Morehshin Allahyari, Paul Henry Ramirez, Peewee Roldan (Green Papaya Art Projects), Robert Yoder (Season), Sharon Butler (Two Coats of Paint), Shinique Smith, Stephanie Syjuco, Steve Lambert (The Center for Artistic Activism), Tim Doud and Zoë Charlton («sindikit), Wendy Red Star, William Powhida.
Working in a variety of mediums including drawing, installation, and video, Andrea Bowers centers her work on the convergence of art and activism.
2015 Party Out of Bounds: Nightlife as Activism Since 1980, Visual AIDS, New York, NY The Beast and the Sovereign, Württembergischer Kunstverein, Stuttgart, Germany (Upcoming October) America is Hard to See, Whitney Museum of American Art, New York, NY Looks, ICA, London, UK Real Humans, Kunsthalle Düsseldorf, Düsseldorf, Germany The heart is deceitful above all things, Cornerhouse, Manchester, UK Discordant Harmony — Seoul Exhibition, Art Sonje Center, Seoul, South Korea The Beast and the Sovereign, MACBA, Barcelona, Spain Transgender Hirstory in 99 Objects: Legends & Mythologies, ONE Archive, Los Angeles, CA
A collaboration between SFMOMA and Yerba Buena Center for the Arts, the exhibition will take photography as a starting point to explore visual activism and the representation of social space in South Africa.
SOMArts Cultural Center «Shifting Movements: Art Inspired by the Life and Activism of Yuri Kochiyama (1921 - 2014).»
San Francisco Museum of Modern Art, Call For Papers: Visual Activism Conference in San Francisco Deadline: October 1st, 2013 The International Association of Visual Culture invites proposals for its 3rd biennial conference in San Francisco, March 14 - 16, 2014, centered on... Continue reading →
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