Sentences with phrase «centre channel»

A low - volume centre channel inhibits the audio, causing dialogue to be overwhelmed by sound effects and, in the case of Robbie Williams's catchy theme song, vocals to be overwhelmed by bass.

A clear and legible centre channel represents the lion's share of yak.

The CM Centre S2 and CM Centre 2 S2 also use Decoupled Double Dome tweeters while the CM Centre 2 S2 benefits from an FST midrange driver plus a pair of symmetrically arranged bass drivers to deliver superb centre channel performance.

If you want the full - fat KEF 5.1.2 Atmos experience, partner the R50s with a pair of R500 floorstanders, matching R200c centre channel, R100 bookshelves and the compact R400b subwoofer.

Inside you'll find two speakers drivers for each left, right and centre channel as well single height speakers to create 3D sound effects via Dolby Atmos and DTS: X.

The movie's theatrical Dolby Digital 5.1 sound mix is reproduced here accurately, with crystal - clear dialogue in the centre channel that's been perfectly recorded, ensuring you don't miss a word of this decidedly dialogue - based film.

The 5.1 Dolby Digital soundmix has some problems with its centre channel volume, the dialogue swallowed up a time or two by the myriad offences of the industrious Goodman score.

The Dolby 5.1 remix is underutilized save for a closing rainstorm and the fullness of its Herrmann - inspired score (by Frederic Talgorn), with the bulk of information carried by the centre channel.

I should say that the DD 5.1 audio is pretty unimaginative in its channel separation and use of the rear discretes, while the dialogue is relegated to the centre channel and submerged beneath the cacophonous, plastic - fantastic score.

Voices do not exhibit the lispy quality of Fifties soundtracks and are firmly anchored in the centre channel.

The three audio options — DD 2.0 (i.e., Dolby Surround), DD 5.1 EX, and DTS - ES 6.1 — are each crystal clear, with dialogue eminating primarily from the centre channel in all three cases but with the climactic carrier lift - offs (too many for my taste, really) occupying the rear and side channels at a sometimes - startling volume.

Dialogue is clear and anchored in the centre channel.

Audio comes in a Dolby 4.0 discrete mix that has a good level of clarity but relies upon its centre channel to the exclusion of several good rear - speaker opportunities (more parties and clubs in here than you can shake a stick at).

The Dolby 2.0 stereo track lacks much punch in the directional department with some very minor atmospheric noise during its first rally scene and a few moments in its second half; dialogue is well modulated in the centre channel.

The DD 2.0 stereo audio isn't anything to write home about, either; the centre channel, in particular, is a disappointment, necessitating constant volume adjustments to keep up with the fluctuating dialogue levels.

Though the audio quality is solid, lowbrow comedies tend to live in the centre channel and Step Brothers is no exception.

Perhaps full 7.1 would make all the difference in unpacking the centre channel.

Mostly, the track benefits from the clear placement of dialogue in the centre channel, but Michael J. Lewis's score gets a nice boost from Rowe's liberal use of the surrounds (this may be a good or bad thing, depending on how you feel about Lewis's adventure - film approach).

The dialogue levels are stable from the centre channel, and never overwhelmed by sound effects and music.

The DVD's soundtrack has been cleaned up in a discreet 5.1 mix, with most vocals isolated to the centre channel, and Porter's big band score (co-orchestrated by a young Alexander Courage) booming from the front and rear speakers.

Only voices are firmly anchored in the centre channel.

For cars equipped with the high - end Bang & Olufsen sound system, there's a centre channel behind the iDrive screen that rises up when you turn the ignition on.

Although, all are in agreement that the centre channel on the bonnet, leading to the kidney grille, is a little fussy.

The immaculate design, and many of the features, are repeated in the centre channel and the weighty 104 rear surround speakers.

Left and right are two matching coaxial speakers with gold - rimmed, high frequency tweeters, while a coaxial driver with mid-range cones handle the centre channel.

You will, for example, still have a centre channel for dialogue.

There's a Dialogue Enhancer, which lifts the centre channel level, and 7.1 channel audio reformatting for 5.1 soundtracks, if you play out in PCM.

The sound mix makes use of the area directly above your head for spatial effects, and also gives additional weight to the centre channel we feel, adding clarity to speech, for example.

It's an interesting effect (it claims to add an extra four speakers to fill the gaps between the satellites, plus an extra one floating near the centre channel), but to me it sounded processed and compressed.

This turns the BeoVision Eclipse into the centre channel of an epic surround - sound system.