Sentences with phrase «century dutch»

Wood features throughout the dining room in this 18th - century Dutch homestead — from the original floorboards to the hand - crafted maple banquet table and classic Hans Wegner Wishbone chairs.

That data is used to create lighting effects, such as Natural Light, Studio Light, Contour Light, and Stage Light.In a new interview with BuzzFeed News reporter John Paczkowski, Apple says it studied the work of portrait photographers such as Richard Avedon, Annie Leibovitz, and Johannes Vermeer, a seventeenth - century Dutch painter, to learn how others have used lighting throughout history.

The People's Daily, the official newspaper of the Chinese Communist Party and the biggest newspaper group in China, recently published a piece calling bitcoin a bubble, and comparing the cryptocurrency to the 17th - century Dutch tulip bulb bubble., just like JP Morgan's Jamie Dimon did.

Artist: Jan Vermeer (1632 - 75) Medium: Oil on wood panel Genre: Dutch Realist genre painting Movement: 17th Century Dutch Painting Location: National Gallery of Art, Washington DC.

Frans Hals (1582 - 1666) First great portraitist of the 17th century Dutch Golden Age.

His approach to landscape painting was also influenced by 17th century Dutch Realist artists including Aelbert Cuyp.

On his return to Paris, inspired by postcards of 17th century Dutch genre subjects, he produced four works in parody - Dutch Interior (1929, MOMA, New York).

Cook is known for making conceptually probing work, such as fiberglass relief paintings depicting «cutesy» images of children, teddy bears, cherubs, and kittens as well as his circa 17th century Dutch still - life inspired paintings featuring opulent displays of luscious fruit and livestock lifelessly splayed over a tabletop.

Trained in Amsterdam, he began by copying examples of 17th Century Dutch Realist genre painting, and then turned to subjects from Merovingian history (c. 5th century).

Photorealism has some connection to 17th century Dutch Realist genre painting - as in Jan Vermeer's street scenes, with their meticulous detail and high gloss finish are highly realistic.

It is also a phrase that is also used by computer programmers to caution a region of code that is complex, informing the «glitch» (New Order) digital works that are based on 17th century Dutch painting and traditional Chinese Ink painting, including works drawn from the Castle's own collection.

This artist has no narrative agenda, no underlying moral to take away, like the 17th - century Dutch still - life painters.

Though his work shares elements of 17th - century Dutch masters and contemporaries like Gerhard Richter, Odd Nerdrum, Francis Bacon, and Antonio López Garcia, Xeus has created an entirely new approach.

These subjects were inspired by the meticulous compositions of 16th century Dutch still life painting, though Wonner deliberately depicted everyday things, evocative of contemporary life.

The great 17th - century Dutch painter is first discussed in the context of his native city of Delft, and the essays that follow examine Vermeer's «modern» themes, his critical reputation and development, and his use of perspective.

«Through European Eyes: Selected Works From the Maryhill Museum of Art,» 17th - 19th century Dutch, English and French paintings and sculptures (including sculptures and watercolor studies by Auguste Rodin) from the Maryhill Museum's permanent collection.

«Woman with a Lute» will be installed in the Norton Simon Museum's 17th - century Dutch gallery, alongside the Museum's significant collection of Rembrandt portraits and other genre paintings.

As we can read in the introduction of the exhibition catalogue — written by Gabriele Spindler, artistic director of Landesgalerie Linz — the special lighting effect in Peter Schlör's photography is strongly related to 17th - century Dutch landscape painting.

This 17th - century Dutch artist created his peep show to demonstrate the optics of illusion and the way the mind completes a picture: stare through the little holes in the side and you will see a three - dimensional interior, created by the magic of perspective painting.

For this series Zazueta draws inspiration from Jan van Huysum, the 17th century Dutch artist known for his luscious paintings of impossible floral combinations.

Delft School 17th - century Dutch genre painting associated with Jan Vermeer and Pierer de Hooch.

Inspired by the flat East Anglian landscape with its big skies, Norfolk Broads and rivers, and by 17th century Dutch Realist painters such as Meindert Hobbema (1638 - 1709) and Jacob van Ruisdael (1628 - 82), Norwich School artists included amateurs as well as professionals, many of whom practised the avant - garde method of plein air painting.

Trompe l'Oeil of an Etching by Ferdinand Bol (c. 1675) is the illusionistic tour de force of an unidentified 17th - century Dutch artist.

Washington, DC — At its January 2016 Board of Trustees meeting, the National Gallery of Art acquired a number of works including an extraordinary painting by Dutch master Frans van Mieris (1635 — 1681), an early portrait by Alex Katz (b. 1927) of his wife, Ada, a remarkable trompe l'oeil painting by an unknown 17th - century Dutch artist, and a deluxe - format artist's book with 80 woodcuts by Joan Miró (1893 — 1983).

Inspired in part by her study of 17th - century Dutch and Flemish painting, Heagle's works take up still life and the genre painting as mutable formats to be invested with symbolic meaning, portraying animals, lava lamps, knights» armor, and characters from television dramas with subtle irony.

Her most recent paintings attempt to invoke folk magic by grouping multiple «hecksagons,» which are derivative of the work of 19th century Dutch wizards who would sneak onto farms in the middle of the night and paint geometric, hex - shaped designs on hay barns to protect the surrounding land.

Coriolana Simon will present a body of photographs that reinterpret classic still - life paintings of the 17th century Dutch golden age in Time's Mirror.

One of the best art museums in Europe, the Van Gogh Museum is dedicated to the works of the 19th - century Dutch expressionist painter Vincent van Gogh (1853 - 1890).

We're still taken with this 17th - century Dutch farmhouse, which is hosting a group exhibition of contemporary sculpture, curated by Bushwick local Deborah Brown and Lower East Side gallerist Lesley Heller.

• Genre Painting Championed by 17th century Dutch Realists, such as Jan Vermeer (1632 - 75), this category of «everyday scenes» was seen as No 3 in the Hierarchy of Painting Genres.

Over time, other major influences (short list) include Rothko, Avery, Morandi, Turner, Inness and the American Tonalists, 17th - century Dutch landscape painters, Matisse, Porter, Diebenkorn.

by Stefan Lochner) the Northern Renaissance (Hieronymous Bosch), Baroque (Bartolome Esteban Murillo), 17th - Century Dutch Realism (Frans Snyders, Willem Kalf) Impressionism (Monet, Renoir, Berthe Morisot), Symbolism (Ferdinand Hodler), 20th - Century Photorealism (Richard Estes) and many others.

Instead, his paintings are based on direct observation, color sketches, and rigorous drawing, as well as dedication to the panoramic landscapes and interiors of seventeenth - century Dutch Masters.

His medley of Mobius Christs (2006), for instance, are torqued beyond any Biblical canon or eschatology yet, in technical virtuosity, could stand alongside masterpieces by artists such as the noted 17th - century Dutch engraver Jan Luykens.

Rendered in the hyper - realistic style reminiscent of 17th - century Dutch masters, neon - colored animals populate overgrown, idealistic landscapes or pose as the subject of a portrait.

One depicts St. Sebastian, while the other is an apocalyptic scene inserted into a dense wooded landscape painted in a style reminiscent of 16th century Dutch painting.

Jorella has worked on twentieth - century and contemporary visual cultures, also seventeenth - century Dutch art history and visual cultures.

In Big Bang (2006, Collection of MFA Overseer Lizbeth Krupp and her husband, George Krupp), Gersht references 18th - century Dutch artist Jan van Huysum's painting Hollyhocks and Other Flowers in a Vase (1702 — 20, National Gallery, London).

There is a long tradition of art's engagement with food that goes back to votive gothic imagery, through 17th Century Dutch vanitas and on up to the famous Warholian soup can and beyond.

Lisa by Teodora Axente, who hails from the much acclaimed Cluj School in Romania, illustrates the artist's practice which combines references of 17th century Dutch figure painting with a strong sense of religious spiritualism.

The enormous success of 17th - century Dutch painting overpowered the work of subsequent generations, and no Dutch painter of the 18th century — nor, arguably, a 19th - century one before Van Gogh — is well known outside the Netherlands.

He also employs a range of images and symbols that reference 16th - century Dutch painting, mandalas, hieroglyphics, and indigenous and mystical traditions, layering them into interwoven compositions that invite the viewer to approximate his otherworldly medical experience, and serve a mode of research into that experience.

In a new site - specific work, Nicole Cohen creates a video overlay of an animation of 18th century Dutch master Jan van Huysum's, Fruit Piece (1722), on an image of a gallery window with a view of the Hudson River that brings to life the changing and rebirth of seasons rendered in the Dutch masterpiece.

Alex Livingston brings 17th - century Dutch flower painting...

Since then, inspired by Giorgio de Chirico and traditional 17th - century Dutch and Flemish painting, Murata's work has ventured into the realm of hyper - realism in a series of uncanny prints and videos that explore our inner and exterior lives via everything from B - grade horror film imagery to relics of a 1980s childhood.

Although the composition and tonal effects suggest 17th century Dutch portraiture, the contrast between the dark skin and eyes of her subject give the face the appearance of an African mask.

Watson facilitated the acquisition of a number of remarkable European paintings, sculptures, and decorative arts, such as a late French Gothic sculpture of the Virgin and Child; an exquisite Sienese cassone (wedding chest) depicting the death of Lucretia; an important Italian Renaissance altarpiece by Bartolomeo di Giovanni; a richly iconographic 17th - century Dutch vanitas painting; and a majestic Neoclassical landscape by French master Pierre Henri de Valenciennes, among other major gifts and purchases.

Master drawings from London's National Gallery and 18th - century Dutch watercolors should draw collectors and connoisseurs to Miami's Center for the Fine Arts.

Qualifying paper topics: Bruce Nauman's «Slo - Mo» Films (read by Professors Angelica Rudenstine and Robert Rosenblum) and The Influence of Hercules Seghers on Seventeenth Century Dutch Landscape Painting (read by Professors Egbert Haverkamp - Begemann and Colin Eisler).

Their work was strongly influenced by 17th - century Dutch landscape masters including Ruisdael, Cuyp, and Hobbema.