Sentences with phrase «central character here»

Dewey Hughes (Chiwetel Ejiofor) is the other central character here, and at the start of the film in 1966, he is visiting his brother Milo (Mike Epps) at Lorton Prison.

The central character here is Jyn Erso, played by Felicity Jones.

Not exact matches

Here in Britain, however, Tough's central tenet appears less radical; our Public School system is founded on the importance of character, so much so that rounded individuals are fast becoming a key national export, as foreign students flock here and schools open satellite campuses oversHere in Britain, however, Tough's central tenet appears less radical; our Public School system is founded on the importance of character, so much so that rounded individuals are fast becoming a key national export, as foreign students flock here and schools open satellite campuses overshere and schools open satellite campuses overseas.

Though central to the plot, the Windermeres are dreadfully dull characters, and one suspects that here, as in Girl With A Pearl Earring (2003), Scarlett Johansson has been cast principally for her picturesque qualities.

There's a lot to chew on here, and if Burden is ultimately buried by its muddled central character, it's as much a testament to the filmmaker's refusal to sugarcoat this story as it is a criticism of the final product.

But then, even relatively mild, two - person scenes here create a sense of impending danger, an abyss waiting to swallow up the central character.

In the end Touchy Feely is perhaps a little unf ocused and incidental, without a really strong central hook to grab onto, but there is strong character work in here, one or two genuinely touching moments, and some good laughs too.

Whatever semblance of a story might be here follows Rick (Christian Bale), the movie's central figure (It seems generous to call him a «character,» since he really is just a stand - in for a general state of being).

There are some standout scenes here, and certainly defining moments for the central conflict within Caesar's character, yet I couldn't help feeling that the narrative shift put the three - film sweep on pause, exactly when it seemed to be building toward a monumental climax.

Similarly here, this is a film where Mary, who is centre stage in the narrative, is probably the most irrelevant in the central characters» lives!

Despite the films bleak subject matter and flashback structure that — although handled well, does — at times, break the momentum of the here and now, Away (trailer) remains a thrilling and often extremely moving character drama, that is anchored by two exceptional central performances.

5» 7» Jamie Bell is touted at the lead character here, not only is the Fantastic Four star miscast, but he's also not the central figure in the plot.

This feeling of lifelessness is also reflected in Del Toro's lamentably less - than - enthralling work as the central character, as the star offers up a surprisingly flat performance that's sorely lacking in the off - kilter quirks with which he's become associated (ie he's just dull here).

Every pitfall that The Avengers avoided is present here: The characters take the backseat to an abundance of plot, and the plot is an expansive mash - up of so many elements that the central story starts to feel like the least important thing in the movie.

Much filmed previously (by Polanski, Kurosawa and Welles, among many others), Shakespeare's infamously bloody Scottish Play has rarely been allowed to elicit the sympathy for its central characters as Justin Kurzel achieves here.

Ken Jeong's character has worked well in small doses throughout the series, however here he too plays a much larger central role and while he does add some humour here and there, he often overplays it, becoming more like Jar Jar Binks than the comedic anecdote.

It's a shame, too, because what Jackson does with the central storyline, featuring Bilbo (Martin Freeman)-- now a supporting character in his own tale — and a group of dwarves as they journey closer to their former kingdom (currently occupied by a fearsome dragon), is quite effective here.

But there are also some important differences: Biff Grimes (Cagney) lacks Jim Corbett's gift for dominating the events of his own life; women have far greater importance here, with the title character (Rita Hayworth) and Amy (Olivia DeHavilland) being the central forces of the film; male friendship is complicated by betrayals and delusions (here the Jack Carson character is the traitor, while the unfortunate Grimes is rather like the Carson character in Gentleman Jim).

Here, a first glimpse of Shia le Beouf as the film's central character, Jerome.

Here, too, there are remnants of ghost and fairy tales, but blended with a realist family story: the three central characters fight feelings of rootlessness by committing to this one flawed place.

The Jim Crow South, the Great Migration, the civil rights movement of the»60s in America and the Ashanti nation's geopolitical machinations with the British (see Beyond the Book) all play out here, but the characters are always central to the narrative.

Biondi's challenge here was a little different in that the central characters of Matteo and his family needed to share visual similarites while also being distinct.

For the first time and provided exclusively to Killer Instinct Central from Mick himself, here is a «Killer Instinct Music Teaser Suite» that include's Mick's take on the Killer Instinct theme and Character Selection Screen music, as well as Jago's theme.

«It's now truly up to our core group of characters to defeat Central, because they may be on their own from here on out.»

The central piece of the exhibition, Take Me Here by the Dishwasher: Memorial for Marriage (2011/2014), takes inspiration from a scene in Morðsaga in which the main character of the film, played by Kjartansson's mother, fantasizes about a plumber, played by Kjartansson's father, in a sex scene on the kitchen floor.

The single, circular narrative of Mark Trade — which unfolds around a central character delivering aphoristic monologues to a camera crew traversing the American countryside — is here broadcast within a stylized concept bar, while the episodic composition of Permission Streak, a sequence of animations and character - driven vignettes, is presented within a space evocative of acrobatic and aquatic training.

And here comes the central character of the Apple's saga that has made headlines since its debut in The Apple Worldwide Developers Conference (WWDC), June 2017.