Sentences with phrase «central love»

With the humor and sidebars so underwhelming, all that's left to hold your attention is the transparent central love story which makes you wait 90 minutes for a happily - ever - after ending you saw coming practically from the opening credits.
That's the list that the folks here at Android Central loved.
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But it's the soaring central love story that makes the film sing: this is an old - school romance, all lingering glances and bold declarations, petticoats, pouting and heaving machismo.
Unlike most coming - of - age stories, which focus on boys, Lady Bird's central love story is mother - daughter.
Titanic - The central love story is deliciously syrupy, as crowd - pleasing as its inevitable show - stopping finish that, despite said inevitability, is a reality we don't want to face: What if Billy Zane survives?
Homophobia, racism, fascism, paranoia — Del Toro combines these themes behind the central love story to illustrate how in times of oppression, standing up for what's right often requires subversion.
But that gives a disservice to Hossein Amini «s taut, Elmore Leonard - ish script, that gives texture to parts that needed none, to the simultaneously minimalist and multi-faceted central performance from Ryan Gosling, to the sweetness of that central love story (the film is as much rom - com, or at least rom, as it is a thriller).
Everything in the film, she says, comes back to «the central love story» between Marion and Christine, mother and daughter.
Like a sunbaked Jules and Jim, the movie makes nimble use of its central love triangle, setting up conflicts between the characters as they move through the complicated political and social realities of Mexican life.
The surface simplicity also masks the complexity and absurdity of Anderson's vision, from Barry's electric blue suit and the starkness and size of his warehouse workplace to the propulsive percussion of Jon Brion's score and the loopy use of an off - key ditty from Robert Altman's infamous movie musical of Popeye as the central love theme.
The film's downside — besides having no visual flair regarding the showcasing of tulips — is that the central love story feels rushed and empty.
Director Gavin O'Connor's stripped - down approach gives the performances room to breathe, and it's during these quieter moments, when he's able to explore the emotional complexities of the central love triangle, that the movie really shines.
Jennifer Lawrence (American Hustle), Josh Hutcherson (The Kids Are All Right) and Liam Hemsworth (Empire State) incarnate the three sides of the central love triangle with appropriately moist eyes and trembling voices, though it's Hutcherson, as the captured (and tortured) Peeta Mellark who gets to really act this time, as his body and mind reflect, more and more, the scars of his captivity.
Instead, it is the most sumptuous, classical star cross'd lovers romance — a «Juliet and Juliet» story — in which the central love affair is presented just as legitimately as those that dotted the Hollywood films of the Golden Era (films whose narratives French film theorist Raymond Bellour memorably likened to machines designed to produce heterosexual couples).
But she and del Toro bolstered the central love story by populating the film with side characters, such as Octavia Spencer's Zelda and Michael Shannon's villainous Strickland, who talk a lot.
That these movies never got completely bogged down by their central love triangle — even though it's handled skillfully, and we still care about how it's resolved — is but one of the many achievements of this franchise's architects.
Romance Writers of America, the leading voice of the genre, define romance as having a central love story, and an emotionally satisfying and optimistic ending.
Touches of romance, sure, but at least in the opening book, the story can't center on a central love story and hold for the rest.»
Be an original romance novel or novella with a central love story (or an original commercial fiction novel with elements of romance) and have a resolution of the conflict that is emotionally satisfying, optimistic and / or a «happy ever after» ending.
The submission must be a story that has potential to lead - up to a completed original romance novel or novella with a central love story (or an original commercial fiction novel with elements of romance) and have at least a hint of conflict that by the end of a completed novel, would have to have an emotionally satisfying resolution, optimistic and / or a «happy ever after» ending.
The bastion of romance - writing - Romance Writers of America - says it this way: «Two basic elements comprise every romance novel: a central love story and an emotionally satisfying and optimistic ending.»

Phrases with «central love»

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