Sentences with phrase «centuries old space»

Set amid a cloud of centuries old space junk, players move from ship to ancient ship, frequently entering the void to recover valuable debris.

Not exact matches

This century - old warehouse district enjoys a new life as home to trendy office space mixed with theatres, nightclubs, restaurants, shops and gourmet food markets.

BIG BUSINESS RACES TO THE STARS The most exciting new category in tech is three - quarters of a century old: space!

The 17th century portico - one of the oldest parts of the Grand Mosque, Islam's holiest - is being removed by Mecca authorities as part of an expansion project to create more space for soaring numbers of pilgrims.

Chef Joey Baldino, whose nearby Zeppoli across the Walt Whitman Bridge in Collingswood, NJ, landed on our Top 50 list in 2012, took over a century - old Italian social club in South Philly (his uncle, from whom he inherited the space, was a former member) and cleaned it up just enough so that it still feels like Frankie Avalon might come walking through the door at any moment.

The space, which feels like a hybrid of a Shinto shrine and a tree house, was built with a similar thoughtfulness by Brackett's father who trained as a shrine carpenter (the bar is made out of a single century - old cedar tree).

If you look at early - 19th century Ordinance Survey maps, Old Park Farm, poked up into a space between where the prison is today and Plumstead bus depot.

In 1991, the physicist Philip Candelas and his colleagues used mirror symmetry to solve a century - old problem, in effect counting the number of spheres that could fit inside a Calabi - Yau space.

But the half - century - old practice of blasting people and machinery into space via barely controlled chemical explosions is a dangerous and expensive way to achieve such noble objectives.

The oblivion of prolonged sleep, of hibernation, is an enduring human fantasy from the suspended animation travel of today's space fiction heroes to the old legends of knights who slept under mountains for centuries, awaiting calls to arise and save their nations.

Einstein's century - old theory describes how gravity emerges when massive objects warp the fabric of space and time.

The earliest of the numerical murals, created in the ninth century, are the oldest Mayan astronomical tables ever found, and the place where they were created is the first documented Mayan office space.

A Russian mathematician has proved the century - old Poincaré conjecture and completed the catalogue of three - dimensional spaces.

It has provided a wealth of evidence for Albert Einstein's century - old general theory of relativity, which holds that mass and energy can warp space - time, and that gravity is the result of such warping.

Cons: greatly reduced trunk space compared to older Buick Century; rear visibility (for parking) is just adequate even with beeping sensor.

The huge piazza is a public space facing centuries old medieval buildings on all sides including the main cathedral, Basilica di San Petronio, and City Hall.

The gardens were carefully designed to enhance the architecture of the building and provide a luxuriant space where you can linger outdoors under centuries - old trees.

... BUT there's also a beautiful pool in a garden surrounded by century's old stone walls + many great courtyards & sitting spaces + giant - size, spacious dorm rooms..

Located within the walls of a 17th century UNESCO World Heritage Site, three - bedroomed No. 39 Galle Fort offers space, privacy and plenty of old world charm.

A stunningly - ornate antique door in the garden wall slides open to reveal the one - bedroom honeymoon joglo, a century - old timber house that was imported from Java and retrofitted with all the comforts of modern - day living to provide a private space for newlyweds and couples.

In all, the resort will offer over 400 restaurant seats and the most overall event space of any hotel property in the Old City, all within close proximity to the city's world - class convention center and beautifully colorful Getsemaní neighborhood — replete with drinking dens, salsa clubs, and tapas bars carved out of 17 century facades.

Montagne Alternative welcomes visitors to the beauty of centuries - old Alpine farm buildings that have been lovingly converted into modern living spaces.

The staff are very welcoming and treat you like house guests, centuries - old antiques and contemporary furnishings adorn public spaces and the 31 individual guest pavilions and five villas are strategically tucked in the forest, ensuring plenty of privacy and space.

The Night Ghost Tour travels through the hotel's most haunted spaces and introduces guests to the paranormal phenomena surrounding the century - old hotel with visits to the basement rooms of the Concert Hall and the famous tunnel where Flora and F.O. Stanley are still said to be seen.

The latest title in Sid Meier's quarter - century - old strategy game series, Civilization VI, lets you guide a society from the Stone Age all the way up through the Space Age and tailor every step along the way to suit your vision.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Formed from an 18th - century house and two new, purpose - built exhibition spaces, it offers an intriguing mix of intimate domestic rooms, stripped down but full of period detail, alongside contemporary galleries — a union of old and new that echoes the dynamic of its location on the border between the East End and the City of London.

Now as in the 1980s, the spirit of the place is absolutely loyal to Picasso, a modern artist who liked to live and work in old spaces and would have certainly approved of this seventeenth - century hôtel particulier, with its splendid Baroque staircase, elegantly proportioned rooms, and quirky basement chambers.

The building presents a fresh identity for the new organization, while preserving and adding to the century - old building's history of transformations from a theater, a department store, and a local art center to a highly refined exhibition space.

Soho galleries, for instance, are carved out of old manufacturing lofts in 19th - century cast - iron buildings; in Chelsea, former garages and warehouses built of concrete provide the space.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

And the centuries - old Byci Skala Cave — a rich archaeological site that is also considered a sacred space — turned out to be a mass grave for ritually sacrificed women.

Her installation transforms two adjacent gallery spaces, one with 19th - century furniture and old - fashioned wallpaper and another with church pews.

The caption reads: «The eye - catching abstract painting by David Palmer in the informal eating area reflects off the mirror - like black granite countertop in the adjoining kitchen...» Installed in an historic, stately, century - old Back Bay Brownstone, David's bold, undulating, swooping and knotting single stroke painting over a pristine white ground gives the space a magical sense of life.

On display for the first time in the United Kingdom at Lisson Gallery, Fondation makes use of stone foundations from centuries - old Chinese halls, from which column bases have been extracted and assembled in a monumental grid - like formation that sprawls over eight metres of gallery space.

The space was established in 1998 Kaneko and his wife Ree, and is headquartered in three turn - of - the - century warehouses in the Old Market District of Omaha, Nebraska.

This summer the Rockport Art Association, an almost century - old arts organization and not a young buck contemporary space, was the unexpected catalyst for change in this coastal community.

The gallery space is located in a five - century old Ming Dynasty watchtower that provides scenery views of the city.

1309 Faces,» Kunstmuseum Wolfsburg, Wolfsburg, Germany; «Aichi Triennale,» Aichi Prefectural Museum of Art, Nagoya, Japan; «Surface Tension,» South Bend Museum of Art, South Bend, IN; «New Art for a New Century: Contemporary Acquisitions 2000 — 2010,» Orange County Museum of Art, Newport Beach, CA; «Teaching An Old Dog New Tricks,» Den Frie Udstillingsbygning (Den Frie Center of Contemporary Art), Copenhagen, Denmark; «The Shapes of Space,» Solomon R. Guggenheim Museum, New York, NY; «American Academy of Arts and Letters Invitational Exhibition,» American Academy of Arts and Letters, New York, NY; «Radar: Selections from the Kent and Vicki Logan Collection,» Denver Art Museum, Denver, CO; «Metropolis,» National Gallery of Victoria, Melbourne, Australia; and «Digital Showcase,» Austin Museum of Digital Art, Austin, TX.

Curated by Michael Rooks «Teaching an Old Dog New Tricks; Recent Developments in Painting» Den Frie Udstillingsbygning, Copenhagen, Denmark «HyperSurface», OVADA, Oxford, UK «Schil / Ders», De Constant Rebecqueplein (DCR), The Hague, Netherlands «HyperSurface», Rod Barton Invites, London «Parallax», Fieldgate Gallery, London 2007 «Existencias», Museo De Arte Contemporaneo De Castilla Y Leon, Leon, Spain «Design for Living», Initial Access, Wolverhampton, England «Raumwelten», Kunsthalle Arnstadt, Arnstadt, Germany «Odd Spaces», Galerie Møller Witt, Aarhus, Denmark Artist Intervention, Commissioned by Vienna Art Week and the City of Vienna, Austria 2006 Recent Acquisitions, Hamburger Banhof, Berlin, Germany «The City is Not a Tree» Alon Segev Gallery, Tel - Aviv, Israel «Slider» Cell Projects, London 2005 «Ian Monroe and Emma Stibbon: Utopian Architecture», Upstairs Berlin, Germany «Infrastructure» Studio Voltaire, London «Winterzauber» Upstairs Berlin, Germany 2004 «Edge of the Real», The Whitechapel, London «Selected Sculpture» MW Projects, London «Cinderella» Trailer Projects, London «Contra Pop» Vamiali's Gallery, Athens, Greece 2003 «Bag Lady» Cell Projects, London «Reduced» Century Gallery, London «Debris» Martinez Gallery, Brooklyn «Godzilla» Trailer Projects, London Saatchi Gallery, County Hall, London «The Queen Mum Show» One in the Other Gallery, London «Chockerfuckinblocked» Jeffery Charles Gallery, London «RSVP» 5 Cork Street, London 2002 «Present» Hammer Sidi Gallery, London «The Way to Happiness» VTO Gallery, London «Trailer Presents» Trailer Projects, London «Lend us # 100m» 21 Dingley Road, London

Having moved to the United States in the mid-20th century, his work connects the old world and the new, and over the years has created space for artists, such as emerging talents Ethan Cook and Sheila Pepe, to be explored.

PRESS 2017 Whitehot Magazine «Robert Zeller on The New Baroque and Current State of Representational Figurative Painting» 2015 The New York Optimist Profile of my work 2015 Juxtapoz Magazine «A Space Within at Dacia Gallery» 2014 Professional Artist Magazine «Bringing Old School Values into the 21st Century» 2014 Studios Magazine «Inside the Art Studio, a guided tour of 37 Artist's Studio's»

Ms. Lévy, a specialist in museum - quality works by contemporary artists, has leased a first - floor space at 22 Old Bond Street, the former Venetian - style «art palace» of the turn - of - the - century Duveen family of dealers.

1309 Faces,» Kunstmuseum Wolfsburg, Wolfsburg, Germany; «Aichi Triennale,» Aichi Prefectural Museum of Art, Nagoya, Japan; «Surface Tension,» South Bend Museum of Art, South Bend, IN; «New Art for a New Century: Contemporary Acquisitions 2000 - 2010,» Orange County Museum of Art, Newport Beach, CA; «Teaching An Old Dog New Tricks,» Den Frie Udstilling (Den Frie Center of Contemporary Art), Copenhagen, Denmark; «The Shapes of Space,» Solomon R. Guggenheim Museum, New York, NY; «American Academy of Arts and Letters Invitational Exhibition,» American Academy of Arts and Letters, New York, NY; «Radar: Selections from the Kent and Vicki Logan Collection,» Denver Art Museum, Denver, CO; «Metropolis,» National Gallery of Victoria, Melbourne, Australia; and «Digital Showcase,» Austin Museum of Digital Art, Austin, TX.

There is no jarring sense of old and new, for example, in the way the Grand Salon on the first floor has been transformed into an events room overlooking the Thames; and in the building's undercroft, the creation of a new education reception space and archive galleries (in the foundations of the 19th - century Millbank Penitentiary) has completely renergised this segment of the building.

In the catalog of the Guggenheim's 1996 - 98 traveling retrospective, curator Diane Waldman wrote: «Kelly's need to make color an independent entity and to align it with a specific shape and space may have set him apart from a particular group or movement, but it has not set him apart from the art and culture of the 20th century nor from the age - old issues that animate art and give it its true meaning.

The Shop's 2000 - square - foot space above the Matthew Marks Gallery in a 19th - century fire station has the offbeat, welcoming feel of an old loft.

On the one hand, the art world tends to look at abstract painting as being traditional, even old - fashioned, which it is; when the paint was wet on those early Kandinskys, it was practically in the Victorian era, the space age still half a century away.

As the old century closed, the movies promised the «annihilation of time and space» and eventually revolutionized beholders» experience of the world.

With deep aquifer discharge primarily regulated by geological pore spaces (in addition to pressure heads), the slow and steady discharge of these older waters affects sea level rise on century and millennial timeframes.