Sentences with phrase «center point working»

Gather and pin skirt from center point working out toward each side.

Not exact matches

Louwerse pointed out how parents work more, and children can often be found at a daycare center.
«Most students find this experience very helpful in thinking about whether they'd like to start their own venture at some point, to join an early stage company, or to work at a firm that's further along in it's growth trajectory,» Deb Whitman, director of the Stanford Center for Entrepreneurial Studies explained in an email exchange with Poets & Quants.
Dozens of companies will need to work together to make sure you can travel from one point in a city to another (safely and securely), feeding data from the stoplights, handling the commerce between apps, and even communicating your location with a future car traffic control center.
If sociologists have tended to center on the foregoing argument and to single out work as the basis of their assessment of our present inability to play authentically, theologians and philosophers have tended to: focus upon a second area: America's distorted value structure that has accepted as true the «mindscape» of technology 48 This is Theodore Roszak's phrase, and his discussion can perhaps serve as a helpful starting point.
Farley's work points in the right direction, but more work needs to be done to establish practical theology as procedure and as method before it can become the center of theological education.
As the Jesuit high school where I work began to wind down for the year, I reached a point where I needed clarity, something to bring calm to the chaos of the closing weeks and to center me in a reality more timeless than the NBA playoffs.
«Pivot Point,» a foodservice concept designed by Christensen Consultants of San Jose, CA, has been chosen as the feature for the HX360 ° Innovation Zone Food & Beverage area, and will debut in a 900 - square - foot working model at HX: The Hotel Experience, November 12 - 13, 2017 at the Jacob K. Javits Convention Center in New York City.
It's got so sad I'm thinking Jonny Evans be good signing because I'm thinking he's better than wat we have sad but true mustafi is a lerk one min good next min tackles fresh air, BFG is a wheelchair it's embarrassing kos is injury away from retirement oh but we have Monreal great player but not center back it's joke wenger loves football so that's why going forward we look good but defending not he's game bring back George graham just as defensive coach jez even Sam allardyce has Everton a lot tighter it's fact we can't defend for years I'm sick saying wenger is and will always be arsenal great always in my eyes but he has go for good of everyone we need young fresh manager and not someone mr wenger hand picks and he goes upstairs won't work can't work we need let new coaches do there job and let new manager do he's and please give him money spend and laugh if ye want but the man for new job has be allergi has be if can't get den Luis Enrique if not him get Henry with vieria wat a buzz it be with them 2 my point.
Don't get me wrong — I like Pod and, at least on his social media postings, he seemed t have a fantastic attitude — but it pains me that in the end he (and the Bendtners and Gervinhos and Arshavins others pointed to) seemed more comfortable carping about why he wasn't playing as a center forward and complaining about his lack of first - team football opportunities than he was trying to develop the traits and on - field work habits Wenger demanded of them.
Then you work in rows until the scarf reaches half the overall width, at which point you flip the work over and start again in the center.
Education took center stage this budget season in Albany, with teacher evaluations, testing, and tenure the major points of debate as New York Governor Andrew Cuomo and the legislature worked on the details of the spending plan, which passed this week.
The Stony Point Town Board met Tuesday night at the RHO Community Center Building to discuss town affairs and recognize the local charity work of the Stony Point Seals.
Astronomers point ALMA at Titan to calibrate the telescope because the moon has known brightness levels, says Palmer, who also works at NASA's Goddard Space Flight Center in Greenbelt, Md..
Gerald Meehl, a climate scientist at the National Center for Atmospheric Research who was also an author on the paper, said this research expanded on past work, including his own research, that pointed to the Interdecadal Pacific Oscillation as a factor in a warming slowdown by finding a mechanism behind how the Pacific Ocean was able to store enough heat to produce a pause in surface warming.
Based on this report, «there is a lot of work that has to happen before we get to the point of releasing a gene drive [organism] into the environment,» says Todd Kuiken, an environmental scientist with the Wilson Center in Washington, D.C.
But within days of the work being published, critics on the PubPeer website and other blogs pointed out problems with some of the images in the papers, including some that were very similar to those in earlier papers by first author Haruko Obokata, a unit leader at the Kobe, Japan - based RIKEN Center for Developmental Biology.
Nonna Mayer, a CNRS political scientist at the Center of European Studies at Sciences Po in Paris, welcomes the call but points out that researchers have already done a significant amount of work on issues such as violence, radicalization in jail, and Islam.
With so much work needed in studying the nature of stem cells and using them to study disease processes, therapies based on ES cells seem very far down the line, noted Lorenz Studer of Memorial Sloan - Kettering Cancer Center in New York, who pointed out that so far there have only been two published papers on therapeutic cloning, both of them in mice.
The Institute's website notes the need for its work, pointing out that there are over 300 nonprofit research foundations and academic centers expressly devoted to research using embryonic stem cells.
Your core (abs) is made up of layers of interlocking muscle that work together and are the center point for nearly every movement you make.
He did this by working on countless patients at the Center for Substance Abuse Treatment, who he used to experiment with reflexology occidental works like iridology (iris - reading), endonasal reflexology (activation of pressure points near and around the nose), and auriculotherapy (ear acupuncture).
Starting in the center and gradually working your way to either side, make vertical snips into the hair right below comb teeth with the scissors pointing up toward the ceiling.
Not completely ready to commit to the counseling psychology track yet, I held a few part - time jobs — at one point in time, I was simultaneously a receptionist at a law firm, a behavior specialist working with children in the foster care system, and a volunteer at a mediation center.
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In 2006, the Mackinac Center for Public Policy published the results of a survey of organizations working on school choice that I conducted; it found that 67 % of respondents think vouchers are more likely to be challenged in court, compared to just three percent who chose tax credits - and, by a margin of 53 points, respondents also thought that tax credits were more likely to survive a court challenge.
America's Promise Alliance, Attendance Works, the Campaign for Grade - Level Reading, Everyone Graduates Center, Get Schooled, Healthy Schools Campaign, the Institute for Educational Leadership, Mentor, Points of Light and United Way Worldwide invite you to join us for the sixth year of the Attendance Awareness Campaign, which designates September as Attendance Awareness Month.
I too sensed that «In drinking from the discourse of reform critics, Ravitch has become as uncritical of these views as she once was of center - right arguments for choice and accountability» and that there were occasions of «confectionary reasoning» that are out of character with her previous work, but given the point of the book, I'd cut her some slack on these matters.
With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]
Lower center of gravity and more aerodynamic body work comes at the expense of comfortable seating hip - points for easy entry and exit
I haven't seen any case law centering on this point, as very few copyright owners have granted DRM - stripping permission — and so to the extent that it is within my power to grant, which it probably isn't at all, I'm okay with anyone who wants to strip DRM from my traditionally published works as well in order to enjoy any of their fair use rights.
Here at Cummings Veterinary Medical Center, she works specifically as the Oncology Clinical Trials Intern as a point person for oncology clinical trials, recruitment and care of patients throughout the trial time frame.
Referring to this work, Hoagland and Jin, resource economists at the Marine Policy Center, Woods Hole Oceanographic Institution, (using the case of the European green crab to make their point) warn: «There are many reasons to be concerned about the use of these estimates for policymaking.»
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Clif Bar, Gaiam, Marin County Board of Supervisors, and SF Department of the Environment Aim High, Aquarium of the Bay, Baykeeper, Boy Scout Troop 484, City of Dreams, City Kayak, Creek Harbor Association, Fairmont Hotel, Golden Gate Audubon Society, Golden Gate Mother's Group, Green Trust SF, Headlands Institute, Hilton Hotel, Home Depot, Hoover Middle School, Marine Mammal Center, Muir Woods Trading Company, National Association of Asian American Professionals (NAAAP - SF), Oceana High School, OceanHealth.org, Point Bonita YMCA, Port of San Francisco, REI, Schools of the Sacred Heart, SF Department of Public Works / Community Clean Team, SF Maritime National Historical Park, SF Public Utilities Commission, SF Recreation and Park Department, SF Surfrider Foundation, Sea Scavenger Conservancy, Slide Ranch, Sports Basement, UC Davis Alumni Association, UCSF Mission Bay Outdoor Programs
Guests can go for a dip in the outdoor or indoor pool, work out in the fitness center or utilize the free shuttle to points around El Paso.
We started with the Imbabura Volcano and worked our way south to the Chimborazo Volcano, which is known to be the furthest point from the center of the earth (No, it's not Everest — I'll explain later).
About Blog The Patent Law Practice Center is a destination point for patent practitioners to get the latest news, analysis and resources to assist them in their daily work.
You can also depend on the various galleries like The Contemporary Austin - Jones Center, The People's Gallery and the SprATX to display not only traditional art pieces, but also host newer works and art - related events, celebrating the creativity of the people and travelers that some point called Austin home.
Or, you can use your points to pay for reservations made through Chase's Ultimate Rewards ® travel center, which works much like Expedia and other online travel agencies.
Through Monday, 108 of the pups have landed this year at the Marine Mammal Center in the Marin Headlands, where a cadre of volunteers and staff work to fatten them up in hopes of getting them back to health so they can be released at Point Reyes.
The work was celebrated at the time for the sheer velocity of movement with which the eye roves the canvas, pointing to de Kooning's interest in creating simultaneous foci, what art historian John Elderfield describes as «multiple centers of interest, and therefore a continual distraction, of vision being shuttled about the surface, so that it may rest anywhere but can settle nowhere» (J. Elderfield, «Space to Paint,» de Kooning: a Retrospective, Museum of Modern Art, New York, 2011, p. 25).
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
Select groups exhibitions and biennials featuring his work include Inherent Structure, Wexner Center for the Arts, Columbus, OH (2018); Surface Area, Studio Museum in Harlem, New York (2016); Nexo / Nexus: Latin American Connections in the Midwest, DePaul Art Museum, Chicago (2016); 6th Prague Biennale (2013); El Museo Bienal The [S] Files, El Museo del Barrio, New York (2011) and Queens International 2012: Three Points Make a Triangle, Queens Museum, New York (2012), among others.
Another focal point of the launch was the opening of Walter O. Evans Center for African American Studies, featuring a selection of close to 40 works from Evans» legacy collection of African American art - from 19th - century landscape paintings of the Hudson River School to works by masters of the Harlem Renaissance, as well as examples from the Federal Art Project of the 1930s and later 20th - century works by Jacob Lawrence and Romare Bearden, among others.
Her work has been included in group exhibitions such as «SoundSpill,» Zabludowicz Collection, New York (2013), «With the Tip of a Hat,» the Artist's Institute, New York (2012), «Novel,» a screening for Time Again hosted by the Sculpture Center, New York (2011), «Outrageous Fortune: artists remake the Tarot,» Hayward Touring / Focal Point Gallery, Southend (2011), and «The Great White Way Goes Black,» Vilma Gold, London (2011).
2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International
Director Matthew Higgs was diagonal on a folding chair, an industrial floor fan pointed at him alone, lost in his display of works from Oakland's Creative Growth Art Center.
Marking the centenary of the start of World War I and drawn from the Harry Ransom Center's collections, this exhibition explores war from the point of view of its participants and observers, preserved for a 21st - century generation through letters, drafts, and diaries, memoirs and novels, photographs and works produced by battlefield artists, and propaganda posters and films..
I have been a Bontecou fan since writing about her magisterial wall sculpture in the Koch Theater lobby at Lincoln Center more than two decades ago, and the intimate scale of this untitled work from 1960 is a phenomenal entry point for understanding this reclusive and serious artist.
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