He gained entry to the community when two of its residents, Kevin and Eirn (who would later become
central subjects of his work), took him to a local hangout spot, opening his eyes «to a world of the not - quite adults, struggling — publicly and privately — through the last moments of their childhood.»
Through this effect, a collection of historical facts and the ways in which they have been interpreted become
the central subjects of the works.
Not exact matches
The
subject is unavoidable, for Robert Thomas is
central to everything in Derrick's life, from his troubled past to his fascination with airplanes, from his charity
work to his obsession with the assassination
of a president.
He
worked for several
Central New York companies, including COR Development Co., another possible
subject of the federal probe.
Mr. Hikind might start by taking an interest in
working toward the restoration
of the public school system and the lack
of adherence to the NYS mandates in teaching
subjects such as math and science in many
of the private schools in the East Ramapo
Central School District.
The meeting continued with presentations, workshops, and
working meetings on human rights issues
central to the mission
of the Coalition, including: «Human Rights and Human
Subjects: Protection Mechanisms,» «She Speaks Science, He Speaks Human Rights: Bridging the Divide,» and «Getting the Word Out: Designing a Human Rights Track for Your Annual Meeting.»
Although many
of the plot devices are similar in Scorsese's film and the Hong Kong «original,» this is Scorsese's film all the way because
of his understanding
of the
central subject of so much
of his
work: guilt.
Filmmaker Toby Amies infuses his
work with the cheeky personality
of the
central subject,...
We know how this story
of the 1979 Iran hostage crisis will turn out, so screenwriter Chris Terrio (
working from the book The Master
of Disguise by the film's
central subject Antonio J. Mendez and an article by Joshuah Bearman) and director Ben Affleck instead build the film's tension out
of a blow - by - blow account
of the details
of a covert operation happening alongside the larger and more publicly known captivity
of over 50 personnel from the American Embassy in Tehran.
One
of the
central features
of By All Means is a set
of convenings which serve two purposes: 1) to bring together teams from the six or seven cities in which we'll be establishing learning labs for our design
work; 2) to bring together a national audience
of thought leaders to consider some controversial
subjects relating to the future
of public education and that system's
work with economically disadvantaged students.
Central to the
work of every teacher and
subject is a continuous cycle
of planning, teaching, assessment and evaluation that takes account
of the wide range
of abilities, aptitudes and interests
of the students.
The focus on the improvement
of teachers» mathematics content knowledge guides his
work and also resulted in A Qualitative Case Study
of the
Subject Matter Knowledge
of Central Texas Middle School Mathematics Teachers, his doctoral dissertation completed in 2004.
I followed this one up with the post on «The benefits
of a series» and at the end
of it all I have cemented a loose concept into a formal plan that will give me a range
of five different
subjects to
work on, as well as use drawings and paintings from each
of these «portfolios» to contribute to a
central series theme.
Tino Sehgal creates
works that are constructed situations which question the traditional
subject - object relationship
of visual art, and in which the interaction between the visitor and the
work takes a
central position.
Although Georgia O'Keeffe (1887 — 1986) has long been celebrated as a
central figure in twentieth - century art, the abstract
works she created throughout her career have remained overlooked by critics and the public in favor
of her representational
subjects.
His
works of the 1990s continued to express the painful
subjects of racism, sexism, and oppression, but they did so in dynamic, animated compositions featuring eye - catching «splashy surfaces,» delivering the «strong «one - two punch»» that Colescott saw as
central to his overall aesthetic.
The dehumanizing effect
of corporate advertisement is
central to the show, providing the
works with both
subject matter and an expressive vocabulary.
Unlike his monumental film installations, this retrospective overview rather explores the idea
of a private video archive showing
central subjects and formal strategies
of Gordon's
works.
The
central focus
of his
work concerns timelessness and the intangible x-factor
of his chosen
subjects, recapturing this essence in his own way.
The human body maintained a
central subject in the
work of many Post Minimalist artists.
For co-curator Chris Darke, who frequently corresponded and also
worked with Marker, the show reveals the ways in which the artist's «
central subject was intelligence, a very particular, astute intelligence that's also full
of political acuity, humour and lyricism».
Tuanus (2000) has the scale
of a history painting, the painterly gestures, blobs, patches and scrapes
of impressionism, expressionism and American abstract expressionism and the graphic effects
of screenprinting and technicolour — a sumptuous surface that belies the
work's apparent
subject: a drugs raid in
central Frankfurt.
This
subject has been
central to Subotzky's
work, to varying degrees, since graduating from The University
of Cape Town in 2004.
The intimacy
of Breath (1999), again a
work with waves
of text emanating from a
central, circular beginning, seems to capture its
subject like vapor exhaled onto glass the embodiment
of a spiritual condition.
These major
works remain an essential part
of the New Image movement
of the 1980s that heralded a return to
subject and imagery in contemporary painting - a movement in which Jennifer Bartlett was a
central figure.
Treves has concentrated on Lanyon's Cornish landscape paintings in this exhibition because these
works form a
central part
of artist's oeuvre, have not been the
subject of an exhibition in London for many decades.
Now in his 80thyear, Hockney has made happiness — expressed through bright colors and fun
subject matter —
central to a body
of work that continues to expand at an extraordinary pace.
In 2007, Gross»
work was the
subject of a solo exhibition at the Grand
Central Art Center in Santa Ana, California.
From his early multichannel video installation diamond sea, 1997, to his more recent performance - based
works, such as SONG I, 2012/2015, the exhibition unfolds around the major moving - image installations that articulate Aitken's
central subject matters, from catastrophic environmental depredation to unprecedented technological mediation; self - contained, decentralized communication; and the incursion
of commerce into every aspect
of our social relationships.
Representing the cube — one
of the
central subjects of artists during the late 1960s and early 1970s — but inscribing the moving body inside it, Locus knits together the Minimalist boxes
of Donald Judd and Robert Morris with the critical reassessment
of the gallery's qualities
of containment that was implicit in the
work of Bochner and many other artists at that time.18
Central to the
work is a constant state
of negotiation between the resistant nature
of Einarsson's
subjects and the inherent complacency
of pre-established forms.
Considered a
central figure in post-war American art, his
work has been the
subject of retrospective New York, Washington, D.C., London, Paris, and Munich and was elected to the American Academy
of Arts and Letters in 2001.
Returning again and again to this
central preoccupation
of his oeuvre over the course
of decades, Motherwell would ultimately create 250 paintings and
works on paper exploring the
subject.
At times, Brown allows a singular moment
of «narrative» awkwardness to assert itself as a
work's
central subject.
Taking Basel — its Rhine, architecture, and pharmaceutical history — as her
central subject, Marina Pinsky (b. 1986) creates an oneiric landscape
of new
works for her first institutional exhibition in Switzerland and her largest solo show to date.
The cover
of this issue features an early
work by Jutta Koether, a
central figure in the recent history
of painting and the
subject of a survey exhibition opening later this month at Museum Brandhorst, Munich.
Herrera is the
subject of a 26 - minute documentary, Artists in Exile: Carmen Herrera, made in 1994, and
of Carmen Herrera: 5 Degrees
of Freedom, by Konstantia Kotaxis, produced for a major retrospective
of the artist's
work at the Miami Art
Central in 2005.
Through repetition, duplication and restatement, this new series not only re-examines the
central and ongoing concerns
of Levine's artistic practice but also revisits one
of the most prominent
subjects of her oeuvre — the
work of Walker Evans...
Herrera is the
subject of a 26 minute documentary, Artists in Exile: Carmen Herrera, made in 1994, and
of Carmen Herrera: 5 Degrees
of Freedom, by Konstantia Kotaxis, produced for a major retrospective
of the artist's
work at the Miami Art
Central in 2005.
Her perennially expanding reputation was widely established during the 1980s, when her
work engaged formal aspects
of painting as well as
subject matter that remain
central to her practice today.
Central to the mythology
of Hancock's
work is «Mound # 1» also known as «The Legend,» a half - human, half - tree mutant whose impending death is the
subject of the latest chapter in Hancock's ongoing apocalyptic saga.
Consisting primarily
of digital animation, my
work and
subject matter mirrors the structure
of the underlying technology used in its creation and the repetitive processes that seem
central to the infrastructure
of contemporary society.
Together, the
works are a celebration
of the artist's
central subject matters: from catastrophic environmental depredation to unprecedented technological mediation; self - contained, decentralised communication; and the incursion
of commerce into every aspect
of our social relationships.
Garner asks audiences to face the profound racism underlying the
work of Dr. J. Marion Sims, the
subject of a to - be decommissioned public statue along
Central Park.
While studying painting at
Central Saint Martins and at the Chelsea School
of Art in London, he developed his unique approach; in
works evoking the tradition
of romantic landscape painting, Doig drew attention to the act
of applying paint to the canvas by combining abstracted elements with ordinary
subject matter.
He believes that the painting should be the
central object
of interest rather than represenative
of some
subject outside
of the
work.
I vary the degree
of detail with which I represent the figures
central to my
work, and often distort features that allude to the
subject's psychological state.
His
work has also been the
subject of important group and solo shows throughout the span
of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum
of Art and Design, New York (2013); superhuman,
Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University
of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute
of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum
of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good
Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum
of Contemporary Art, North Adams (2004); The Big Nothing, Institute
of Contemporary Art, University
of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center
of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College
of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute
of Contemporary Art at Maine College
of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out
of Actions: Between Performance and the Object, 1949 — 1979, Museum
of Contemporary Art, Los Angeles (1998).
In my opinion the researchers in climatology should put aside their present
work for a moment and focus their attention on the
central and decisive
subject of climatology.
They are also the
subjects of portraits by Venezuelan photographer / biologist Antonio Briceño celebrating successes and highlighting continuing challenges in the country that hosted this year's World Environment Day.In line with the WED theme focusing on «the
central importance to humanity
of the globe's wealth
of species and ecosystems,» the nonprofit group Art
Works for Change brought Briceño to Rwanda to photograph the land and the people, which the artist paired in diptychs showing individuals and the ecosystems they rely on.