Tai Shani's work occupies
the central gallery space and frames the gallery entrance with vibrant symbolic sculptures; technicolour, psychedelic interpretations of mystical objects and ritualistic architecture.
Oorebeek reiterates his role as curator - as - artist by installing in
the central gallery space a selection of pages from his book Vertikal Klub (2014) that are enlarged to human - scale figures to symbolically host the participating artist with a figure, and to guide the visitor through the domains by a loosely reconstructive system.
Despite some debate around not being given the main
central gallery space, Nicholson was delighted with the exhibition in the end:
Not exact matches
Moore recently wrote, directed and recorded a performance 10 voices and two drummers commissioned by Wysing Polyphonic 2016, recorded live punk record at Tate Modern, ran an educational performance
space in an occupied firestation in Norway, and has performed at Serpentine
Gallery, BFI London with Jarvis Cocker, Block Universe Performance Festival, London; Metaphonica,
Central Saint Martins; The Barbican with This is Not This Heat, and made a series of live interventions for Late at Tate Britain.
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert
Gallery, New York, NY 1981 New Work, Roy Boyd
Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists
Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed
Gallery, Rockford, IL 1980 Group Show, Roy Boyd
Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn
Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons
Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas
Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman
Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid
Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe
Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New
Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art
Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon
Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe
Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch
Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare,
Central Hall
Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare,
Central Hall
Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art
Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman
Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman
Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris
Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT
Artworks will be exhibited in the
gallery's periphery, surrounding a perpetually changing
central space.
Pedder BuildingSome of Hong Kong's biggest
galleries (including Gagosian, Hanart TZ, Lehmann Maupin's Rem Koolhaas — designed
space, and Pearl Lam) are located in the 1924 neoclassical Pedder Building in
Central — a must - visit for anyone interested in the city's commercial art world today.
Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in
Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project
Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core
Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood
Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood
Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood
Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn
Gallery, Llandudno Artist talks 2011 Show and Tell, Core
Gallery, Deptford SE8 Residencies 2005 Flock, Bristol
Central Library, Bristol
Despite these upheavals, I believe that
gallery spaces must remain a
central component of the art ecosystem.
Changing solo shows at the
gallery spaces in
central Nuernberg and Kitzbuehel expose different positions of our
gallery program.
Dividing and subdividing the
gallery, this installation both tackles and expands upon two
central themes: an architectural play with transparency and concealment as well as an encounter between an intimate and private exhibition
space and a strikingly public stage, which places «on view» the visitor's every movement.
Considering the phrase «as above so below», one of the
central tenets of Hermeticism, Friedberg explores the behavior of reflected sound and its perception in this one - hour composition, comprised of three segments across the two levels of the Swiss Institute's
gallery space.
Perhaps unwittingly, Whitestone
Gallery's main
space is a perfect reflection of the nautical theme that is
central to Mizù's work.
The list of the exhibitors in this sector includes MCHG Maria Casado from Buenos Aires, an alternative to the rigidity of other
spaces dedicated to art; Efrain Lopez from Chicago, committed to showcasing work by emerging and established visual artists that is visually engaging and conceptually captivating; Maximillian William from London, a 21st - century nomadic
gallery; and Yam Gallery from San Miguel de Allende, an art project located in Central Mexico focusing on contempora
gallery; and Yam
Gallery from San Miguel de Allende, an art project located in Central Mexico focusing on contempora
Gallery from San Miguel de Allende, an art project located in
Central Mexico focusing on contemporary art.
2005 He Said / She Said, Primary
Space, Detroit, MI Easy Action, CSFU Grand
Central Art Center, Santa Ana, CA Collectors Edition, Triple Base
Gallery, San Francisco, CA
They are suspended at varying heights and gently sway and turn colonising the
central vicinity of the
gallery space.
Richard Ducker has exhibited throughout the UK and internationally, including: ICA (London); Kettles Yard (Cambridge); Serpentine
Gallery (London); Royal Academy (Edinburgh); Mappin
Gallery (Sheffield); The Yard
Gallery (Nottingham); The Kitchen (New York); Flowers
Central (London); Cell Project
Space (London); Katherine E Nash
Gallery (Minnesota, USA); Standpoint
Gallery (London); Café
Gallery (London); Anthony Reynolds
Gallery (London).
The Station North Arts and Entertainment District, located in
Central Baltimore near Penn Station and Mount Vernon, comprises a collection of
galleries, artist live - work
spaces and early 20th century row homes.
Gagosian
Gallery will open a roughly 960 - square - foot
space near Syntagma Square in
central Athens on Sept. 25.
Located in Sai Ying Pun area, near the Hong Kong's
Central district which houses numbers of renowned art spots, Above Second manages to stand out and be very different, as it is a combination of a
gallery and art
space.
In the first room of Marian Goodman's new
gallery, adjacent pairs of vast grey painted - glass panels are retwinned on opposite walls, so that the
space contracts a little around a huge
central sculpture, 7 Panes of Glass (House of Cards)(2013), that drolly invokes both Richard Serra's cliffs of leaning steel and Caspar David Friedrich's The Sea of Ice (1824).
2003 Far Away, So Close, Clare Weiss's Loft
Space, New York, New York 10 Floridians (catalogue), Miami Art
Central, Florida Made in Miami, Fredric Snitzer
Gallery, Miami, Florida
About the artist Richard Ducker has exhibited throughout the UK and internationally, including: Jerwood
Space (London), ICA (London); Kettles Yard (Cambridge); Serpentine
Gallery (London); Royal Academy (Edinburgh); Mappin
Gallery (Sheffield); The Yard
Gallery (Nottingham); The Kitchen (New York); Flowers
Central (London); Cell Project
Space (London); Katherine E Nash
Gallery (Minnesota, USA); Standpoint
Gallery (London); Café
Gallery (London); Anthony Reynolds
Gallery (London).
Celebrating, challenging, and subverting these stereotypes is
central to Figueroa's work, which he has described as «tropicalizing» institutional
spaces such as
galleries and museums.
Red Grooms, Claes Oldenburg, and Allan Kaprow — all of whom drew both inspiration and materials from New York City — played a
central role in the creation and rapid growth of these often short - lived
spaces, which were conceived as part studio, part
gallery, part laboratory.
Some of Hong Kong's biggest
galleries (including Gagosian, Hanart TZ, Lehmann Maupin's Rem Koolhaas — designed
space, and Pearl Lam) are located in the 1924 neoclassical Pedder Building in
Central — a must - visit for anyone interested in the city's commercial art world today.
Selected Public Collections Guangdong Art Museum, Guangzhou, China Multimedia Art Museum, Moscow, Russia UNIDEE Art Foundation, Biella, Italy CAFA (China
Central Academy of Fine Arts), Beijing, China White Rabbit
Gallery, Sydney, Australia Museum Folkwang, Essen, Germany Taikang
Space, Beijing, China Three Shadows Photography Art Center, Beijing, China
In addition to pursuing installation opportunities in non-art
spaces throughout the city, he works as the Exhibitions Coordinator at Houston Community College
Central Art
Gallery, and teaches printmaking at the University of Houston and the Glassell Studio School.
The catalogue for a 1999 restrospective at London's Hayward
Gallery said his work «addresses the
central concerns of European painting: how light falls, how
space is organized, how to reconcile different ways of looking at things.»
Behind that wall, Suspension plays with the rest of the
gallery's large,
central space.
Four circular screens are mounted along a
central axis in a darkened mirrored room: Two are placed on opposite ends of the
gallery while two others sandwich a column in the middle of the
space.
Then further up in
Central, the highlight of the evening was the new
galleries building HQ with the opening of the new
spaces in Hong Kong of mega-dealers: David Zwirner with Wolfgang Tillmans, Hauser and Wirth presenting Mark Bradford, Pace with Yoshitomo Nara.
The goal of opening a
gallery in Brussels was to expand and spread it's programme, allowing the
Central European enthusiasts a
space to catch some of the world's most desirable artists.
Hung on the
gallery's
central wall, each of Incidence's panels depicts a white triangular prism hovering in flat, periwinkle - hued
space.
Located at 4733 McPherson Avenue in Saint Louis»
Central West End, projects +
gallery is a commercial art
space designed to feature contemporary exhibitions and artists that blur the boundaries of traditionally understood artistic disciplines and practices.
Eventually the Royal Academy, already a unique institution and governed by its own artists and architect members effectively, will be fulfilling an ample role as London's most important and vital
central art
gallery, in the fullest sense, with this very major extension of
space.
Rather than ignoring the four huge columns which divide the
central space of the main
gallery, Trakas uses them to interact with his even larger upright logs and low - lying steel platforms constructed around them.
In its inaugural year, Art
Central will host 70
galleries at a newly commissioned
space on the downtown waterfront, plus talks and seminars at The Asia Society.
This reaffirms the mission to create new
spaces and situations that will transmit the
gallery's spirit, where the artist is
central to its existence.
Hauser & Wirth is to open a new
gallery space in the H Queens development in the
Central district of Hong Kong, opening in Spring 2018.
Adams /
Central Mixed Use Development, Permanent Public Art Installation, Los Angeles, CA Baylor College of Medicine, Houston, TX Bibi
Space Gallery, Daejon, South Korea Gibson, Dunn & Crutcher, Los Angeles, CA Harvey Universal Inc., Los Angeles, CA Jarrow Formulas Inc., Los Angeles, CA Luxe Hotel, Los Angeles, CA Museum of Art and History, Permanent collection, Lancaster, CA Tsuge Cafe, Tokyo, Japan United States Federal Courthouse, Los Angeles, CA Wallach Glass Studio, Santa Rosa, CA PRIVATE COLLECTIONS Estate of Betty Asher, donated, Los Angeles County Museum of Art Sam Alexander Carol April Phillip Bialeck Sheila Baird Gerald E. Buck Collection Tony and Cindy Canzoneri Robert and Maureen Carlson Rick Morris and Lisa Cliff Norm DuPont Jeff Ehrlich Merrill Francis Mark Frankel Arnold and Homeira Goldstien Joni Gordon Jonathan and Nancy Glaser David Grant Barbara Horwitz Dr. Todd Hutton Anne Hutton Ken Kaplan Doug Kennedy Marianne Kim, Daejon, Korea Neil and Pamela Kramer Shuji Kato and Kazumi Kua, Tokyo, Japan Jeffrey Kurland Marilyn Lasarow and Judge William Lasarow Dr. Richard Lasarow David Loomstein David Nash Gina Posalski Jarrow Rogovin John and Elsie Sadler Ralph Perl and Rhoda Shapiro Dr. Kumiko Saito, Hayama, Japan Junko Saito, Hayama, Japan Susan Sauvageau George and Kay Sherman Joannie Stern Steve Sztopek Brad and Cynthia Theil Sue Tsao DeWain Valentine
My current solo show, SiteLines, is a collection of online videos, experimental walking tours and a
gallery installation featuring banners, sculptures, photography, and cartography derived from nearby overlooked public
spaces and experiences in
central Baltimore.
It will include the conservation of the façade of Burlington Gardens, one of the grandest unrestored buildings in
central London, as well as providing a double - height lecture theatre, a new Clore Learning Centre,
space to exhibit more works from the RA Collections, refurbished
galleries for temporary exhibitions and extended
space for the RA Schools.
Lean To, FCHKUK, and Elements of Drawing Blind were all two week projects approached as short - term residencies, that took place between 2000 and 2001, the former presented as solo exhibitions, the latter a group show While Lean To and FCHKUK resulted in installations that explored the very notion of residency as «home» (both hosts, the East London
gallery and Stuff, an artist - run
space in Bethnal Green, now coincidentally defunct), Elements of Drawing Blind responded performatively to an invitation to participate in a drawing residency in the West London - based artist - run Central S
space in Bethnal Green, now coincidentally defunct), Elements of Drawing Blind responded performatively to an invitation to participate in a drawing residency in the West London - based artist - run
Central SpaceSpace.
The pavilion of Serbia at the 14th Venice Architecture Biennale is based on the contrast between a very bright
central space and an extremely dark
gallery
These two works and its compatriots, which are
central in the main
gallery, are guarded by Chloe Seibert's giant cement bloodhound, which was created on - site within the
gallery space with the intention of being large enough not to fit through any of the Contemporary's doors (Seibert's signature hat trick).
IJ: I'm also thinking of artists like Denzil Forrester [born in Ghana in 1956, who studied at
Central School of Art and the Royal College of Art in the early 1980s] whose paintings you showed last year, Peter, at Tramps [the London
gallery space in Peter Doig's former studio that is programmed by Parinaz Mogadassi, along with Doig and artist Alastair Mackinven].
This resulted in «Trade» a 5 person show in a beautiful
space right in the centre of Fitzrovia (a busy
central London
gallery area).
According to Martin Melarkey, Culture Company programmer: «The plan to convert state - of - the - art
galleries into office
space sounds like a decision made by
central planning in the dark days of the Soviet Union.
As part of the guest exhibit Making
Space: Beyond a Room, on view at the Rosemary Duffy Larson
Gallery at Broward College
Central Campus, Girls» Club is hosting an open call for poems and short stories.