Sentences with phrase «century conceptual art»

While it's easy enough to get the impression you're stuck inside a coffee table book on late 20th - century conceptual art, the best stuff is terrific fun.

Not exact matches

Bonus: • Audio Commentary with Director Sam Raimi, Producer Laura Ziskin, Actor Kirsten Dunst, and co-producer Grant Curtis • Audio Commentary with Special Effects Designer John Dykstra, Visual Effects Supervisor Scott Stokdyk and Director of Animation Anthony LaMolinara • Branching Web - I - Sodes • «Weaving the Web» Subtitle Factoids • Chad Kroeger Featuring Josey Scott «Hero» Music Video • Sum 41 «What We're All About» Music Video • Filmographies • Theatrical Trailers • TV Spots • HBO Making of Documentary • «Spider - Mania»: An E! Entertainment Special • Director Profile • Composer Profile • Screen Tests • Costume and Makeup Tests • Gag / Outtake Reel • «Spider - Man: The Mythology of the 21st Century» Documentary • Activision Game Hints and Tips «The Loves of Peter Parker» • «Rogues Gallery» • Conceptual Art and Production Design Gallery • The Spider - Man Comic Archives • DVD - ROM Features

It can be said that every artistic movement and principle artist of the past century are included in this wonderful journey through American art history; from American Impressionism through 21st century conceptual and expressionistic directions.

Just as the Suprematist paintings anticipate most developments in abstract painting throughout the rest of the twentieth century, so these startling medleys of words and images anticipate much of subsequent conceptual art.

Known as the Godfather of Pop Art, New York based multi-disciplinary artist Larry Rivers sought to continually redefine formal and conceptual artistic boundaries for over half a century.

The seeds of Pop Art and Conceptual Art have been carefully sown in part one and the thoughtful viewer's logical conclusion about what is to come in The American Century part two would be the new academy, cool art, the new salon of Post-Dada, Minimalism, Conceptualism, Pop, Video and Postmodern kitsArt and Conceptual Art have been carefully sown in part one and the thoughtful viewer's logical conclusion about what is to come in The American Century part two would be the new academy, cool art, the new salon of Post-Dada, Minimalism, Conceptualism, Pop, Video and Postmodern kitsArt have been carefully sown in part one and the thoughtful viewer's logical conclusion about what is to come in The American Century part two would be the new academy, cool art, the new salon of Post-Dada, Minimalism, Conceptualism, Pop, Video and Postmodern kitsart, the new salon of Post-Dada, Minimalism, Conceptualism, Pop, Video and Postmodern kitsch.

Painterly gesture, it turns out, can get along just fine with the rigor of late Modernism, the conceptual art of the late twentieth century, or the open - ended excess of today.

As 20th - century art became ever more experimental, the risks artists took got more spectacular: they have been shot and exposed to fire, and the conceptual artist Bas Jan Ader vanished in 1975 while trying to cross the Atlantic in a small sailing boat, as art.

Wall has created a unique, seductive and complex pictorial universe by drawing upon philosophy, literature, nineteenth - century painting, Neo-Realist cinema and the traditions of both Conceptual art and documentary photography.

She has contributed to, and been written about, in several anthologies of literary criticism including: The Racial Imaginary: Writers on Race in the Life of the Mind (Fence Books, 2015); The BreakBeat Poets: New American Poetry in the Age of Hip - Hop (Haymarket Books, 2015); What I Say: Innovative Poetry by Black Writers in America (University of Alabama Press, 2015); The & Now Awards 3: The Best Innovative Writing (Northwestern University Press, 2015); I'll Drown My Book: Conceptual Writing By Women (Les Figues Pess, 2012); eco language reader (Portable Press at Yo - Yo Labs and Nightboat Books, 2010); American Women Poets in the 21st Century (Wesleyan University Press, 2002); and An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art (University of Michigan Press, 2002).

Tagged With: Bauhaus, Bedside Gun Lamp, Biomorphic Design, blobitecture, CAD technology, Conceptual Design, Decorative Design, Ettore Sottsass, European Design Since 1985: Shaping the New Century, Expressive Design, form follows function but not always, High Museum of Art, High Tea Pot, Ikea, Indianapolis Museum of Art, Jurgen Bey, Kingston University, Maarten Baas, Marc Newson, memento mori, Memphis group, modernism, modernists, Neo-Dada, Neo-Decorative, Neo-Pop, Philippe Starck, R. Craig Miller, Smoke Armchair, Surrealism, Target, Tejo Remy, terminus a quo, the Denver Art Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki SomArt, High Tea Pot, Ikea, Indianapolis Museum of Art, Jurgen Bey, Kingston University, Maarten Baas, Marc Newson, memento mori, Memphis group, modernism, modernists, Neo-Dada, Neo-Decorative, Neo-Pop, Philippe Starck, R. Craig Miller, Smoke Armchair, Surrealism, Target, Tejo Remy, terminus a quo, the Denver Art Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki SomArt, Jurgen Bey, Kingston University, Maarten Baas, Marc Newson, memento mori, Memphis group, modernism, modernists, Neo-Dada, Neo-Decorative, Neo-Pop, Philippe Starck, R. Craig Miller, Smoke Armchair, Surrealism, Target, Tejo Remy, terminus a quo, the Denver Art Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki SomArt Museum, The Substance of Style, Virginia Postrel, whimsical art, Whimsy, Wieki Somart, Whimsy, Wieki Somers

Although often associated with particular twentieth century art historical practices and discourses — including abstraction, Minimalism, and Conceptual Art — Palermo's diverse body of work defies easy classificatiart historical practices and discourses — including abstraction, Minimalism, and Conceptual Art — Palermo's diverse body of work defies easy classificatiArt — Palermo's diverse body of work defies easy classification.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

Revolutionary twentieth - century composer John Cage and contemporary conceptual artist Glenn Kaino produce works that highlight the sense of community created by chess, especially when interwoven with music and art.

For half a century now, Lynn Hershman Leeson has made pioneering contributions to performance, conceptual art, new media, and film with works whose formal and technical experimentation is matched by her fearlessness in the deconstruction of gendered identity in a misogynist and technologically mediated world.

«Conceptual Art in the 21st Century» by Milagros Bello, Ph.D..

Works by the American Abstract Artist group (Stuart Davis, Ilya Bolotowsky, Esphyr Slobodkina, Balcomb Greene, Milton Avery) give twentieth - century abstraction its place in the collection, as do later examples of Surrealism (Kay Sage, George Tooker), Abstract Expressionism (Lee Krasner, Giorgio Cavallon, Morris Graves, Robert Motherwell, Sam Francis, Cleve Gray), Pop and Op art (Andy Warhol, Larry Rivers, Robert Indiana, Tom Wesselman, Jim Dine), Conceptual (Christo, Sol LeWitt), and Photo - Realism (Robert Cottingham).

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

During the late 20th and early 21st centuries, new styles emerged including Neo-Expressionism and Conceptual art.

Founded in 1887 in Halifax, Nova Scotia, what has come to be called the Nova Scotia College of Art and Design University evolved, over its first century and more, from a conservative provincial art college focused on traditional landscape painting to one of the premier institutions in North America, well known for its promotion of conceptual art and the avant - garArt and Design University evolved, over its first century and more, from a conservative provincial art college focused on traditional landscape painting to one of the premier institutions in North America, well known for its promotion of conceptual art and the avant - garart college focused on traditional landscape painting to one of the premier institutions in North America, well known for its promotion of conceptual art and the avant - garart and the avant - garde.

Each of them mingles the sort of polite early - 20th century, largely British art once associated with the Tate Britain with the internationally diverse postwar - to - present conceptual art you might find at the Tate Modern.

With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so» — this major groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art during the past century.

Carey: The 20th century art movements — Abstract Expressionism, Minimal, Conceptual Art — give my experimental photogram work a context in the 21st century, from this camera-less method at the dawn of the medium in the 19th century to fresh interpretations in the preseart movements — Abstract Expressionism, Minimal, Conceptual Art — give my experimental photogram work a context in the 21st century, from this camera-less method at the dawn of the medium in the 19th century to fresh interpretations in the preseArt — give my experimental photogram work a context in the 21st century, from this camera-less method at the dawn of the medium in the 19th century to fresh interpretations in the present.

This major retrospective highlights half a century of his conceptual art, including installations, books, films, drawings, and posters.

highlights half a century of his conceptual art, including installations, books, films, drawings, and posters.

The artists selected represent a wide range of experiences and painting styles, but are connected by the Kemper Museum's philosophical focus on investigating the history of the gesture in painting and in creating a conceptual and art historic bridge from the 20th to the 21st century in both exhibition program and the Permanent Collection.

The collection has particular strengths in Ming and Qing dynasty Chinese painting, Mughal dynasty Indian miniature painting, Baroque painting, old master prints and drawings, early American painting, nineteenth - and early - twentieth - century photography, Conceptual art, international contemporary art, West Coast avant - garde film, international animation, Soviet cinema, early video art, and the largest collection of Japanese films outside of Japan.

A six - gallery «art walk» is in full stride on the Upper East Side, covering some 600 years of endeavor from exquisite medieval «gold - ground» paintings to rambunctious 20th - century Conceptual photographs.

Beyond geographical categories, but along central themes such as the body, consumer culture or conceptual approaches, a multi-faceted panorama of the art of the late 20th century ensues.

Since the rise of conceptual art in the 20th century, painters have been perceived to be stupid.

While some of the elaborately carved and decorated dolls, toys and childhood trinkets of the pre-modern world could easily be considered art, it wasn't until the 20th century that toys became more frequently used in a conceptual manner.

With its idea that humble «poor» everyday materials — both natural and man - made — can be transformed into powerful, evocative works of art, Arte Povera transformed the landscape and language of contemporary art in the late 1960s and 70s and has become one of the most influential art movements of the past half century, exerting a profound impact on art around the world, including conceptual art, minimalism and the YBAs.

The quiet eruption of photography into the best painting of the 20th century's final decades created an opening for painting to adapt other mediums into itself, a vice versa of the moves made by Conceptual art.

Remarkably diverse, the Perlstein Collection traces the course of twentieth - century art, spanning Dada and Surrealism to Abstraction, Land Art, Conceptual Art, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary Aart, spanning Dada and Surrealism to Abstraction, Land Art, Conceptual Art, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Conceptual Art, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Arte Povera, Nouveau Réalisme, and Contemporary ArtArt.

For half a century, Piper has produced pioneering work that has shaped the field of Conceptual art.

It traces the course of twentieth - century art, from Dada and Surrealism to Abstraction, Land Art, Conceptual Art, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary Aart, from Dada and Surrealism to Abstraction, Land Art, Conceptual Art, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Conceptual Art, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary AArt, Arte Povera, Nouveau Réalisme, and Contemporary ArtArt.

As a towering figure of 20th century American conceptual art and as one of the most influential teachers of a generation of artists, Baldessari's new works ultimately questions the very nature of the artist's place within the canon of art history itself.

Villareal's works reinterpret fundamental components of such twentieth - century art movements as pop, minimalism, conceptual, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty - first century.

One of the most influential artists of the twentieth century, LeWitt is credited with helping shape and develop the style of minimalism and conceptual art.

Richard Long (born 1945, UK) has been in the vanguard of conceptual and land art in Britain since he created A Line Made by Walking half a century ago in 1967, the same year as Lisson Gallery was founded.

One of the key 20th century sculptors of the contemporary era, the artist and writer Sol LeWitt helped to establish Minimalism and Conceptual Art as important movements of postwar American aArt as important movements of postwar American artart.

Many artists of the twentieth century — the Cubists, Dadaists, Surrealists in the early decades and the Pop, Conceptual, and Narrative artists in our own time — have incorporated text in works of visual art.

The late 19th century saw a relationship develop between art and writing that would lead the way to a conceptual dynamic (Alphonse Allais's monochromes, Larionov, Dada and the links between poetry and conceptual art in the work of Robert Filliou, Carl Andre, Vito Acconci and Marcel Broodthaers, among others).

Neo-Dada went on to influence a whole generation of 20th century artists, as well as contemporary art movements such as Fluxus (1960s), Pop Art (c.1955 - 70), Nouveau Realisme (1960s), and Minimalism, as well as new creative forms like installation and conceptual aart movements such as Fluxus (1960s), Pop Art (c.1955 - 70), Nouveau Realisme (1960s), and Minimalism, as well as new creative forms like installation and conceptual aArt (c.1955 - 70), Nouveau Realisme (1960s), and Minimalism, as well as new creative forms like installation and conceptual artart.

Including Pendleton's texts «Black Dada» and «Amiri Baraka,» and drawing on a diverse archive that traverses European, African and American avant - gardes and civil rights movements of the last century — from Dada and Bauhaus to Black Lives Matter literature, from Language poetry to Black Power poetics, from Conceptual art to African Independence movements — Becoming Imperceptible frames a complex dialogue between culture and system.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Along with the more traditional mediums of painting, photography, drawing, sculpture, conceptual, video and performance art we also encourage the submission of sound, text, spoken word, dance, comedy, cooking, large scale painting... As a new century begins and the last still informs every move we make an anxiety of where we are takes many forms from the personal to the political.

Against the Grain: Wood in Contemporary Art, Craft and Design demonstrates how 20th and 21st century creators have engaged the medium of wood with conceptual and technical strategies.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Whether it's Andy Warhol, Roy Lichtenstein, or Robert Rauschenberg, no other conceptual movement in modern twentieth - century art history has been such a crucial influence on our ideas of aesthetics, design, and the American way of life as Pop Aart history has been such a crucial influence on our ideas of aesthetics, design, and the American way of life as Pop ArtArt.