Sentences with phrase «centerfold series»

Cindy Sherman Untitled # 96, from the artist's 1981 centerfold series of 12 images, originally commissioned by artforum, is credited for changing perceptons of photography.

An evocative and outstanding example from Sherman's highly acclaimed Centerfolds series, the elongated horizontal format was inspired by the open spread of the magazine, Cindy Sherman's Centerfolds respond to the popular photo spreads made famous in the pages of Playboy magazine Designed to give maximum exposure to the female form in these top - shelf publications, the centerfold was the prime showground where women were looked at and admired.

Exhibited the same year, Janelle Reiring of Metro Pictures Gallery notes, «It was her second show with us — with the Centerfolds series from 1981 — that seemed to change everything» (J. Reiring quoted in S.P. Hanson, «Art Dossier: Cindy Sherman,» Art + Auction, February 2012).

From the Centerfolds series.

Not exact matches

I also think that other series (the 1981 «Centerfolds» and the 1986 - 89 «Fairy Tales and Disasters») deftly extend their reach into the domain of painting.

Sherman produced the series as a take off on men's magazine centerfolds formating them as double -LSB-...]

So the show will include the «Ookie Canvases», the «Visual Orgasms» series of GIFs, which I've added to with four new pieces, a sexy photo of wires drenched in lube which also serves as the centerfold for a catalog with essays by Nora O» Murchú and Seth Watter, and two wire sculptures.

It has the complete Untitled Film Stills and Centerfolds, worth a visit all by themselves, with separate rooms for most later series.

COVER and CENTERFOLD of Issue 18 «During my last trip to Havana, I created a new series of photographs that will be printed on many materials other than paper.

This book introduces some of Sherman's most important works, from her seminal 1970s series Untitled Film Stills, which references film noir movies by such directors as Alfred Hitchcock and Jacques Tourneur, to her progression into colour photography in the 1980s series Centerfolds.

Cindy Sherman began her classic Film Stills series in 1977; and since then has photographed herself in a variety of roles, including centerfold portraits, history portraits, society portraits and variety of clowns.

But it wasn't until 1981, when she made her «Centerfolds,» a series of portraits inspired by photographs in Playboy — but with the women clothed and conveying a complicated range of emotions — that her career really took off.

Such series have included «Bus Riders,» «Murder Mystery People,» and «Centerfolds,» among others.

Featuring more than two dozen works spanning 30 years, Cindy Sherman: Once Upon a Time, 1981 — 2011 at Mnuchin Gallery, New York, takes as its focus three of the artist's most acclaimed series: the Centerfolds, the History Portraits, and the Society Portraits.

Once Upon a Time at Mnuchin Gallery, New York, showcases a number of works that span 30 years, taken from such acclaimed series as the Centerfolds, the History Portraits and the Society Portraits.

A selection of ambitious and celebrated works will be highlighted, including a complete set of the seminal Untitled Film Stills (1977 - 80) and a complete group of her 12 centerfolds (1981), and selections from major series such as fairy tales / mythology (1985), history portraits (1988 - 90), sex pictures (1992), headshots (2000), clowns (2002 - 04), fashion (1983 - 84, 1993 - 94, 2007 - 08), and society portraits (2008).

All are pulled from three different series: «Society Portraits» (Sherman as UES women battling age with plastic surgery), the «History Portraits» (Sherman as Renaissance and Rococo figures) and the seminal «Centerfolds» series (Sherman as a modern version of the reclining woman but all lost in private moments as opposed to, you know, tugging at a bikini string).

Featuring more than two dozen works spanning 30 years, the exhibition will focus on three of Sherman's most acclaimed series - the «Centerfolds,» the «History Portraits» and the «Society Portraits.»

Following that, she co-curated a survey of Cindy Sherman's most acclaimed series, spanning 30 years of Centerfolds, History Portraits and Society Portraits, with Philippe Ségalot.