Sentences with phrase «century design collection»

Not exact matches

«All of the shoes that I design for the collection are based on the shoes we were making over a century ago.»

I use both natural and abstract elements as my departure point to create a collection of items that combines my interests in bold, graphic woodcut / relief art, the craft of sewing, and, in particular, nature, giving a nod to mid-Twentieth Century design too.

The cuckoo collection is decorated with a design of Chinese flowers and birds, dating back to the early 19th Century and taking its inspiration from the fabulous Wedgwood archive pattern books from this period.

Our timeless architectural collection designed for the needs of the 21st Century.

Casa del Herrero is steeped in cultural heritage, which is seen in both the George Washington Smith designed house and the collection of fifteenth and sixteenth - century art objects from Spain.

As we move on from and reflect upon the 20th century, this staggering collection represents the foundations of what would influence some of the fastest changing creative fields, and a long - overdue recognition of the enormous contribution graphic design has made to economics, politics, social causes, arts, media, and the way we see the world.

A curatorial homage to Eugène Ionesco's 1952 absurdist play «The Chairs,» the exhibition will include an eclectic array of late 20th century design pieces sourced from museum and private collections.

Plus: Temporary UK export bar for 16th - century portraits New V&A entrance to be named after Leonard Blavatnik Marion Ackermann replaces Hartwig Fischer at Dresden State Collections David Geffen donates $ 100 million to MoMA Grafton Architects to design new LSE building in London

The new building, designed by Adjaye Associates, with Cooper Robertson as executive architects and program planning consultants, will enable the Studio Museum to better serve its growing and diverse audiences, provide additional educational opportunities to museumgoers from toddlers to seniors, expand its world - renowned exhibitions of art by artists of African descent and influenced and inspired by black culture, and effectively display its singular collection of artwork from the nineteenth century to the present day.

In 2007, Tod Williams Billie Tsien Architects received the commission to design the new Barnes Foundation building, an enviable project that was surrounded both by controversy and the excitement of increasing access to one of America's premier collections of post-impressionist art, amassed by Dr. Albert C. Barnes in the early twentieth century.

Filomeno's work can be found in several public collections, including the Centre Pompidou, Paris; 21st Century Museum of Contemporary Art, Kanazawa; 21C Museum, Louisville; and Museum of Art & Design, New York.

With compelling juxtapositions of post-war art and 20th century design, this collection vividly demonstrates the power of living with art.

Lukova's 1987 silkscreen print, There Is No Death for the Songs, is featured in the exhibition, which draws from MoMA's collection to explore how women both shaped and enhanced design in the 20th century.

Truland Foundation Media Resource Room Ongoing Visitors to the Sydney and Frances Lewis Mid to Late - 20th Century Galleries will discover a newly outfitted space designed to bring the artists featured in our Modern and Contemporary collections to life.

Our collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present.

Showcasing nearly 50 works from the permanent collection installed in the Teak Room, this focused exhibition celebrates the inspired dialogue between Western design and Japanese aesthetics in the late 19th century.

Our world - class collection of over 30,000 works emphasizes art, architecture, photography, and design from the 19th century to the present.

With more than 15,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African art.

MoMA still has its design collection, and the twentieth century still has the Bauhaus.

Complete with specially designed furniture and fittings, there is also an impressive collection of 20th - century art including Max Ernst, Marcel Duchamp and Bridget Riley.

Among the new arrivals is a significant set of 10 time - based media works from the collection of Peter and Mari Shaw, including Melik Ohanian's The Hand (2002), and Promises (2001) by Anri Sala; 12 Japanese paintings from the literati, Zen and Kano schools, from the Gitter - Yelen collection; several examples of American furniture design; and an exceptional 16th - century stained glass window by French artist Jean Chastellain depicting The Adoration of the Magi.

Featuring more than 100 works in both the upstairs and downstairs spaces, the gallery juxtaposes its normal stable of contemporary artists with a heterogeneous collection of 18th and 19th century works that includes Beaux Arts watercolors, botanical and natural history drawings, decorative arts designs, and European plein air studies.

The publication is rounded out by Daniel Birnbaum's essay on contemporary time - based art and Kaye Geipel's text exploring the history and architecture of the century - old industrial building that was completely gutted and custom designed to house the collection.

With more than 15,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a substantial collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African art.

Nuevas incorporaciones - Museu d'Art Contemporani de Barcelona - MACBA, Barcelona Days Lumberyard Studios - ACME Fine Art & Design, Boston, MA Great Impressions II - Dean Jensen Gallery, Milwaukee, WI Pollock's Mural and Modern Masterworks from the University of Iowa Museum of Art - Figge Art Museum, Davenport, IA Shaping Reality: Geometric Abstraction after 1960 - The Minneapolis Institute of Arts, Minneapolis, MN Layered / Boxed - Nohra Haime Gallery, New York City, NY International: 20th Century and Contemporary Masters - Hillsboro Fine Art, Dublin Pop to Present - Cantor Arts Center at Stanford University, Stanford, CA Grafik; Multiple & Plastik Der 60iger Und 70iger Jahre - Galerie Baal, Bielefeld Collected Visions - Bronx Museum of the Arts (BxMA), New York City, NY Modern Masters - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA 1968 - 69: 40 Years Later - Armand Bartos Fine Art, New York City, NY Action / Abstraction: Pollock, de Kooning, and American Art, 1940 — 1976 - Albright - Knox Art Gallery, Buffalo, NY The Third Mind: American Artists Contemplate Asia: 1860 - 1989 - Solomon R. Guggenheim Museum, New York City, NY Vivre l'art - collection Venet - Espace de l'art concret, Mouans Sartoux Gallery Selections - Hollis Taggart Galleries, New York City, NY Gallery Mixed Show - Bernard Jacobson Gallery, London, United Kingdom Made in America - Manny Silverman Gallery, Los Angeles, CA Synchronies: Undercurrents in Postwar European and American Abstraction — Hackett Freedman Gallery, San Francisco, CA (closed, 2009)

Built by Ferdinand de Rothschild in the style of Louis XIV, the manor is home to an extensive art collection by Reynolds, Gainsborough and others, as well as 18th - century decorative items, such as intricately designed clocks and musical automatons.

Filomeno's work can be found in several public collections including the Centre Georges Pompidou, France; 21st Century Museum of Contemporary Art, Japan; 21C Museum, Kentucky; and Museum of Art & Design, New York.

These will include the Visconti Maquettothèque [model set designs collection] of the Monte - Carlo Opera, the Bosio brothers» sculptures and etchings, Eugène Frey's fabulous luminous decors, the Marquis du Périer de Mouriez's strange collection of transparent paintings, plus the religious boxes from the de Galéa Collection and many other artificialia that evoke the cabinets of curiosities of the 17th and 18th centuries, the ancestors of European museums.

Housed in a famous building designed by Italian architect Renzo Piano, the museum houses the collection founded by gallerist and art dealer Ernst Beyeler (1921 - 2010), and covering a period ranging from the second half of the 19th century to present day.

With that money, she amassed one of the great collections of 20th - century modernist art, which she ultimately donated to her uncle Solomon's foundation, which maintains its New York Frank Lloyd Wright — designed museum, the Guggenheim Bilbao, an upcoming museum in Abu Dhabi, and Peggy's palazzo in Venice, which is open to the public and houses her collection in an enchanting setting on the Grand Canal.

Objects in the design and decorative arts collection includes American and European furniture, pottery, arms and armor, glass objects and silvers dating from the Middle Ages to the 21st century.

The museum shows a large and rarely exhibited collection of design and everyday culture of the 20th and 21st century.

Among the world's greatest collections of paintings by Manet, Monet, Renoir, Cézanne, Van Gogh, and Gauguin, the Gallery's later 19th - century French paintings returned to public view in a freshly conceived installation design.

Olana, the home and artist - designed landscape of nineteenth - century Hudson River School painter Frederic Edwin Church (1826 - 1900), loaned thirteen works from its collection for the exhibition Through American Eyes: Frederic Church and the Landscape Oil Sketch, which was on view at the National Gallery, London, from February 6 through April 28, 2013.

With its new $ 305 million Snohetta - designed building, SFMOMA has nearly tripled its exhibition space (to a capacious 170,000 square feet), grown its collection by some 3,000 pieces through an ambitious Campaign for Art program and opened with a 270 - object showcase of the blue - chip Fisher Collection of mid - to late - 20th century art by such seminal figures as Andy Warhol, Chuck Close, Roy Lichtenstein and Agnes Martin.

The collection of the J. Paul Getty Museum at the Getty Center includes pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, and decorative arts; 19th - and 20th - century American, European, and Asian photographs; contemporary and modern sculpture; and Robert Irwin's Central Garden, designed specifically for the Getty Center.

Just as evocative was the journey that visitors embarked upon at DIMOREGALLERY's TRANSFER exhibition, on foot this time, as they progressed through several rooms of distinct cultural ambiance in two locations on Via Solferino, featuring iconic 20th - century design pieces inside Bedouin tents and a mazelike display of the latest collections by DIMORESTUDIO.

With Kindling Fund support, artist Alexis Iammarino and designer Maeve O'Regan will design, publish, and print a catalogue from a recent exhibition curated by Iammarino called «Hole History Show: Origins of the American - style Donut,» a collection of art, performance and writing that responded to a claim that the hole - in - the - donut was singularly invented by a 19th - century sea captain from Rockport, Maine.

Inspired by the organic and geological accessory designs of Jacqueline Popovic, A Human Extension features twenty - eight artists who have adapted the direct designs, production materials or visual spirit of Popovic's celebrated Jankele collection into a body of work that investigates the challenging and curious marriage of fashion and art at the dawn of the 21st century.

Designed by Pritzker Prize — winning architect Renzo Piano, the Modern Wing provides a new home for the museum's collection of 20th - and 21st - century art.

The museum is located in a early 20th century building, to which an expansion, designed by the Swiss firm Gigon & Guyer, was added in 1995 and has a collection ranging from late 19th century to present day.

The works in this exhibition, drawn from a private collection in Maine, represent some of the finest designs and iconic forms of the late nineteenth century, the heyday of weathervane production.

The SFMOMA collection includes over 29,000 pieces covering painting, sculpture, media arts, photography, architecture and design of the 20th and 21st century.

The Museum's holdings, widely recognized as one of the foremost collections of American silver in the nation, include leading examples of silver designed and produced in New York from the mid-17th through the 20th century.

Where: The new Whitney Museum of American Art, New York, NY When: May 1, 2015 Why: If not for the art — which is pegged as «the largest and most comprehensive display to date of the Whitney's unparalleled permanent collection of 20th and 21st century American art» — come for the Renzo Piano - designed museum's debut.

Featuring the Dallas Museum of Art's Jewel Stern American Silver Collection — which comprises over four hundred extraordinary works in the modern idiom — as well as other objects in the Museum's collection, and selected pieces on loan, Modernism in American Silver is the first book to study the full scope of progressive design in American silver of the twentieth century.

The family's collection includes important works of 20th - century art by Henry Moore, Max Ernst and Bridget Riley among others, as well as original furniture and fittings designed by Goldfinger himself.

In addition to its collection of some of the greatest 20th century paintings, MoMA's collection includes works of drawing, mixed media, printmaking, architecture and design, illustrated books, fine art photography, film and electronic media, as well as works of sculpture by nearly all the great modern European sculptors.

Bronstein hightlights his fascination with pre-20th century European design and architecture, and the artist's interest in the overwhelming theatricality of the Baroque, a period that Chatsworth and much of its» collection epitomises.

During his three - and - a-half year tenure at the High Museum, Mr. Labaco helped to develop and strengthen the museum's collection of 20th - and 21st - century design, which he partially documented in the recent exhibition Under Construction: Building a Contemporary Design Collection for the High (design, which he partially documented in the recent exhibition Under Construction: Building a Contemporary Design Collection for the High (Design Collection for the High (2010).