Sentences with phrase «central elements of the work»

As in previous exhibitions (for instance, the 2010 exhibition Micro, Aureo, Adela at MACRO, Rome, or Tamaris at Château de Montbéliard in 2012), salt is a central element of the work, a precarious testimony of the subtle balance between form and the unformed, pure geometry and chaos.

While cultural and political realities are central elements of the work on view, the artists in Look up here, I'm in heaven create imagery that aims to transcend the here and now to establish a more transcendent sense of self.

Not exact matches

Small class sizes that allow for personalized learning are a central element of Gustavson's appeal, along with a program that the university describes as «international at heart» — global business content is worked into the curriculum and there's a variety of international exchange possibilities.

That didn't quite work out on Tuesday because he looked exhausted and like he wasn't quite playing at 100 percent after the knock he took on Friday night, but with that trait and his ever - increasing quality on the pitch, Pulisic will be the central element of the national team moving forward.

Their work focuses on «autophagy» as a central element of cellular quality control.

Figuring out how all these elements work together to choreograph gene expression is one of the central challenges facing biologists.

Specifically, in this work he has applied geometric structures similar to those of a crystal or graphene layer, not typically used to describe black holes, since these geometries better match what happens inside a black hole: «Just as crystals have imperfections in their microscopic structure, the central region of a black hole can be interpreted as an anomaly in space - time, which requires new geometric elements in order to be able to describe them more precisely.

Central to Latour's work is the notion that facts are constructed by communities of scientists, and that there is no distinction between the social and technical elements of science.

Most importantly, this body of work has uncovered some of the first direct evidence for the central role of changes in gene cis - regulatory sequences in the evolution of body plans and body parts and in the origin of new structures and pattern elements.

It has long been a central cultural element in the region of its initial domestication, but has since worked its way into the sinews of many other cultures.

An animal print pencil skirt can become a central and interesting element of your work wardrobe.

It lacks the David - versus - Goliath elements of the otherwise not dissimilar Erin Brockovich, and is unusually structured in that its two central characters, Steve (Damon) and Sue (Frances McDormand), are actually working for the bad guys, the energy company.

Even these teetering elements work, for the most part, because of the central performances.

Students are instructed in techniques for evaluating authors» use of language, determining meanings, making inferences, grasping central ideas, interpreting characters, and drawing conclusions to enable them to evaluate literary elements in these works.

Helping her students set and achieve personal goals, as well as the importance of hard work, are central elements of her teaching philosophy.

He also emphasized the importance of understanding clinical practice as central to all aspects of the college's work — not just as a side element useful for practice teaching.

Throughout Resonating, viewers will note Green's various uses of a fan shape: in early works such as For All & None (1978), the fan acts as an essential symbol, suggestive of deeper spiritual meaning; in Taxes (1993), one of her later black and white paintings, the fan shape becomes a central formal element that unifies the composition; in She Dreams (1996), the fan shapes create a complex formal variation which co-exists with other images.

The installation's central work entitled «Randstand», is conceived out of four steel elements, which are arranged following a sequential system along the four side of an outlined square drawn with red pencil.

In all the artist's work, the objects undergoes or produces change, which becomes the central element of a dream, mystery or drama, and introduces a theatrical dimension to the work.

The central challenge of a permanent outdoor collection is its permanence, and though the changing seasons and the passage of time (trees grow, flora and fauna evolve, Corten degrades) introduce elements of change, Inside / Outside has provided a series of opportunities for artists to reframe the collection and to re-present it — and the individual works in it — to the public.

Art historian Lucy Lippard wrote at the time: «Certain elements — a central focus (often «empty,» often circular or oval), parabolic baglike forms, obsessive line and detail, veiled strata, tactile or sensuous surfaces and forms, associative fragmentation, autobiographical emphasis, and so forth — are found far more often in the work of women than of men.»

As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»

This work in particular, contains precariously balanced elements, in a gesture against the rigidness of Central Saint Martin's teacher Anthony Caro and his followers.

In his screenprinted works, Globe, Colorful Ball and Green Cone, Baechler surrounds a single central image in these large scale prints with a complex and diverse field of collage elements, creating a dynamic juxtaposition of foreground and background.

The final combination was fluidic, but Hearth (a resonating pinkish / purple work and the second - largest of the array) was always considered the central element.

The central elements of Mark's work are the body, the mind and distress; often using references from bondage, capital punishment and torture to expose those things we keep hidden.

Organized by the museum's Assistant Curator, Amber Harper, the exhibition highlights Raissnia's mixed media work on paper as a central element of her multivalent practice, which encompasses film, photography, and performance.

The collection also includes central works from her photographic series of urban spaces, her poster paintings and rubbish bins, as well as elements from larger installations, which shows how Kagge concentrates on collecting across time, formats, media and thematic structures.

This book catalogues several exhibitions that focused on contemporary video works made by both Israeli and international artists, with a focus on linking work made in the 1990s to work made in the 1970s via the common thread of the body as a central element.

The exhibition New Gravity / Interesting Thing includes video and performance works that address, in diverse ways, gender and sexuality as central elements of broader social issues.

The cypress tree, which is among the most ancient trees of the Mediterranean region, and is one of the classic symbols of the area's various cultures, is the most central element in Rovner's new works.

These elements that interrupt the fluid qualities of the paintings are central to the excess at work here.

The exhibition begins with the artist's arrival in Paris, exploring the creative environments and elements of popular culture that were central to his life and work.

Two channel video installation in «Elements of Architecture» Central Pavilion, 14th Architecture Biennale Venice, curated by Rem Koolhaas We have been fans of Wolfgang Tillmans» work for years and were interested to see he had

The dress and its elements from nature are central to the meaning of each work with the photographs requiring a team of assistants in order to create.

Edmund Husserl, in the Origin of Geometry, suggested that Euclid developed his Elements from such practical activities as building, and this didactic function of construction as a way of illustrating geometric principles has played a central role in Carl Andre's work throughout his career.

The choice of works is very deliberate with the exhibition broken down into seven themes: Beauty, Power and Space, which looks at each artist's engagement with the sublime, a theme central to English Romantic art but which survived through the modernist movement and is a key feature of Twombly's paintings; Atmosphere, which considers the ways in which the three artists paint land and sea through a filter of atmospheric conditions; Naught so Sweet as Melancholy, named after a phrase in Robert Burton's Anatomy of Melancholy, where the theme of loss and memorialisation are central concerns; The Seasons which reflects upon the passage of time; Fire and Water where all three artists evince the power of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lives.

Central to the exhibition is a group of gradient paintings made exclusively with black and white acrylic exterior house paint that has been blended and forced through sheets of burlap laid face - down on a variety of objects and surfaces (from plastic tiles and garbage bags to silkscreened enlargements of Hagen's own high school drawings) that act as molds, effectively casting the paint, or becoming embedded elements in the surface of the works themselves.

Marcus integrated a large number of the central developments of abstract painting into his work over the years, including large - scale calligraphic gestures and the employment of chance - elements, particularly drip - motifs.

While studying painting at Central Saint Martins and at the Chelsea School of Art in London, he developed his unique approach; in works evoking the tradition of romantic landscape painting, Doig drew attention to the act of applying paint to the canvas by combining abstracted elements with ordinary subject matter.

Working in a process of constant search is a central element in Tyson's work: «When I was a child I had a desperate need to understand my place in the world, I laid in bed thinking of infinity.»

While Bischoff is perhaps best known for his figurative painting of the 1950s and 1960s, the paintings in this exhibition show a commitment to gesture, color and form that are not only central elements of his figurative works, but also in his later abstractions of the 1970s and 1980s.

The monochromatic bands of muted color that bound the central field of calligraphic imagery in Marden's latest paintings and drawings are a distinctly new element in his work.

The exhibition examines how elements that are central to art today — including engagement with found, experimental, and recycled materials, as well as an embrace of contingency, imperfection, and unstructured play — were propelled by the work of women who, in seeking new means to express their own voices, dramatically expanded the definition of sculpture.

The exhibition includes thirty - seven works that represent the two central elements of the Romantic conception of landscape: close observation of the natural world and the importance of the imagination.

Along the edges of each composition, glimpses of single pigments reveal the individual elements that together create the soft glows and mysterious shadows at play in the central body of the works.