Midler's scenery - chewing turn as the brassy
central character remains virtually the only worthwhile element within Stella's overlong running time, as the movie suffers from a fairly stale narrative that's compounded by an absence of compelling supporting figures and an often unreasonably deliberate pace.
The almost excessively subdued atmosphere prevents Nebraska from becoming anything more than a passable endeavor, and yet it's just as clear that the movie benefits substantially from its pervasively easy - going atmosphere and smattering of Oscar - worthy performances - with, of course, Dern's masterful turn as
the central character remaining a consistent highlight.
Not exact matches
Difficult as the problem is in itself, however, and complicated as it is by adverse circumstances, the solution of it still
remains one of the
central tests of
character.
Still, Easy A is an agreeable endeavor that
remains worth a look if only for Stone's star - making work as the
central character (ie she's good even when the movie isn't).
For instance, fans of VanderMeer will notice right away that the
characters now have names — they're identified only by job title in the book — and that while the lighthouse
remains a
central location, a nearby tunnel (or is it a buried tower?)
It's nevertheless impossible to deny that Split, though rarely engrossing,
remains quite watchable throughout, with the movie kicking off with an absolutely enthralling opening sequence and benefiting substantially from McAvoy's frequently showstopping performance as the deranged
central character (ie the actor does a superb job of creating a series of impressively distinct personalities, including a nine - year - old boy).
Its
central characters are shysters; they live on the wrong side of the law, fleece the innocent and, like addicts,
remain locked in a cycle of risk and repeat, trapped by the thrill of the grift.
While it has evolved over time, some
central tenets have
remained as core to the gameplay style — often referred to as «Metroidvania», as both the Metroid and Castlevania games contain similar tropes — including abilities learned throughout the course of the game, non-linear maps, some form of
character levelling, and, some would argue, advanced difficulty.
Details on the film
remain a mystery, but it will reportedly tell the story of the rise and fall of the American dream, dealing with race and culture from the perspective of one
central character.
Despite the films bleak subject matter and flashback structure that — although handled well, does — at times, break the momentum of the here and now, Away (trailer)
remains a thrilling and often extremely moving
character drama, that is anchored by two exceptional
central performances.
Some of the other
characters, who aren't hauled off in the first encounter or die early into the subsequent hunt, fare slightly better, though the majority of those few
remaining based on those requirements are the
central ones.
All the major
characters remain, and the
central question of the novel — should Billy stay in the army or turn deserter, as his sister implores — is the same.
The real strength of the novel lies with the great cast of
characters, ranging from the employees of the Good Relations Unit of Belfast City Council and their «bland conformity» to the
central character Eban, a complex, damaged individual, determined to
remain marginal.
Though she is the novel's
central character, Yeong - hye
remains in many ways a mystery.
The author places the main
characters in timeframes that involve the other
central characters in their lives yet each
character remains self - centered in their own space.
The two
central characters do make major geographic changes — yet no matter what their external surroundings are, their internal worlds
remain stubbornly rooted.
The two
central characters do make major geographic changes — yet no matter what their external surroundings are, their internal worlds
remain stubbornly rooted.Written as a double...
Her
central character is Thomas Mellon Evans, who surfaces in what seems like nearly every trendsetting corporate battle from 1945 until his retirement in 1984, and whose tactics
remain essential to practitioners of corporate warfare.
Veriu
Central will be a $ 15 million conversion of the heritage listed «Wentworth House» and will
remain true to the
character of the building combining old world elegance with contemporary style.