Sentences with phrase «centre of his artistic practice»

Art and Photography is the first book of its kind to survey the major presence of photography at the centre of artistic practice from the 1960s onwards.

The human condition is the larger theme at the centre of his artistic practice.

Not exact matches

He does this here by taking over the Barbican Centre, itself a cultural palimpsest, with his first UK survey, one that seems to proffer a highly current — and somewhat Scandinavian — view of the notions of creative influence, artistic identity and self - fashioning, and collaborative practice.

Founded in 2013 by art critic and curator iLiana Fokianaki and based in the neighbourhood of Koukaki at the centre of Athens, it is an independent platform aiming to foster the appreciation for local and international contemporary art and the growth of artistic and curatorial practice.

Their practices are centred on everyday life experience, which they regard as the centre of their artistic process.

In concersation with internationally acclaimed Ghanaian born, British architect Sir David Adjaye OBE, Professor Paul Goodwin, curato, Director of the resarch centre for Transnational Art, Identity and Nation [TrAIN], and current chair of Contemporary Art and Urbanism at the University of the Arts London, and moderated by Rachel Barrett, writer, curator and lecturer at the Jamaica based Edna Manley College of the Visual & Performing Arts, Thomas will discuss his artistic practice and the series of works in The Beautiful Game as well as the broader concerns of historical perspective and postcolonial, transnational legacies.

One of the earliest works in this exhibition is alternate diagonals of March 2, 1964 (to Don Judd), made shortly after Flavin centred his entire artistic practice on the use of fluorescent light.

Hosted by Mihai Risnoveanu, Artistic Advisor of the Romanian Cultural Centre as part of Culture Power Presentation.The discussion will engage the ways in which contemporary artists navigate art history and ask whether it is possible to conceive of curatorial practice as a historiographic discourse.

Visionary Africa — Art at Work is an itinerant urban exhibition of contemporary African artistic practices organised jointly by the European Commission and the Palais des Beaux - Arts (Centre for Fine Arts) in Brussels, including artist residencies, showcases of local artists, and workshops on art and development in modern urban centers in Africa.

The exhibition emerged out of the art centre's collaboration with Pittas and Mousse Publishing on the forthcoming book by the same name, which is a conceptual publication that extends Pittas's artistic practice as well as an anthology of essays reflecting on his work and its various contexts.

During London's forthcoming art week, Ayyam Gallery will exhibit alongside art spaces, institutions, and imprints such as Whitechapel Gallery, Maraya Art Centre, the Royal College of Art, and Phaidon publishing as part of a broader international effort to bring diverse artistic practices to UK audiences.

Situated in the coastal town of Llandudno, it is Wales» foremost contemporary gallery and visual arts centre, serving as a place to form and share new perspectives through artistic / curatorial practice and audience engagement.

Since its inception in 2008, the centre has addressed the antinomies of artistic production and structural development in Africa, while resisting institutionalised cultural schemes that often dampen the political convictions of artistic practice.

Centre for Contemporary Art CCA fosters a wide range of artistic, curatorial, and critical practices through five collaborative and process - driven streams: research and production, exhibition - making, public programmes, publishing, and residencies.

Displaying time - honoured techniques and innovative methods side - by - side, exhibitors such as the Hive Centre for Contemporary Art, Beijing; Pékin Fine Arts Gallery, Beijing; Barry Friedman, New York and the British Council emphasise the breadth of artistic practice.

Drawn from the collection of the Centre Pompidou, the exhibition examines how Chagall's Russian heritage influenced and informed his artistic practice, illustrating how he at turns embraced and rejected broader movements in art history as he developed his widely beloved style.

One of the earliest works in the exhibition is alternate diagonals of March 2, 1964 (to Don Judd), made shortly after Flavin centred his entire artistic practice on the use of fluorescent light.

Prior to visual arts becoming his main area of focus, Pablo Lobato's artistic practice centred on the cinema.

Displayed in the centre of the first space alongside Yee's work, is a multimedia sculpture by Kosisochukwu Nnebe, a Nigerian - Canadian artist whose artistic practice engages with critical race theory.

The curators are: Sally Tallant, Director, Liverpool Biennial Dominic Willsdon, Curator of Education and Public Practice, San Francisco Museum of Modern Art Francesco Manacorda, Artistic Director, Tate Liverpool Raimundas Malasauskas, curator and writer Joasia Krysa, Head of Research, Liverpool Biennial and Director, Exhibition Research Centre Rosie Cooper, Head of Programmes, Liverpool Biennial Polly Brannan, Education Curator, Liverpool Biennial Francesca Bertolotti - Bailey, Head of Production and International Projects, Liverpool Biennial Ying Tan, Curator, Centre for Chinese Contemporary Art (CFCCA) Sandeep Parmar, Co-Director, Centre for New and International Writing Steven Cairns, Associate Curator of Artists Film and Moving Image, ICA

Established in 2002 in an historical building of the Neapolitan centre, in Via dei Tribunali 293, T293 has always been characterised by a keen awareness on artistic practices that are both experimental and conceptually relevant to the current discourse in the field.

La Ruche is being formed with the objective of providing affordable studios for artists in a centre that offers a supportive network to develop artistic practices, and fosters creative engagement through a research library and workshops, talks and events.

As well as his own international art practice he is Artistic Director and Chief Curator of CCNOA, Centre for Contemporary Non-Objective Art, Brussels.

Focusing on the developments of the Asian and global fashion industries, the philosophy of the programme centres on the different and exciting artistic practices of the creative industries as well as the dynamism of the evolving fashion culture in Singapore, and the world at large.

With an eclectic mix of media, approaches and aesthetics, the Centre for Contemporary Chinese Art takes a hard look at Hong Kong and the contemporary artistic practices that are emerging from the island.

, elles @ Centre Pompidou, and in the Museum of Modern Art's most recent permanent collection display, Counter Forms contributes to a burgeoning counter narrative that makes room for a wider, messier, and perhaps more compelling history of artistic practice in the 1960s and «70s.