Not exact matches
Too often in recent years, separation has
come into
conflict with the more
central principle of religious freedom.
Most of the
conflict comes from Jules» marriage, and that just shouldn't be the
central premise of a film in this day and age, especially when it's tacked on at the end.
The
central conflict doesn't
come until near the end, and there's so
central villain or antagonist to the film.
Even if it is at the cost of its
central conflict, BvS does work as a promo for films yet to
come: there's no one who won't want to get to know Gadot's kick - ass Wonder Woman better after the credits roll, while Eisenberg's conceited Lexcorp heir is riddled with daddy issues, and feels ripe for further exploration.