And herein lies
my central issue with the film.
Not exact matches
The screenwriter and Howard do let Lauda and Hunt's marriages slip by
with minimal coverage, and the
film opens
with unnecessary narration and wraps up
with obvious dialogue, but Morgan makes up for such
issues with his precision in detailing the
central relationship.
Even if it is at the cost of its
central conflict, BvS does work as a promo for
films yet to come: there's no one who won't want to get to know Gadot's kick - ass Wonder Woman better after the credits roll, while Eisenberg's conceited Lexcorp heir is riddled
with daddy
issues, and feels ripe for further exploration.
The
film isn't about the
central issue at stake; it's simply a character - study of one woman going through life who decides to make a specific choice when faced
with a difficult situation.
The act of doubling is among the work's
central conceits; contending not only
with issues of material and visual replication, but also
with the duplicative nature of
film itself.