Sentences with phrase «central focus of the film»

Despite being the central focus of the film, the love triangle is actually the least interesting of all the storylines.

Not exact matches

SUNY Poly's CEO Alain Kaloyeros, the state's highest - paid employee and a major player in Cuomo's Upstate high - tech projects like the Buffalo Billion and the Central New York film hub in DeWitt, is a key focus of the investigation, according to a source familiar with the probe, The Wall Street Journal reported.

SUNY Poly's President Alain Kaloyeros, the state's highest - paid employee and a major player in Cuomo's Upstate high - tech projects like the Buffalo Billion and the Central New York film hub in DeWitt, is a key focus of the attorney general's investigation, The Wall Street Journal reported.

The Central New York hub will be part of the state university system's College of Nanoscale Science and Engineering, focusing on innovations in the film industry and other sectors, such as medical devices and energy.

Telomeres will continue to gain momentum as a hot topic, having already been a focus of the 2014 documentary film, The Connection, and playing a central role in Cameron Diaz's next book, a follow - up to her bestselling The Body Book.

The episodic bent of the film's first half - much of the narrative seems to follow the central characters as they fight one fire after another - does test the viewer's patience to a fairly demonstrable degree, and it's clear that Backdraft, by and large, works best when focused on the rivalry and relationship between the central figures (and how it ultimately affects their respective work).

Spielberg widened the film's focus to encompass the story's other angles — Ellsberg's evolution, the Washington elite's lies about the war, and the tick - tock of daily - deadline journalism — but the rise of Mrs. Graham, in an era when the word Ms. hadn't yet been popularized and the concept of gender equality wasn't paid so much as lip service, remains a central theme.

Nicholas Ray's 1955 film extends sympathy to all its characters, not just the kids, though the central trio of Dean, Natalie Wood and Sal Mineo focus our emotions.

From that, the rest of the film follows, for there is no broadly, easily villainous type present in the film at all, whether student, faculty, administrator, or even parent; thus the focus more clearly and cleanly zeroes in on the central idea at hand: that the two are their own worst enemies, and they need to get over themselves to be awakened to what's truly worthwhile in their lives and in life as a whole.

Instead of conveying the horror the Armenians faced during this period, the deaths all too conveniently shift the film's focus back to the central trio, and the mens» tug of war for Ana's affections.

Most of the film focuses on the central conflict between Picard and Shinzon, and what's interesting about it is that it's not merely a matter of good vs. evil.

Whilst many films focus on a central protagonist or couple, others rely on a collection of characters to share the focus of the story.

Focusing on the more vulgar linguistic elements in the film, it nevertheless gives a much more thorough picture of the marvellous central character, Gustav H.

Focus aimed to position the film as «not a biography about the Pope, rather a film with him,» and having the leader of the Catholic Church as the central subject made the marketing task pretty straightforward.

During Star Wars Celebration last month it was revealed Rogue One will focus on a crew who set out to steal the Death Star plans, so it seems likely Luna could be playing a central member of rebel soldier Felicity Jones» gang — regardless, I'm just excited to see the first Star Wars Anthology film is continuing Force Awakens «trend of diversifying the franchise and casting incredible actors of color (crossing all my appendages that Rogue One actually delivers on its rumored LGBTQ + representation as well).

LRM is posting a rumor that the next mainline X-MEN film may possibly involve the iconic Dark Phoenix storyline, saying it could be the «central focus of the movie.»

Moreover, the film uses extensive flashbacks, depicting Lizzie's harrowing childhood and rise to fame, instead of focusing on the present, resulting in a periodic loss of interest in the central plot.

The central theme of finding oneself and growing up may not coalesce that nicely due to an odd lack of focus and characterization of Jude, and the film becomes a little too saccharine towards the end, but the ensemble makes the picture worth the ride thanks largely to terrific performances all around and an MVP turn by Hawke.

But whenever the film focuses on the central late - in - love romance between Julia Louis - Dreyfus «masseuse and James Gandolfini «s TV archivist, it soars; the pair share heaps of chemistry, and Holofcener is as insightful as ever about the genuine difficulties that can get in the way of relationships.

As the pages turn faster, focusing on the hows and whys of a major crime central to the plot, this concision and velocity make the film feel like a modern thriller.

Scorsese, for his part, offers a concise but perceptive take on what he perceives to be the central import of the film (he focuses on the blacklist angle), and adds an amusing and honest anecdote about the film's initial reception.

Burr - even though his character contributes nothing plot-wise - does supply some sort of central focus to the film.

Though not lacking in talent or feeling, the film suffers from an uneven distribution of focus and relies too much on its central romance to wrangle the viewer's emotions.

Anderson's idiosyncratic style of oddball, dialogue - driven humor is present, but like those previously mentioned films, it's the way that humor and those strange characteristics tie to the central thematic focus that make Anderson's work more than the sum of its eccentric parts.

Like All the President's Men or The Insider (two films you can't help but think of watching this, and that's no bad thing either) Michael Cuesta is focused on the story and the central character and how the quest for and to expose the truth changes lives forever.

The Infinity Stones have become the central MacGuffins of the Marvel Cinematic Universe, with many of the films focusing on the hunt for specific gems.

Since the beginning of his career, photography has been a central focus of Douglas's practice, utilized at first as a means of preparing for his films and eventually as a powerful pictorial tool in its own right.

These themes are central to her work and were the focus of an earlier film, Wedding Rituals (2007), acquired in 2007 by the David Roberts Collection.

Many of his films, like his photographs, focused on urban life (e.g., What Mozart Saw on Mulberry Street [1956, with Cornell]; Central Park in the Dark, New York City [1985, with Charles Ives, Christopher Sweet, and Yoshiko Chuma and her School of Hard Knocks]-RRB-.

While the focus on performance has become a central one in 2012, we found a group of four artists across different mediums — from sculpture, painting, film and living installation — each dynamic in their own right.