Sentences with phrase «century art historical»

In the series, which references the «blue hour» between daylight and dark, he portrays 20th - century art historical icons that are sculpted and cast from nontraditional materials, which would be self - obliterating if ever used for their intended purpose.

Although often associated with particular twentieth century art historical practices and discourses — including abstraction, Minimalism, and Conceptual Art — Palermo's diverse body of work defies easy classification.

This maverick spirit lands him firmly in 20th century art historical discourse.

Not exact matches

Enclosed in three small historical buildings, It was a cool small museum, especially if you are interested in the french poster art of the late 19th century and included the audio tour in the price.

For those of you who love historical style, brace yourself for we're about to revisit the 18th century Rococo art movement, only this time, through a revival of a decadent trend — the Baroque & Roll.

The authors take a historical look at the development of the CEE and CITE Journal relationship, reflect on the inaugural article in the CITE Journal English Language Arts Teacher Education section and the principles it presented, and provide a history of the evolution of NCTE / CEE belief statements, resolutions, and standards for teacher preparation as they relate to 21st - century literacies and technologies.

Rich in historical detail, the novel explores the immense challenges faced by women in the arts (past and present), provides a glimpse into the seedy underbelly of the art world across the centuries, and illustrates the transformative power and influence of great art.

And these acts are based on historical evidence witnessed on ceramic art originated in the 5th century.

Housed in a turn - of - the - century landmark Beaux Arts building, XV Beacon blends magnificent historical detailing with modern opulence, featuring a grand marble staircase, mahogany paneling, original caged - glass elevator, and a distinguished art collection.

Though it's just steps from some of New York City's buzziest attractions (Chelsea's art galleries, the restaurants of the Meatpacking District, and of course, the elevated walkway from which the hotel takes its name), the High Line feels like a hip historical throwback to the 19th century.

For a glimpse of local art, head to The Bermuda National Gallery located in City Hall and don't miss the Museum of the Bermuda Historical Society, which features 17th century artifacts and furniture.

Woodstock Historical Society / Woodstock History Center The 1807 Dana House Museum is open seasonally from mid-June to mid-October displaying 19th - century furnishings, art, toys, furniture, tools, china, textiles and clothing.

Woodstock Historical Society / Woodstock History Center The 1807 Dana House Museum is open seasonally from mid-June to mid-October displaying 19th century furnishings, art, toys, furniture, tools, china, textiles, and clothing.

World - leading independent curators advise on feature sections for 20th - century art and focussed presentations of historical art and objects.

Focusing mainly on twentieth century abstract and minimal art, the Collection's exhibitions, hosted in the Daimler Contemporary gallery, are always well put together with a strong art historical message and a clear concept.

Whether due to a rejection of the staggering certitude of Greenberg's formalism, the deep veins of racism / classism / sexism running through twentieth - century criticism and curation, or the closely guarded access to institutions of art, these historical narratives are undergoing an intensive curatorial corrective.

By contextualising the art within broader historical currents, Visual Century makes a major contribution towards the construction of an inclusive national archive, as well as to the development of an inclusive international art history.

In this case, his selection of an official Apple Store advertisement imposed over two paintings by Paul Cezanne creates an art historical lifeline between 19th Century Post-Impressionist painting and contemporary art.

It wasn't until the Abstract Expressionists abandoned figuration that the concept was reintroduced into the art historical canon of the 20th century.

The conversation begun in Venice is morphing into «a more art historical dialogue,» in Rajaratnam's assessment, one that loops in the voices of American minimalists like Donald Judd (the subject of a recent exhibit at Mnuchin), and 20th century European cubists.

Following these exhibitions and the more current than ever topic of the representational character of image, space and actual object, Galerie Gmurzynska, will bring a selection of sculptures, reliefs and collages spanning art historical narratives from the early 20th century to the early 21st century.

Titles also play off of art historical tropes, as in Bathers, which makes reference to Renoir's famous nineteenth - century painting.

Precisely a century later, I am standing before the very same painting — it is, properly, Nude Descending A Staircase (No. 2) by Marcel Duchamp — with Kimberly Orcutt, Curator of American Art of the New - York Historical Society on Central Park West, which has brought the big blowup of 1913 back to life in a delicious, irreverent retrospective featuring 100 of the original works.

It thus demonstrates the art historical significance of this particular style of modern art in the 20th century.

Uniting different perspectives of seeing and subverting spatial conditions of representational forms in the 20th century this exhibition does not only present rarely seen work but also narrates different layers of art historical approaches leading to the long lasting meaning of representational object and space in art.

Bennington Museum holds the largest collection of art and historical artifacts in southern Vermont, reflecting a rich culture of innovation that has characterized this region for two and a half centuries.

His paintings contain a mash - up of historical and cultural references, combining elements of 18th and 19th century colonial portraiture and folk art with visual signifiers of contemporary urban culture, including jewelry and body art associated with present - day gangsters and hipsters.

With more than 50 of his works on display, the exhibition has been cleverly and informatively curated so as to place Marini's work within the wider art - historical context, ranging from early Etruscan sculpture, through 15th - century Florentine works, to Auguste Rodin and even Henry Moore.

Imperfect Chronology — Debating Modernism I explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century to 1967, an important historical period in the region.

Kohn Gallery is pleased to announce its participation at the 2017 edition of FIAC, with a booth of historical work that underscores the breadth and scope of 20th century Californian art with leading figures from the «60s through the present.

Her work has been included in group exhibitions, including «Lines and Spaces», Hartford Art School, CT; «About Painting» and «Twice Drawn», Tang Museum, Skidmore College, Saratoga Springs, NY; and the traveling exhibitions «Drawn by New York: Six Centuries of Watercolors and Drawings at the New - York Historical Society», and «Drawing is Another Kind of Language» which originated at the Harvard University Art Museums and traveled to museums in the U.S. and Europe.

The section dedicated to Modern Art will feature historical pieces of international artists, produced mainly during the first half of the twentieth century.

«We have a great section, Spotlight, for 20th - century art at Frieze Masters, and for a while we have been thinking about how to do something similar for historical art,» Siddall says.

Now, the Whitney Museum of American Art is redressing this art - historical injustice with «Robert Indiana: Beyond LOVE,» an exhibition showcasing a half century of the 84 - year - old artist's woArt is redressing this art - historical injustice with «Robert Indiana: Beyond LOVE,» an exhibition showcasing a half century of the 84 - year - old artist's woart - historical injustice with «Robert Indiana: Beyond LOVE,» an exhibition showcasing a half century of the 84 - year - old artist's work.

«Inventing Downtown,» an art - packed historical deep - dive at the Grey Art Gallery at New York University, tells the story of that lost chapter, the upstart gallery scene that flourished for more than a decade in the East Village, bequeathing a body of work that considerably scrambles not only the map but also the lock - step narrative of 20th - century art movemenart - packed historical deep - dive at the Grey Art Gallery at New York University, tells the story of that lost chapter, the upstart gallery scene that flourished for more than a decade in the East Village, bequeathing a body of work that considerably scrambles not only the map but also the lock - step narrative of 20th - century art movemenArt Gallery at New York University, tells the story of that lost chapter, the upstart gallery scene that flourished for more than a decade in the East Village, bequeathing a body of work that considerably scrambles not only the map but also the lock - step narrative of 20th - century art movemenart movements.

To my mind, the plumed ruffs summon art historical precedents from Dürer's Wing of a Roller (1512) to Rembrandt's wide - eyed self - portrait etching with its prominent folded collar (1630) to E.H. Tuttle's 20th - century bird etchings.

Varela's work has appeared in a solo show at Borem Studios, New York, NY and in many group exhibitions, including the Amagansett Historical Association and at Ashawagh Hall, Amagansett, NY.; Guild Hall, and Solar Gallery, East Hampton, NY; the Celadon Gallery, Watermill, NY; the Harlem ArtWalk and New Century Artists Gallery, New York, NY; and the Brentwood Art Center, Los Angeles, CA.

Ensconced within a stately townhouse on New York's Upper East Side, the art dealer Robert Mnuchin has spent the past quarter century putting on shows of mostly American art that brim with intelligence, historical savvy, and the kind of quality that one tends to find a few blocks to the west, at the Metropolitan Museum of Aart dealer Robert Mnuchin has spent the past quarter century putting on shows of mostly American art that brim with intelligence, historical savvy, and the kind of quality that one tends to find a few blocks to the west, at the Metropolitan Museum of Aart that brim with intelligence, historical savvy, and the kind of quality that one tends to find a few blocks to the west, at the Metropolitan Museum of ArtArt.

Organized by Met curators Andrea Bayer, of the European paintings department, and Kelly Baum, of the Modern and contemporary art department, in consultation with Sheena Wagstaff, chairwoman of the Met's Modern and Contemporary art department, the exhibition covers a vast historical range, from the 15th century to the present.

Returning to visual arts in 2000, Coupland uses various media including painting, photography, printing, installation and quilts, to cleverly merge pop culture and technology with art historical references ranging from historical painting, to 20th century Pop Aart historical references ranging from historical painting, to 20th century Pop ArtArt.

As a visual anthology of cut and pasted images, Henrik Olesen's Some Gay - Lesbian Artists and / or Artists Relevant to Homo - Social Culture (2007) mounts a provocative counter-narrative to the art historical canon by highlighting artists» censored biographies as well as homoerotic depictions dating from the fourteenth to the nineteenth centuries.

Along with familiar works from the collection, the installation will include objects on loan from other institutions, such as historical Native American art, folk art, furniture, and art from other regions and time periods to encourage a more textured narrative about the first centuries of US art and history.

The Art of the Flower positions floral paintings within a broader art historical and cultural narrative and reveals how the traditional genre was reinvented through artistic experimentation in the 19th and early 20th centuriArt of the Flower positions floral paintings within a broader art historical and cultural narrative and reveals how the traditional genre was reinvented through artistic experimentation in the 19th and early 20th centuriart historical and cultural narrative and reveals how the traditional genre was reinvented through artistic experimentation in the 19th and early 20th centuries.

1996 African - American Art: 20th Century Masterworks, III, Michael Rosenfeld Gallery, New York, NY The Countee Cullen Art Collection from the Hampton University Museum, California African American Museum, Los Angeles, CA Three Generations of African American Women Sculptors: A Study in Paradox, Afro - American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY; Museum of African American Life and Culture, Dallas, TX; California Afro - American Museum Foundation, Los Angeles, CA; Museum of the National Center of Afro - American Artists, Boston, MA; Telfair Museum of Art, Savannah, GA; Center for the Study of African American Life and Culture, Smithsonian Institution, Washington, DC Woman's Work: A Century of Achievement in American Art, The Columbus Museum, Columbus, GA The Figure in American Sculpture: A Question of Modernity, National Academy of Design, New York, NY

With more than 15,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African aart in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African aArt has an extensive anthology of 19th - and 20th - century American art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African aart; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African aart; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African aart, photography, folk and self - taught art, and African aart, and African artart.

Display one explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century to 1967, an important historical period in the region.

Madahar also referenced the work of early - twentieth - century photographer of high society Madame Yevonde (1893 --- 1975), adding another layer of art historical context.

That groundbreaking moment has passed, as the aesthetics of minimalism have long since been integrated into the art - historical narrative of the 20th century and even into the cultural vernacular.

Martinez draws his inspiration from a wide - range of sources, spanning from the ever - evolving landscape of the city to major art historical movements of the 20th century such as Abstract Expressionism, CoBrA, Neo-Expressionism, and Surrealism.

The exhibit features a selection of art works, historical photographs, and documents from the early twentieth century through the early twenty - first century from the permanent collection.