Sentences with phrase «central trio»

The Force Awakens succeeds thanks to its winning central trio of newbies played by Daisy Ridley, John Boyega and Oscar Isaac.
Luke Evans, Ray Stevenson, and Matthew Macfayden make for a sturdy central trio, keeping the characters» personalities intact even though they've been re-imagined as gadget - toting 17th - century super-spies.
«Performances are strong, especially from the good looking central trio
As the picture's central trio of Dobbs (Bogart), Howard (Walter Huston), and Curtin (Tim Holt) make their way up the side of a mountain in pursuit of the titular vein of gold, there is an authenticity to the location that makes of its vaguely socialist tale of greed and madness a microcosm before the insensate harshness of the setting.
With Seamus Coleman overlapping and the central trio inside, he is able to drift off the flank and create havoc through the middle.
Jack Cork, Tom Carroll and Leroy Fer made up a central trio with Gylfi Sigurdsson and Wayne Routledge tucking in from the wide positions.
As for the central trio who have carried the series from the start, they have been game and likeable, but unscintillating.
Yates is more attentive to the actors - the central trio and Alan Rickman's Severus Snape, in particular - than he is with choreographing the film's big set pieces.
The central trio is perfectly cast, with each character carrying enough individual foibles to magnify the ludicrous nature of the circumstances but none so implausible as to distract from the central idea that they're regular guys.
Nicholas Ray's 1955 film extends sympathy to all its characters, not just the kids, though the central trio of Dean, Natalie Wood and Sal Mineo focus our emotions.
It's an American road movie where the sense of America is not in the places they visit, but in the tenor of the conversations between the central trio; the way they bicker, joke and reminisce about everything from their time in the forces to the merits of Eminem — think Slacker among the Marines.
Lowery has assembled a great cast here, with the likes of Keith Carradine, Rami Malek and Nate Parker backing up the central trio.
The central trio are wonderfully realised by a cast who all seem to be in tune with the director's vision, echoing an authenticity and naturalism that is akin to a ken Loach or Mike Leigh drama.
Instead of conveying the horror the Armenians faced during this period, the deaths all too conveniently shift the film's focus back to the central trio, and the mens» tug of war for Ana's affections.
Whilst Harry Potter And The Prisoner Of Azkaban remains the standout effort in both the movie and book series, David Yates» fourth franchise offering in succession returns focus to the elements that made earlier iterations such engaging creations, with the central trio united in friendship as they wage an epic battle of good versus evil.
The central trio including, Jeremy Allen White, Logan Huffman, and Mackenzie Davis (who are all still relatively new to the industry) deliver a rich and compelling palate of pulpy realism that is dosed in teenage social complexities.
Yet even though some of the jokes are starting to wear a little thin, it's testament to the enduring popularity of the series» central trio that this third instalment ticks so many boxes without bringing anything new to the table.
Likewise, the central trio of thieves (one Black, one White, one Asian) has a refreshing camaraderie that informs their initially one - dimensional greed.
The Three Ravens Cycles of three rule this tremendous German folk tale, amazingly well performed by its central trio of Miranda Richardson (wicked - witch stepmom), Jonathan Pryce (befuddled father and king), and Joely Richardson as the brave princess who must not speak for three years, three months, and three days so that her three brothers, turned into ravens by their mother, can become boys again.
The central trio's appeal is almost entirely visual, as bland voice work from most of the cast — particularly Saldana and Tatum — does little to bring them to life.
The central trio of Kunis, Bell and Hahn and their manic commitment are essential to what does work in the film.
Gwendolyn's relentless perfectionist was an inimical counterpoint to the central trio's parental shortcomings, and it caused the friends to eventually embrace the fact that when held up to the loftiest of standards, all moms are essentially bad moms.
It's bolstered by the central trio of performers: Topher Grace, continuing his winning streak; Dennis Quaid, affecting in the kind of role that Harrison Ford should be doing now instead of Indiana Jones; and Scarlett Johansson, rapidly growing into something like a national treasure.
As a reminder of the strange nominee list, of the central trio in Compton only Jason Mitchell (who played Easy E) was snubbed, despite being the actor who received the strongest reviews within the film.
It's certainly not surprising to note that Night Moves, as per Reichardt's head - scratching modus operandi, has been infused with as deliberate a pace as one could possibly envision, with much of the movie's opening hour devoted to the central trio's methodical preparations for the aforementioned act of eco-terrorism.
This is also to say that I found Day - Lewis's Reynolds Woodcock, while certainly compelling, the least interesting character of Phantom Thread's central trio.
There are also a handful of additional sight gags sprinkled throughout that can't help but amuse, while the central trio of Kevin, Stuart and Bob do manage to craft completely distinct traits and characterizations utterly unique to and of themselves.
While I wish the filmmakers had found a way to keep things more grounded, while I can't help but feel they get too obsessed with trying to outdo the French original, the strong performances of the central trio and the emphasis on crafting strong, three - dimensional characters are positives I refuse to overlook.
The central trio are forced into a fugitive alliance when the threat of a seemingly unstoppable assassin (the bionic - armed, guyliner - sporting baddie of the title) points to a bigger conspiracy within S.H.I.E.L.D. itself.
The trouble with the new Sundance drama is that its charms are meant to arise from the complicated relationships among a central trio of characters, but they never manage to make much of an -LSB-...]
The trouble with the new Sundance drama is that its charms are meant to arise from the complicated relationships among a central trio of characters, but they never manage to make much of an impression, individually or in various combination.
The central trio — consisting of career - driven but opposite (and therefore seemingly destined for romance) Tim (Dominic Purcell, «Prison Break») and Aviva (Brooke Langton) plus comic relief black guy cameraman Steven (Orlando Jones)-- joins forces with a «Crocodile Hunter» type (Gideon Emery), a no - nonsense tour guide (Jürgen Prochnow), and two silent militants.
It might seem an unusually slow start by modern standards, but it helps establish its central trio and why they're so keen to leave their home: your young avatar, the rebellious Prince Kiefer, and inquisitive local girl Maribel are all certain there must be life beyond their lonely island, despite the protestations of others that nothing lies beyond its shores but an endless sea.
Instead of a traditional horror piece, this Mummy is more of an adventure film, with our central trio — American adventurer Rick O'Connell (Brendan Fraser), British librarian Evelyn Carnarvon (Rachel Weisz), and her brother Jonathan (John Hannah)-- trying to unlock the secrets of a legendary lost burial site in 1930s Egypt.
She also enlarges Déjeuner sur l'Herbe considerably, while turning the central trio of Edouard Manet into three women.
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