Out back the Equinox carries the chrome trend into the center of the tailgate, placing their 21st
century emblem smack dab in the middle of a thick bar of the shiny stuff.
Being the target market, 46 year old white collar professional, I really love this new 21st
century Emblem.
Not exact matches
The reason the English took to their Marian devotion with such intensity and fervour is that, in their cherishing of marriage from the sixth
century onwards, they could instinctively perceive how Mary was the exemplar (through the power of her own assent to God) and the national
emblem of the way in which the spiritual precedes the physical.
Fire
Emblem Fates smartly revises a quarter -
century old battle system and offers ever more reasons to care about your little chess pieces, but neither version does enough to welcome new players.
Then the summer brought Fire
Emblem Echoes: Shadows of Valentia for Nintendo 3DS, a compelling remake of the quarter
century - old second game in the series.
Wong finds «creativity in the astute articulation of the pause and rewind modes», another postmodern
emblem of the late 20th
century.
The Bolshoi Theater had been a crown jewel during the reign of the tsars and an
emblem of Soviet power throughout the twentieth
century.
Dating back to the 1st
century BC, this is one of the most important sites of the autonomous republic, and the
emblem of Karakalpakstan even depicts the sun rising over Chilpyk.
Then the summer brought Fire
Emblem Echoes: Shadows of Valentia for Nintendo 3DS, a compelling remake of the quarter
century - old second game in the series.
Picasso's paintings of his lover Marie - Thérèse are arguably the finest
emblems of love, sex and desire in 20th
century art.
These pieces conflate two things once antithetical — Rothko's classic abstract forms with some of the most recognizable
emblems of 20th
century American consumer culture — with results that invite play and subvert expectations all at once.
With a spectacular use of chrome and glass, McElheny has reimagined this
emblem of twentieth -
century design as a sculpture depicting modernism's explosive demise.
The backdrops in Contemporary Business seem carefully chosen to reflect upon Shanghai's and China's complicated past, its rapid present transformations, and its undecided future, as the merry band of outsiders groove in front of a massive, drab communist style housing project, dance on the Bund along Shanghai's Huangpu River, a vibrant promenade lined with handsome Neo-Classical, Beaux - Arts and Art - Deco buildings (former banks and financial houses from the 19th and early 20th
centuries) that are beautiful relics of Shanghai's colonial past and
emblems of the city's cosmopolitan present.
Writing in Art in America, David Markus observes, «The exhibition celebrate [s] women as
emblems of strength and self - sufficiency even as it expose [s] a narrative of subjection that is no less relevant this
century than it was in the last.»
While Brockmann's enormous work, Philip II Receiving the News of the Loss of the Invincible Armada, is an example of large - scale history painting from 19th -
century Spain, Judy Chicago's preparatory drawing for Emily Dickinson's place setting in her iconic installation The Dinner Party is an
emblem of the American feminist movement of the 1970s.
By the turn of the
century, Noland had returned to his most recognizable
emblem: the concentric circle, this time, on a much smaller scale.
Small designer
emblems did appear on the outside of shirts in the first half of the
century, but such sporty attire was pretty much restricted to the golf courses and tennis courts of the rich.»