Sentences with phrase «central focus of the exhibition»

A central focus of the exhibition is the ubiquity of the mural art form as a backdrop for the Polaroid photos taken in prison visitation rooms, as well as the microeconomy and unspoken negotiation embedded in the creation and circulation of these images — which must be purchased with many hours of labor by the inmates.

As the title «Two By Two» already suggests, the central focus of the exhibition is formed by nineteen pairs of images, which show the works in unusual mutual proximity.

The central focus of the exhibition is the development of Pop art in the United States and still life's role in the context of Pop.

The central focus of the exhibition is his Cellule (1992) series, Numbers 1 — 6, all in one room in full - scale.

The starting point and central focus of the exhibition is a remarkable and little - known archive in the Center's collection assembled by Charles Warre Malet, the East India Company's Resident in Poona between 1785 and 1798, and the British artist James Wales.

Not exact matches

As well as the historic rooms, where the central focus is on the life story of Anne Frank, an interactive exhibition and a temporary exhibition which is changed each year are also on display in the Anne Frank House.

Opening: «A Feast of Astonishments: Charlotte Moorman and the Avant - Garde, 1960s — 1980s» at Grey Art Gallery This show, one of the most long - overdue exhibitions in New York this fall, focuses on Charlotte Moorman, the experimental musician who was central to the New York avant - garde scene in the»60s.

Focusing on the central role of colour in Patrick Heron's work, this exhibition brings an extensive group of the artist's large - scale abstract works to Cornwall, where Heron lives and worked from 1956.

The exhibition's focus on progression and change in Seliger's oeuvre is a fitting tribute to an artist for whom process, transformation, and the notion of becoming were central to both his subject matter and his approach to creating art.

She is co-curator of the forthcoming exhibition The Shadows Took Shape at the Studio Museum in Harlem (14 November 2013 — 9 March 2014) and is a PhD candidate at the University of Central Lancashire where her research focuses on black artists and institutional frameworks.

The central part of the exhibition focuses on Rockall, a small islet in the North Atlantic that some consider the most remote rock in any of the oceans of the world.

This exhibition focuses on a dynamic generation of artists, from a country that is taking an increasingly central position in the international art scene.

-- The sound artist and painter developed a new body of work as part of his Artist Lab residency and exhibition in fall 2012, focused around the alternate guitar tuning scale E-D-G-B-D-G unique to the Central Andes.

Central to the exhibition is a re-examination of Op art and perceptual abstraction, with a particular focus on the work of painters Bridget Riley, Victor Vasarely, Richard Anuskiewicz, and Julian Stanczak, amongst others.

Rather than focusing on individual works of a larger number of artists, the exhibition includes 18 artists who, each in his or her own way, is central to the collection.

This book catalogues several exhibitions that focused on contemporary video works made by both Israeli and international artists, with a focus on linking work made in the 1990s to work made in the 1970s via the common thread of the body as a central element.

Alongside the relentless, doom - laden focus on the contemporary of «All the World's Futures» — Okwui Enwezor's central exhibition at the 56th Venice Biennale — many of the artists from the Baltic nations provide a more historical perspective... All of the nations of the Baltic have known war; several were formed by it.

Formally, the border serves to contain and ground the central activity of the canvas with particular focus on the empty spaces - the «minus» of the exhibition title.

Forming is a solo exhibition of new works by Sto Len that focuses on water as a central theme within a series of personal sigils, rituals, visions, and chance operations.

Alongside the relentless, doom - laden focus on the contemporary of «All the World's Futures» — Okwui Enwezor's central exhibition at the 56th Venice Biennale — many of the artists from the Baltic nations provide a more historical perspective.

According to the museum's charter, The purpose of the Morris Museum of Art shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational programs.

A central focus is the production and design of books, catalogues, brochures, posters, and invitation cards; these works often accompany and document his exhibitions.

The exhibition will also include other works of the 1990s from the IMMA Collection by artists such as Kiki Smith, whose presence references a central focus of the period on issues of identity, gender and the politics of the body and Ilya and Emilia Kabakov, whose works imply stories which must be imagined by their audience.

Gunn - Salie's graduate exhibition titled Witness presented a site - specific body of work focusing on still unresolved issues of forced removals under apartheid, working with veteran residents of District Six, an area in central Cape Town where widespread forced removals occurred.

This focused exhibition explores how innovative photographic practice became central to the activity of the Bauhaus sculpture workshop in Weimar Germany.

Many exhibitions of Lucas» work have focused on her as a central player within British art in the 1990s.

On leaving Central St Martins School of Art in 1995, Titchner's earliest projects were focused on wall drawing and these were included in exhibitions at City Racing, the ICA and the Royal College of Art.

Magritte: The Mystery of the Ordinary, 1926 - 1938 is the first major museum exhibition to focus exclusively on the breakthrough surrealist years of René Magritte, tracing the central strategies and themes from the most inventive and experimental period in the artist's prolific career.

Much, although not all, of the material for this exhibition was drawn from the Judge Dredd comics — a dystopian future - vision that focuses on a central character who dispenses an authoritarian, immediate and violent form of justice.

www.kawsone.com Born 1974 Jersey City, New Jersey Lives and works in Brooklyn, New York Education 1996 BFA School of Visual Arts, New York, NY Grants 1998 Pernod Liquid Art Award Solo exhibitions 2018 Galerie Perrotin, Hong Kong 2017 WHERE THE END STARTS, Yuz Museum, Shanghai Contemporary Art Museum St. Louis, Missouri 2016 WHERE THE END STARTS, Modern Art Museum of Fort Worth, Fort Worth, Texas; Yuz Museum, Shanghai BFF, Central Embassy, Bangkok Galerie Perrotin, Seoul Yorkshire Sculpture Park, West Yorkshire 2015 Permanent Vacation II, Eden Rock St. Barths, St Jean Bay, St Barthélemy, French West Indies Along the Way, Brooklyn Museum, Nueva York Newcomb Art Gallery at Woldenburg Art Center, Tulane University, New Orleans, Louisiana Clean Slate, La Nave, Las Salinas, Ibiza Clean Slate, Shanghai Times Square, Shanghai 2014 Man's Best Fiend, Honor Fraser Gallery, Los Angeles, California Clean Slate, Harbour City, Hong Kong Final Days, CAC Málaga - Centro de Arte Contemporáneo, Málaga PLAY YOUR PART, Galería Javier López, Madrid 2013 Mary Boone Gallery, New York; in collaboration with Galerie Perrotin Pass the Blame, Galerie Perrotin, New York Ups and Downs, Nerman Museum of Contemporary Art, Overland Park, Kansas KAWS @ PAFA, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania KAWS: Giswil, More Gallery, Giswill, Switzerland Ohhh..., Kaikai Kiki Gallery, Tokyo 2012 Imaginary Friends, Galerie Perrotin, Paris Companion (Passing Through), The Modern Art Museum of Fort Worth, Fort Worth, Texas The Nature of Need, Galerie Perrotin, Hong Kong KAWS: Down Time, High Museum of Art, Atlanta, Georgia 2011 KAWS: Companion, High Museum of Art, Atlanta, Georgia Focus: KAWS, The Modern Art Museum of Fort Worth, Fort Worth, Texas Hold the Line, Honor Fraser Gallery, Los Angeles, California Companion (Passing Through), The Standard, New York; Aldrich Museum of Contemporary Art, Ridgefield, Connecticut 2010 Companion (Passing Through), Harbour City, Hong Kong KAWS, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut Pay the Debt to Nature, Galerie Perrotin, Paris KAWS, Galería Javier López, Madrid 2009 The Long Way Home, Honor Fraser Gallery, Los Angeles, California 2008 KAWS, Gering & López, New York Saturated, Galerie Emmanuel Perrotin, Miami, Florida; travelling, curated by Pharrell Williams 2003 Original Fake, BAPE Gallery, Tokyo 2002 # @!

While UMOCA takes advantage of various exhibition rooms within its space, the museum's central focus is the sprawling main gallery, visible from the public entrance on the top floor and accessible by traveling down the staircase to the lower level.

Cynthia Hayes travelled to Kolkata, India, for a solo exhibition of her paintings — which focus on Southeast Asian art history — at the government - run Academy of Fine Arts Central Gallery.

Focusing on his career in America and Paris between 1916 and 1968, the exhibition highlights Man Ray's central position among the leading artists of the Dada and Surrealist movements and the significant range of contemporaries, celebrities, friends and lovers that he captured: from Marcel Duchamp and Pablo Picasso to Kiki de Montparnasse, Lee Miller and Catherine Deneuve.

This year marks the third biennial for this exhibition with a central focus on the current state of artists and creative development in Taiwan.

The ambition of the Committee is that by the careful arrangement of the hang, each work will be properly seen and «read» in its space, and that the cumulative effect — which will have echoes of Summer Exhibitions of past years — will be to infuse the gallery with life and energy, providing a central focus to the exhibition and contrasting dramatically with other more sparsely - hung rooms.

His images of people were central to his work and this exhibition will be the first to focus on his portraiture.

It will be a solo exhibition of new still life and flower paintings by British artist Ged Quinn.Quinn's work takes as its central focus the exploration of art history both in the appropriation of paintings of the past and through the subversion of traditional genres.