Sentences with phrase «central gallery off»

Pre-20th-century painting will be found in two in - focus displays, in the large central gallery off the Octagon (gallery 9) and the Clore Gallery.

Not exact matches

Our central location allows guests to park off the street and walk almost everywhere — beach, bayfront, shops, restaurants, galleries, and performing arts are all within a few blocks.

Off - site galleries offered strong artist - is - present showings: at Central Fine on Normandy Drive, airbrushed paintings by Hubert Bush; at Emerson Dorsch, Back On Earth, hatched by Miami locals, Hugo Montoya and Brandon Opalka; at Locust Projects Daniel Arsham's fierce intervention into the gallery floor, 25 feet wide and up to 3 feet deep, filled with artefacts from the recent past (a bashed - up guitar, a push - button telephone, radios, blown tyres — painstakingly recreated in concentric circles of volcanic ash, crystal and steel, and all sourced from eBay.

Making art, which is theoretically prized and precious, out of cast - off objects is one of the basic paradoxes central to many projects that have appeared in the Mexico City gallery, which has presented work by artists like Sarah Lucas, Damián Ortega, Allora & Calzadilla, Adrián Villar Rojas, Danh Vo and Dr. Lakra (Jerónimo López Ramírez).

Tags: art central hong kong, the cynthia corbett gallery, young masters Posted in Art Fair Comments Off on The Cynthia Corbett Gallery will exhibit at ART CENTRAL, Hong Kong (21 - 26central hong kong, the cynthia corbett gallery, young masters Posted in Art Fair Comments Off on The Cynthia Corbett Gallery will exhibit at ART CENTRAL, Hong Kong (21 - 26gallery, young masters Posted in Art Fair Comments Off on The Cynthia Corbett Gallery will exhibit at ART CENTRAL, Hong Kong (21 - 26Gallery will exhibit at ART CENTRAL, Hong Kong (21 - 26CENTRAL, Hong Kong (21 - 26 / Mar)

The gallery is located at the ground floor of The CASS Central House, just off Aldgate East station.

Experientially rich, buzzing with energy and entropy, crammed with chaos and contradiction, and topped off with the saga of subversion that is central both to the history of the empty - gallery - as - a-work-of-art but also to the Gavin Brown experience itself, this work is brimming with meaning and mojo.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

2017 - 21st Faith Creative Exhibition - The Workshop, SE1 7AG - www.21stfaith.org 2017 - Primary - Filet Aegis, Filet Gallery, 103 Murray Grove, London, N1 7QF, Co-curated by Rut Blees Luxemburg 2017 - London Pop Up Art Fair - Sunny Art Centre, 30 Gray's Inn Road, London, WC1X 8 HR 2016 - Salon des Refusés - Space Gallery, 129 - 131 Mare Street, London E8 3RH 2016 - Chelsea Undergraduate Summer Show - 16 John Islip Street, London SW1P 4JU 2015 - ArtsDepot Open 2015 - 5 Nether St, London N12 0GA 2015 - Curiosity - Group Exhibition - Fifth Base Gallery, Off Brick Lane, E1 5LJ 2014 - Slippers - Group Exhibition - Hoxton Basement, N1 6NG 2014 - Nu · Paint - Duo Exhibition - Atterbury St, SW1P 2013 - Central Saint Martins Foundation Show - 10 Back Hill, Clerkenwell, London, EC1R 5EN 2012 - ArtsDepot Open 2012 - 5 Nether St, London N12 0GA

Work by all four artists will remain on show at the Photographers» Gallery in its new central London home off Oxford Street until 9 September before travelling to the Deutsche Börse headquarters in Frankfurt.