A perfect black comedy with one of the most underappreciated
central performances in film history, by Dennis Price (and a handful of genius ones by Alec Guinness).
The buzz around
the central performances in the film are deserved: Fiennes has discovered a late - career touch for comedy and it's a memorable performance.
Boxing comes secondary here but Johnny Harris comes second to no - one with a towering
central performance in a film that plays out like a pugilist Ken Loach drama.
Not exact matches
The
film is anchored by two excellent
central performances; normally known for stand - up comedy, Dave Johns as the titular character delivers solid work
in his
film debut but it's Hayley Squires as the single mother of two who finds herself
in some devastating circumstances that truly captures your heart.
There's little doubt that the effortlessly engaging
central performances play a substantial role
in the
film's success, with D'Agosto and Olsen's charismatic work ensuring that their respective characters never come off as the sleazeballs one might've anticipated (ie Shawn and Nick's relentless scheming is almost Ferris Buelleresque
in its good - naturedness).
But it is a powerful
film, one of the nine shortlisted for the foreign - language Oscar, and it is elevated, as it would need to be, by Diane Kruger's superb
performance in the
central role.
Timothee Chamalet and Armie Hammer are superb
in the
central roles, and despite an unignorable bathetic turn
in the supporting
performances, this is an important
film.
It is,
in the end, not difficult to see why V.I. Warshawsky was unable to kickstart a series of movies involving the
central character, with the
film's profound failure due almost equally to Turner's nails - on - a-chalkboard
performance and the narrative's paint - by - numbers execution.
All of which is reflected
in Nicholson's phenomenal
central performance, for Bobby is himself a kind of actor, playing at being ugly, mean and self - sufficient
in a doomed effort to disguise his absolute emotional emptiness, feeling himself exposed layer by layer as the
film approaches its devastating climax.
On the plus side, the
film is gifted with a smart and appealing
central performance from David Tennant, who trades
in a very nice line of ticks, stammers and hesitations as he intones Laing's crackpot theories.
This wordless beginning, told
in beautifully composed shots, sets the mood for a small, quiet, polished
film that unfolds slowly but with remarkable assurance and features a striking
central performance from Agata Trzebuchowska.
Oli caught it first at the London
Film Festival, calling it «absolutely stunning, one of the year's best
films,» and Jess reviewed it
in full
in Marrakech, agreeing that it's a «small, quiet, polished
film that unfolds slowly but with remarkable assurance,» with some «truly remarkable cinematography,» and a «striking
central performance» from young Polish actress Agata Trzebuchowska.
Of course, the
film wouldn't be successful
in its singular triumphs were it not for the superlative
central performances from Huller and Simionschek.
The
central performance by Bishil is extraordinary and the
film wouldn't have worked without her absolute perfection
in showing an impressionable and innocent girl coming into her own.
Despite many excellent things
in the
film, particularly the
central performance of the inscrutable, enigmatic Andreotti I found this disappointing.
There was one a
film trilogy, featuring outstanding special effects and a
central performance from Andy Serkis, that failed twice
in an Oscar category before finally taking home the prize on the third try.
Timothée Chalamet and Armie Hammer are superb
in the
central roles, and despite an unignorable bathetic turn
in the supporting
performances, this is an important
film.
Cooper has the ability to find good lead actors to keep his
films afloat (Jeff Bridges
in Crazy Heart, Christian Bale
in Out of the Furnace, Depp and Edgerton here), but that seems to be all that concerns him, leaving little left over to sustain anything beyond the force of its
central performance.
Despite a fine
central performance from Idris Elba, that
film tried to cover way too much ground with the result that it came across as a series of snapshots, fine enough
in themselves but not enough to give us a true sense of the man which, say, concentrating on a specific time
in his life may well have done.
Uncle Buck's
central appeal is the
performance by John Candy, and many who think of the late comedic actor nowadays probably remember much of his onscreen personality as that which he portrays
in this
film — occasionally overbearing, but with a heart of gold.
The
Central Texas - shot «Joe» was also recognized with a special award for the late Gary Poulter, for his outstanding
performance in the
film.
But while there are some genuine insights and well - pitched
performances (Eric Stoltz and Annabella Sciorra are appealing as the
central pair, but Carlos Jacott and Chris Eigeman steal the
film in supporting roles), the prickly dialogue that marked out «Kicking and Screaming» only spikes intermittently, and so the
film overall goes down just a little too easily, a little too unremarkably.
Cregger's bland yet personable turn as the
central character is certainly
in sharp contrast to Moore's aggressively zany
performance, with the actor's incessantly over-the-top work hitting the viewer like nails on a chalkboard and ensuring that the
film becomes more and more of a chore to sit through as it progresses.
As a result, the
film has an improvisational, spontaneous feel - greatly assisted by some fantastic
performances - but Rafelson takes things too far towards the end, eventually abandoning the more effective elements
in his script (ie the three
central characters).
The greatness of the
central performance and the
film lies
in making the most tangled situation appear simple and soluble.
The
films he made between these animated efforts — Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014)-- were among his better works, as the former evinced a real sense of poignant feeling that sometimes gets lost
in his penchant for irony and pastiche, while the latter was a marvelous screwball farce with a fantastic
central performance by Ralph Fiennes.
Filmed entirely
in South Africa, with a cast made up of the country's citizens, this powerful, sometimes shocking account of the life of the apartheid martyr, Solomon Kalushi Mahlangu, frequently benefits from a strong
central performance by Thabo Rametsi that helps to hold the story together.
Making one compromise after enough
in an effort to scrounge cigarettes or food, the corrupting force of the predators around him
in an alien environment is eye - openingly gruelling, thanks to the
film's compelling
central performance.
But the introspection offered by this many - layered approach would fall flat without the strength of its
central performances, and while a number of Anderson's staple actors make appearances — Bill Murray, Owen Wilson, Jason Schwartzman, Adrien Brody, among others — Ralph Fiennes steals the
film as M. Gustave H. Achieving the subtle distinction between delivering a huge
performance without being over-the-top, Fiennes balances his theatrical gravitas with his rarely - executed gift for comedy, making it impossible to imagine anyone else
in the role.
That anxious, inexhaustible quality is nicely captured by Dan Stevens»
central performance in this amiable, bluff, broadly drawn
film.
Keira Knightley's brave
performance came
in for criticism
in some quarters for being «mannered» but I think she's the heart of the
film; I can't imagine a better physical embodiment of Cronenberg's
central idea of sexuality as a disruptive force.
Her
performance as Tonya's chain smoking, negligent mother — who is utterly devoid of warmth even
in a
film where the ice is a
central character — might be cartoonish, but it's compelling
in its unpleasantness.
The action
film, directed by Jeremy Rush, will star Frank Grillo, who has long been
in the waiting wings for a lead role on the big screen after his strong
central turn
in MMA drama Kingdom (exclusively on - demand through Virgin
in the UK) and scene - stealing
performances in the Captain America franchise.
The life of Sidonie - Gabrielle Colette makes for fascinating drama
in a nuanced and inspiring
film with a luminous
central performance
Writing
in The Independent, Geoffrey Macnab praised Spall's «magnificent
central performance» and the
film's «occasional flights of visual splendour».
Eisenberg is the
film's binding agent, his admirably Spartan
central performance is as militantly unruffled as Delon
in Le Cercle Rouge.
Dickson Leach's
film debut is a solid one — a simple story which relies on its two
central performances from Kendrick and Troughton, both of who deliver
in spades (excuse the terrible pun).
Oli caught it first at the London
Film Festival, calling it «absolutely stunning, one of the year's best
films,» and Jess reviewed it
in full
in Marrakech, agreeing that it's a «small, quiet, polished
film that unfolds slowly but with remarkable assurance,» with some «truly remarkable cinematography,» and a «striking
central performance» from young Polish actress Agata Trzebuchowska (a non-professional actress who Pawlikowski found waitressing
in his local cafe).
Partly funded by Kickstarter, and
filmed in a 19th century house with its own alleged history of haunting, The House on Pine Street is competently directed, and is lifted considerably by Goss's convincing
central performance.
There's persuasive evidence to support this sharp reputational shift: this was the moment when post-industrial architecture led to new forms of loft living; it was the era
in which
performance,
film and installation became
central features of contemporary art; and it's where more fluid notions of gender and sexuality were evolving
in pulsing clubs and decaying factories.
Central to the exhibition will be fragments of the artist's writings and footages and videos as well as short
films from the oeuvre of French director Jean Michel Bruyère
in which Samb plays the role of an actor at the service of Bruyère's durational
performance - installations.
Founded
in 1945, the MCA Chicago «documents contemporary visual culture through painting, sculpture, photography, video and
film, and
performance,» at its
central Chicago Loop location.
The violence of imperialism and the intimate spaces of resistance within globalization form
central pivots
in her work which take the form of multi-channel video installations, expanded cinema
performances, essay
films, photographs, discursive events, pedagogical platforms, and writing.
The
central work
in the installation, Incense, Sweaters, and Ice (2017), is a non-linear narrative
film that explores the contemporary
performance and surveillance of blackness.
One of the main features of the interior of the Pavilion was the
central performance space
in a 90 ft diameter 120 degree spherical mirror made of aluminized reflective PET
film, which produced real images of the visitors hanging upside down
in space.
While the focus on
performance has become a
central one
in 2012, we found a group of four artists across different mediums — from sculpture, painting,
film and living installation — each dynamic
in their own right.
Some featured artists
in the upcoming project include the
performance artist David Levine, who will stage reenactments of famous
film scenes set
in Central Park.