Another central point of tension in the piece has to do with causality: In other words, «Okay, we've figured out that couples who do X tend to stay together, so will it work to teach X to unhappy couples?»
Garner's death brought into focus a
central point of Mr. de Blasio's campaign: the increasing
tensions between communities
of color and the police over stop - and - frisk and instances
of alleged brutality, which he vowed to ease.
Given the picture's enduring popularity, there's really no
point in rehashing the plot — OK, for the uninitiated (all two
of you): Ripley (series star Sigourney Weaver) heads back into space and leads a team
of military grunts against the nasty extra-terrestrials — but there's always room to rehash many
of the highlights: Weaver's terrific performance in the
central role; the contrast between the heroic Corporal Hicks (Michael Biehn) and the cowardly Private Hudson (Bill Paxton); the escalating villainy
of company man Burke (Paul Reiser); scripter Cameron's ability to keep piling on confrontations and director Cameron's ability to milk them for maximum
tension; and,
of course, those wonderful alien creations.
The
tensions between collecting data, surveillance practices and expansion
of social media on one hand, and liberty and subjectivity on the other hand are
central point of the exhibition.