The debate
centred around the future of uranium mining in Arizona.
Much of the talk about Swansea City's midfield has
centred around the future of Icelandic playmaker Gylfi Sigurðsson.
Not exact matches
Churches
around the country are vital
centres for local communities and wider society, preserving our rich heritage for
future generations, and I very much welcome the opportunity to support the Council in their work.»
Labour campaigned on the theme of «Let Us Face the
Future,» positioning themselves as the party best placed to rebuild Britain after the war, [note 1] and were widely viewed as having run a strong and positive campaign, while the Conservative campaign
centred entirely
around Churchill.
Similar locations
around the world are connected via Tandberg videoconference: the Telecom
Future Centre (Venice), Imperial College London, the Fermi National Accelerator Laboratory (Chicago), the Exploratorium (San Francisco) hosting scientists from the Stanford Linear Accelerator Center, the Bloomfield Science Museum (Jerusalem) and the National Science Education
Centre (Taipei).
So if you want your
future self to be slimmer, in the honeymoon stages of a new relationship, or one step higher up the career ladder, your goals should be
centred around these aims.
The outcome statement of the Rio +20 Conference on Sustainable Development (2012)
centred around ecological sustainability.2 If countries of the world are serious about the commitment made at Rio, then the MDGs need to evolve into a new framework; sustainability was not at their heart, and it is increasingly clear that without such an orientation, various «development» goals are impossible to meet for both the current and
future generations.3 As the report of the UN System Task Team on the post-2015 development agenda says, «the proposed vision and framework for the post-2015 agenda must be fully aligned with that (Rio +20) outcome».4 Accordingly, the theme of sustainability should be running through all the post-2015 goals (as should the themes on equity and human rights), even as more specific environmental targets such as halting the erosion of biodiversity could be specified in one of the goals.
He was also at the
centre of Microsoft's involvement in the creation of the School of the
Future — a pioneering partnership with the School District of Philadelphia and now the first of many Microsoft Showcase Schools
around the world.
The 45th instalment of the event
centred around the home nation manufacturers, whose showpieces conformed to this year's theme — «Beyond The Motor» — referring to the contemporary, industry - dominating themes of connected vehicles and
future mobility.
More than 70 exhibits by automakers from
around the world stretched across the vast exhibition
centre with crowds gawking at displays of concept cars from Chevrolet and Faraday
Future and lining up to slip behind the wheel of a Tesla.
The
Future of Travel Media More than 600 travel bloggers, writers, podcasters, videographers and photographers from
around the world attended the TBEX (Travel Blog Exchange) conference in Bangkok at the Queen Sirikit National Convention
Centre, 15 — 17 October 2015.
The story of Detroit: Become Human, Quantic Dream's upcoming PS4 neo-noir thriller,
centres around three androids, built with the sole purpose to serve out their programmed function in the titular city in the near -
future of 2038.
Walead Beshty: A Partial Disassembling of an Invention Without a
Future: Helter - Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying
Around at Random All Over the Workbench at The Curve, Barbican
Centre, London.
A Partial Disassembling of an Invention Without a
Future: Helter - Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying
Around at Random All Over the Workbench is the title of Walead Beshty's large scale installation for the Barbican
Centre's The Curve.
September 2014: I meet Walead Beshty at London's Barbican
Centre, where he is working on his commission for the Curve gallery, an installation of over 12,000 blue cyanotype photograms titled A Partial Disassembling of an Invention Without a
Future: Helter - Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying
Around at Random All Over the Workbench.
The exhibition
centres around a film influenced by science fiction, archaeology and politics, in which a resistance group makes underground deposits of elaborate porcelain as a way of supporting
future claims to their vanishing lands.
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters
around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the
Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979,
Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The
Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre,
Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations
around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.
Her work has been exhibited in various institutional shows
around the world, including Black Friday, Whitney Museum of American Art, New York, NY, USA (2016); Repetition, Villa Empain, Boghossian Foundation, Brussels, Belgium (2016); Imitation of Life at HOME, Manchester (2016); In Search of Lost Time, The Brunei Gallery, London (2016); 89plus: Filter Bubble, LUMA Westbau, Zurich, Switzerland (2015); 2015 Triennial: Surround Audience, New Museum, New York, NY, USA (2015); Common Grounds, Villa Stuck, Munich, Germany (2015); Extinctions Marathon: Visions of the
Future, Serpentine Gallery, London, UK (2014); Virgin with a memory, Cornerhouse, Manchester, UK (2014); Do It, Manchester Art Gallery, Manchester, UK (2013); The 9th Gwangju Biennale, South Korea (2012); For your Eyes Only, St. Paul Street Gallery, Auckland, New Zealand (2012); Dowse Museum, Wellington, New Zealand (2012); Genre Specific Xperience, New Museum, New York, NY, USA (2011); Bendari & the Bunduqia, Waqif Art
Centre, Doha, Qatar (2007) and We Few: A Comic Palindrome, Townhouse Gallery, Cairo, Egypt (2005).
A Partial Disassembling of an Invention without a
Future: Helter - Skelter and Random Notes in which the Pulleys and Cogwheels are Lying
around at Random All over the Workbench Installation view Curve Gallery, Barbican
Centre, London, UK October 9, 2014 — February 8, 2015
The topics
centred around key issues which will influence the
future of the construction industry in Ireland, including liability, health & safety plus the implications of recent and upcoming additions to various sections of the building regulations.
Realtors spend every day concerned with homes, and everything we do is
centred around getting the best possible price for our clients, and making their transition from current home to
future home enjoyable and smooth!