Sentences with phrase «central action»

There's also no word about how central the action duo's roles are to the plot, and whether they'll be featured as lead or supporting characters.
If shalom is the focal, central concept in Hebrew scripture that we have said it is, and if Yahweh is the giver of shalom, then we would expect that giving to take place in the most focal, central actions of God.
And there's a terrific central action scene, just the right mix of comedy and thrills, involving a motorcycle - helicopter chase through Saigon's slums.
In 1963, he simplified his compositions to focus on a single central action or event and adopted an even brighter chromatic range.
Reinhold Niebuhr says, «The Atonement is the significant content of the Incarnation».1 Certainly it is the central action in the incarnation.
The name does not matter; what is important is that we understand that normatively in the days of Christian origins, and consistently since that time, the central action of the Christian in worship has been the doing of that which, «in the night in which he was betrayed,» Jesus Christ performed.
It has — maybe unintentionally - given rise in not a few places to an unwarranted emphasis on the participants over the central action of the priest as alter Christus.
This does not of course assume that there are, in the apostolic tradition, clear and commanding directives concerning the form and content of public worship; it affirms, rather, that ways of worship which ignore or distort the liberating message of God's Christly action must be corrected from that central action.
This is most obvious in the sheer purity of the game's central action.
Moreover, in situ hybridization and RNA blot analysis indicate that the 5HTlc receptor is expressed in neurons in many regions of the central nervous system and suggest that this subclass of receptor may mediate many of the central actions of serotonin.
Game Night does a wonderful job of establishing its characters and their relationships early on, so once the central action of the film begins, we already have an idea of who the characters are and what this special game night means for them.
Far more involving — and upstaging the central action — is a subplot following the unlikely but inevitable romance between Preston's acerbic best friend (the delightful Lauren Ambrose) and white homeboy Kenny (a hilarious Seth Green), who find themselves locked in a bathroom together.
But then pathfinding is the film's central action.
Director Guillermo del Toro was intricate as always in the world he was building; of more interest to this reviewer than the loud, brutish CGI mishmash that constituted the central action sequences was the production design and flourishes in the writing.
He speaks to the audience in a series of scenes set late in his life, as he looks back to the past to the point where the central action... the series of murders... takes place.
In this case the central action is a high - stakes art heist wrapped around the tale of two brothers - the probably brilliant painter Michael Boone, who has recently been released from prison, and his psychologically damaged «idiot savant» bear - like brother.
That's the central action of all your brand storytelling.
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