Sentences with phrase «central point of departure»

Not exact matches

Jesus understood the Kingdom of God as being manifest in his ministry; all else in his teaching takes its point of departure from this central, awe - inspiring — or ridicule - inspiring, according to one's perspective — conviction.

The most dramatic point of departure for the 2015 Audi TT interior is that the car lacks a central infotainment screen.

Cairns is also central to many of the areas activities and attractions, it is the departure point for scuba and snorkeling adventures on the Great Barrier Reef while the scenic railway or Skyrail that provides a magical trip into the rainforest hinterland and the famous craft markets at Kuranda.

My departure point for the islands is Quito, Ecuador, a large, capital city, similar to others in South and Central America, and hardly a sign of the unique experience to come.

Given Pico's central location in the Azores, it is a good departure point for the rest of the archipelago.

This exciting fun filled day starts with pickup from one of our six central city departure points by our professional and friendly tour guides.

Wiley, as is central to his practice, draws on the historically Eurocentric Western art canon as a point of departure for Trickster.

Taking selected works from the Collection as its point of departure, including seminal pieces by some of the most prominent artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, Valie Export, Geta Brătescu, Edward Krasiński and Sanja Iveković, the exhibition stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmus and Stephen Willats.

The point of departure is a merchant poster on a telephone pole in South Central LA reading: «Sexy Cash.

The series takes as its point of departure the mirrored gazing ball, a popular yard ornament commonly found in the area around the artist's childhood home in central Pennsylvania.

The work's point of departure and central image is Conner's 1961 film COSMIC RAY, which he adapted to three screens in 1965 and later reedited to create this gallery installation of three video projections.

The space between the work and its reception, and the act of making public — as with the publication of a text, a public screening or the public exhibition of art — become central, revealing processes, points of departure that develop in diverse, indeterminate directions.