Just as evocative was the journey that visitors embarked upon at DIMOREGALLERY's TRANSFER exhibition, on foot this time, as they progressed through several rooms of distinct cultural ambiance in two locations on Via Solferino, featuring iconic 20th -
century design pieces inside Bedouin tents and a mazelike display of the latest collections by DIMORESTUDIO.
A curatorial homage to Eugène Ionesco's 1952 absurdist play «The Chairs,» the exhibition will include an eclectic array of late 20th
century design pieces sourced from museum and private collections.
Not exact matches
Emma Stapleton, head of client relationships at Elmwood said, «We have to change the way
design is viewed, as it's experiences that drive behaviour and all experiences need to be
designed, packaging is just one
piece in the 21st
century FMCG jigsaw.»
Another source of lovely Mid
Century pieces here chez moi is a local shop here in Santa Cruz called Stripe
Design.
With a playfully romantic aesthetic and the unmistakable elegance of an Italian brand, N ° 21's
designs show how modern tailoring can be transformed into sultry
pieces fit for any 21st
Century woman's wardrobe.
The embroidered
design works much like a
piece of visual art, highlighting the unique interplay of color, shape and line and bringing
centuries old style to the home.
An apocalyptic 16th -
century Bruegel painting hangs on the wall (forgive this one on - the - nose
piece of production
design) pointing to deadly sins, but the movie, loaded with dream sequences and nail - biting exchanges, is far more complex than a mere morality play.
But Bowie's outlook was international, so Marcel Duchamp and Jean - Michel Basquiat feature too, alongside surrealist
pieces, contemporary African art, and 20th -
century Italian
design.
Laffanour Galerie Downtown, Paris, specialise in furniture by European and American pioneers of
design from the 20th
Century, and have contributed to this exhibition with a selection of original
pieces by Charlotte Perriand.
With its new $ 305 million Snohetta -
designed building, SFMOMA has nearly tripled its exhibition space (to a capacious 170,000 square feet), grown its collection by some 3,000
pieces through an ambitious Campaign for Art program and opened with a 270 - object showcase of the blue - chip Fisher Collection of mid - to late - 20th
century art by such seminal figures as Andy Warhol, Chuck Close, Roy Lichtenstein and Agnes Martin.
Two other intriguing
pieces both titled I Saw the 18th
Century illustrate a painting represented by a wooden canvas in both cases that feature carved, circular
designs and other colorful geometric shapes resting on an easel.
Their
piece The Dragon of Profit and Private Ownership (2017) commissioned for the festival is a similarly playful take on the visual culture of protest and folk traditions, inspired by a Northumbrian miners» banner
design from 1924 (the dragon emerged as a motif in 19th -
century radical pamphlets).
The SFMOMA collection includes over 29,000
pieces covering painting, sculpture, media arts, photography, architecture and
design of the 20th and 21st
century.
An American guitarist who splits his time between New York and Rio de Janeiro, the performer has a sound
piece in the comprehensive exhibition, which features paintings and drawings, floral and garden studies, costume
designs, jewelry, ceramics and a 90 - foot - long abstract tapestry by Mr. Burle Marx, a 20th
century Renaissance man.
Featuring the Dallas Museum of Art's Jewel Stern American Silver Collection — which comprises over four hundred extraordinary works in the modern idiom — as well as other objects in the Museum's collection, and selected
pieces on loan, Modernism in American Silver is the first book to study the full scope of progressive
design in American silver of the twentieth
century.
Highlights include a circa - 1800 barn that was adaptively repurposed into a charming residence, the Eliphalet Sturges / George Hand Wright house, which was originally built in 1764 as a simple two - room farm house and extensively remodeled in the colonial revival style by the dean of Westport artists, George Hand Wright, in 1910; «Duck Haven,» a house and cottage on the Saugatuck River adjacent to the historic low - tide crossing point; the David Judah House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail,
piece of timber and window; a circa 1840 Italianate house whose owners uncovered an original back staircase hidden by 20th
century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966
designed and built by well - known architect George White, which won a Historic Preservation Award this year.
«Wiener Werkstätte, 1903 — 1932: The Luxury of Beauty» Through 1/29 at the Neue Galerie The goal of the early - 20th -
century design collective known as the Wiener Werkstätte (or Vienna workshops) was to elevate everyday objects into
pieces of art.
Through vast architectural projects to modest one - off
pieces of salvaged furniture, the book shows how the
design world is responding to the environmental challenges of this
century.
10 What do you consider to be the most iconic
design piece of the past
century?
Notable
pieces range from a pair of French leather chairs flanking a scantonata credenza to an elaborately detailed 17th -
century Italian carriage trunk, to 18th -
century Kashmir throws that served as the impetus for the
design.
The
design inspiration for William Yeoward Crystal is drawn from antique
pieces originally made in England and Ireland during the 18th and early 19th
centuries.
I used (on one shelf) a
piece of gift wrap with lots of stars on it, (on another shelf) pages from a cutesy calendar that featured cartoonish angels dressed in gingham dresses with sneakers, (on third shelf) gift wrap from the Metropolitan Museum of Art that came in a book entitled «English Floral Patterns - Eighteenth
Century Designs by William Kilbum» and finally a repeat of more angel calendar pages.
«David Flatt at Circa Battersea sources the best 20th
century designs and has been wonderful at spotting the right
pieces for us.
That's where the dining room cabinet, a 19th -
century pine
piece with cut - leaf
designs, used to dwell, albeit with an astronomical price tag attached.
We've got a set of white dishes but we're thinking of adding some classic
pieces from the
Century Collection originally
Designed by Eva Zeisel in 1952.
UPDATE July 2104: While Crate & Barrel still offers a few
pieces from the Classic
Century Collection, if you're looking to purchase an entire set of the dishware, her 101 Collection (a set of tableware
designed in connection with her 101st birthday), or any of her furniture or home accessories, the best (and only) place to do that is at Eva Zeisel Originals
The
piece echoes the directional character of the traditional chandelier, whilst its delicate and intricate
design places it firmly in the 21st
century.