Sentences with phrase «century design aesthetic»

Not exact matches

With a playfully romantic aesthetic and the unmistakable elegance of an Italian brand, N ° 21's designs show how modern tailoring can be transformed into sultry pieces fit for any 21st Century woman's wardrobe.

Grunge; Stylistic origins: Alternative rock; hardcore punk; heavy metal; punk rock; hard rock; noise rock; Cultural origins: Mid-1980s, Seattle, Washington Steampunk is a subgenre of science fiction or science fantasy that incorporates technology and aesthetic designs inspired by 19th - century industrial steam

You can see his throwback mentality from the costume and set designs, which emphasize and old and new aesthetic, full of derby hats, lavish dresses, and interior artwork from magazine exposes of the rich and famous in the early 20th Century.

The aesthetic elements that have been a foundation of Rolls - Royce design for over a century are also evident.

Rather ironically, the E-Type turned out to be not terribly aerodynamically efficient, but became one of the most celebrated aesthetic designs of the 20th century.

They are twentieth - century gardens designed to meet contemporary needs, the artistic creations of very accomplished landscape architects that value aesthetic quality over historical accuracy.»

surprisingly diversified image of mid-twentieth century art and design, accurately capturing the aesthetic sensibility of the moment.

Presented in alignment with Art Design Chicago and the Terra Foundation for American Art, the program will trace select artistic and design legacies produced in the city, spanning from 1968 — 2018, as well as their impact on the larger social, aesthetic, and cultural movements from the twentieth - century to the prDesign Chicago and the Terra Foundation for American Art, the program will trace select artistic and design legacies produced in the city, spanning from 1968 — 2018, as well as their impact on the larger social, aesthetic, and cultural movements from the twentieth - century to the prdesign legacies produced in the city, spanning from 1968 — 2018, as well as their impact on the larger social, aesthetic, and cultural movements from the twentieth - century to the present.

What instantly appeals to me about Barber Osgerby's work is that, just as great designers like Dieter Rams, Achille Castiglione and Vico Magistretti followed this same modernist «tradition», each interpreting it to their very personal aesthetic, similarly the design duo are doing the same in our 21st Century.