Sentences with phrase «century approach not»

At the Institute of Positive Education, we have tailored our training to equip teachers with the tools and skills necessary to assist them to impart a 21st century approach not only to their teaching, but their lives.

Here, at the Institute of Positive Education we have tailored our training to equip teachers with the tools and skills necessary to assist them to impart a 21st century approach not only to their teaching, but their lives.

Not exact matches

While Paz's approach seems somewhat cumbersome, he is, after all, not only presenting a picture of a 17th - century Mexican nun; he is also in a sense rewriting the history of the Counter-Reformation church in New Spain.

Such an approach, for example, led Cyril of Alexandria to interpret chapter one, verse thirteen («My beloved is to me a bag of myrrh, that lies between my breasts») as referring to the Old and New Testaments, between which hangs Christ.52 Not all interpretation that followed through the centuries was as ludicrous as this, although much of it was.

To concern oneself with the resurrection hope simply for the purpose of grasping hold of what seems to be a viable approach to personal immortality does not, however, do full justice to this first - century doctrine.

For like Whitehead and Dewey, Kadushin understood that the concept of organic thinking offered an approach to logic and the foundations of knowledge that was an alternative to the perversions of the sort of blind faith in natural science that had come to dominate the intellectual cultures of the late nineteenth and early twentieth centuries; an alternative that did not attempt to devalue science or replace it with a nonrational mysticism, but which did attempt to place scientific thought into a broader cultural context in which other forms of cultural expression such as religious and legal reasoning could play important and non-subservient roles.

Symptomatic of their failure is the fact that they have never yet — not after several centuries of changing approaches to the study and teaching of the Christian faith — produced a new Theological Encyclopedia.

I notice that you say that number one preparation approach is» There is a God (and He looks like Jesus)» I find this so difficult because as I look around I see a supposedly portrait image of Jesus that has been around for centuries and which I am sure is not only, not like Jesus, but is very misleading.

But it should also be noted that it is not uniformly a Jesuit approach — witness the work of La Civiltà Cattolica in the nineteenth century to systematically oppose liberalism while proposing an alternative Catholic worldview.

One such occasion was when the sixteenth - century reformers replaced unsatisfactory definitions of divine grace: models and analogies which seemed misleading because they offered an inadequate or untrue expression and interpretation of the Christian experience of God's gracious approach to man; they did not clearly indicate that by «grace» is meant «God being gracious».

As the 21st century Church we must be apostolic in our approach, and not just invade different geographical regions but also various world systems and sectors, such as: government, business, entertainment, family, arts and media, and education.

The unanticipated, negative outcomes that can follow when non-native species enter naive populations — such as the now pestilential Kudzu (Pueraria lobata), a legume native to Japan that was introduced into the southern U.S. during the late 19th century — might not apply in the same way with a bioaugmentation approach to the chytrid problem.

«This 21st century approach, shaped by the actual biology of the nontarget organisms, is the best safeguard against inadequately informed approval of the next new class of pesticides (and that's something an outright ban on one class of pesticides can't do),» she adds in her e-mail.

Cate Blanchett doesn't play 13 characters so much as embody 13 different ideas and approaches to 20th century art in Manifesto, German video artist Julian Rosefeldt's feature - length version of his eponymous, multi-screen installation from 2015.

20th Century Fox haven't revealed an awful lot about the latest film in the long lasting Predator franchise as yet but the good news is that its September release date is fast approaching.

I wasn't entirely certain if I was unprepared for its unexpected form and approach to one of the most important musical artist's of the last century or annoyed at what I took for pretentiousness.

This film is not by Disney, but instead 20th Century Fox, which might be why I enjoyed it more as it didn't take those standard Disney approaches.

We are providing a 21st century approach to its observance not just by recharging memory, but through an artistic reflection with a balanced affirmation of Hispanic heritage and indigenous traditions for collaborative new routes of expression from ancestral roots focused on the concerns of UNESCO: Cultural Rapprochement, Biodiversity, Ocean Care and Seafaring, Climate Change mitigation through sustainable energy, reforestation, gender equity and health issues.

The researchers» approach to measuring the causal effect of competition between private and state schools uses the fact that the amount of competition in education today has in large part been influenced by the Catholic church's efforts in the nineteenth century to construct an alternative school system wherever the state religion was not Catholic.

In the latter years of the 20th century, the federal government not only became far more involved in civil rights, surveillance of behavior and misbehavior on educational sites, and financing of education for the less wealthy; in conjunction with the governors of many states, the federal government also played a significant role in testing of students, evaluation of progress toward national educational goals, and even support for the creation and evaluation of curricula and pedagogical approaches, both live and online.

«Developing innovative learning environments is necessary today, as traditional educational approaches will not be able to deliver 21st Century competencies for learners.»

Someday, I hope, we will recognize the failure of the behaviorist approach now in vogue; someday we will see that our current «reforms» are appropriate for the industrial era of the early 20th century, not for the needs of the 21st century.

To design and develop an eLearning course using a back - to - basics approach, you can't go wrong using the ADDIE model — Analyze, Design, Develop, Implement and Evaluate.ADDIE, designed by Florida State University back in the 1970s, is tried and true, familiar and has served instructional designers for nearly half a century.

Go to http://tinyurl.com/6k8c944 and tell Congress that the one - size - fits - all approach doesn't allow real students to learn and succeed in the 21st century.

What has not received much attention, but is a more dramatic reform, was the decision to reorient the district so that its schools and instructional approach are focused on building 21st century skills.

The nation, including African Americans, should not give up on building better schooling; rather, we should learn from the past half century's experiences and adopt a more direct, research - based approach.

For centuries now most museums have not changed this approach to displaying an exhibit, simply relying on individually printed paper labels in their displays.

«It is evident that by the end of the 19th century, scientists who studied animal behavior in natural environments learned that the mechanical approach could not explain all behavior.

Developed in house by Ubisoft and set in the latter part of the 18th century in New Orleans, and starring a new character in the series called Aveline de Grandpré, an assasin of African - French origin who sets about killing bad guys in a different approach in the Assasin's series, the first to not use the Desmond Miles character.

Uniting different perspectives of seeing and subverting spatial conditions of representational forms in the 20th century this exhibition does not only present rarely seen work but also narrates different layers of art historical approaches leading to the long lasting meaning of representational object and space in art.

We knew that the show couldn't be an exhaustive survey of self - portraiture but we started by thinking about the Van Dyck painting and what makes it so important: the fact that the artist caused such a seismic shift in the approach to portraiture in the 17th century that was to last for at least the next three centuries; that his portraits were a form of «self - advertisement» and show an acute awareness of his identity and public image as a successful artist; that it was his final self - portrait, made in the last year of his life at the age of 42 and that his various self - portraits (there are seven known in total) trace his life as an artist.

«It's an approach to painting that you haven't seen in realistic painting since the 19th century.»

The Hamburger Bahnhof looks at 20th - century attitudes to the future, but didn't foresee some of the problems of its chosen approach

One may approach the twenty - first century, but do not cross — or not too often.

While shelves of books have been written about Pop art, The Pop Revolution is the first to approach it not only as an aesthetic upheaval, but also as a bellwether for the social, cultural, economic and political changes affecting America and Europe in the late twentieth century.

In many ways, he opened ways for other artists not only to see but to understand conceptually the importance of working in a reductive manner as signaling a new approach to art somewhere between late industry and the virtual age of digital forms — forms that emit a language consistent with the twenty - first century, with all their elegant and paradoxical beauty.

Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.

Even if you don't care for his artistic style, I recommend that you experience the talent, passion and unique approach that Freud brought to 20th Century Figurative painting.

Traveled to Nasher Sculpture Center, Dallas The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Norway The Contemporary Figure, Donald Young Gallery, Chicago 2009 Accrochage, Galerie Max Hetzler, Berlin Classified, Tate Britain, London DLA Piper Series: This is Sculpture, Tate Liverpool Donald Young Gallery, Chicago British Council Collection: The Third Dimension, Whitechapel Gallery, London 2008 The Vincent Award 2008, Stedelijk Museum CS, Amsterdam Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY Martian Museum of Terrestrial Art, Barbican Art Gallery, London Donald Young Gallery, Chicago 2007 Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery, New York Unmonumental: The Object in the 21st Century, New Museum, New York The Third Mind, Palais de Tokyo, Paris Makers and Modelers, Gladstone Gallery, New York No Room for the Groom, Herald St. London 2006 Turner Prize Exhibition, Tate Britain, London Tate Triennial 2006: New British Art, Tate Britain, London Toutes Compositions Florales, Counter Gallery, London Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago flutter, The approach, London If it didn't exist you'd have to invent: a partial Showroom history, The Showroom, London China Art Objects Galleries, Los Angeles 2005 The British Art Show 6, Hayward Gallery (catalogue) Trumpets of Justice, Counter Gallery, London Body: New art from the UK, Vancouver Art Gallery (1995); The Ottawa Art Gallery (2006); Oakville Galleries (2006); Edmonton Art Gallery (2006)(catalogue) 2004 Strange, I've seen that face before, Gallery of Modern Art, Glasgow, Scotland Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna Collage, Bloomberg Space, London 2003 Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York Still Life, Museo Nacional de Bellas Artes, Santiago, Chile.

In light of such criticism, throughout the second half of the 20th century there were art historians / critics who did not follow the approach of Greenberg and instead remained «passionate, partisan, and political,» to quote Baudelaire's famous words, in their response to contemporary art: Schapiro in support of Arshile Gorky, Steinberg in support of Jasper Johns, and Rosenblum in support of Frank Stella are conspicuous examples.

[Note: This creed rejected the «grand style» of High Renaissance academic art, exemplified by triviality of subject, idyllic treatment and non-naturalistic forms, favouring instead worthy subjects, strict reliance on nature in their treatment, and a precise and detailed delicacy of handling, not unlike the early Renaissance of the 15th century - an approach which led to them being dubbed «pre-Raphael» - type painters, or Pre-Raphaelites.]

Not least, its survival is due to artists like Jill Nathanson, whose current show at Berry Campbell combines traditional approaches with new technologies to create paintings that could only have been made in the 21st century.

These warming periods, however, did not approach the anticipated warming of this century.

The riven Senate, with the decision today not to close out a modest package of energy initiatives focused on oil drilling, is basically saying the following: Don't look for the vital 21st - century energy quest, let alone a reality - based approach to global warming, to begin within the borders of the United States.

And to be fair, it's very much like the George W. Bush approach, meaning that since the beginning of the 21st century the United States has not had a federal approach that will lead to energy independence, or even give a significant start toward that independence.

Even with all the change the last century saw, the value of conservation - that is, a conservative approach to our relationship with the natural world - has not changed.

If the late twentieth century just represented a «recovery from the LIA», why did it not slow down as it approached the prior equilbrium level, but instead accelerated past it?

While the resolution does not have to be that fine, it has to at least approach the century level before it tells us much.

This will build up a greater knowledge base so that future, more creative approaches can discover new energy sources we might not be able to imagine, something we may find ourselves needing when, in the coming centuries, the bottom drops out on our rather temperate climate, no matter how much CO2 we pump into the atmosphere.

Looking further back, the paleo reconstructions also do not replicate the considerable drop to the depths of the LIA around 1690, the (reconstructed) warmth around 1630, the period of well documented cold at the beginning of the 17th century and the sharp (reconstructed) rise around 1540 to something apparently approaching the temperatures at the end of the 20th century.