Sentences with phrase «century design show»

Not exact matches

Ortiz - Teissonniere describes the show as a «21st century mix of video design, 3D scanning technology, music, high - definition photography, light and sound and special effects is bringing a 15th Century masterpiece to the digital era.century mix of video design, 3D scanning technology, music, high - definition photography, light and sound and special effects is bringing a 15th Century masterpiece to the digital era.Century masterpiece to the digital era.»

Naper Settlement is playing host to an informal Volunteer Open House designed to show prospective volunteers exhibits and opportunities to pitch in and help Naperville's 19th Century village.

With a playfully romantic aesthetic and the unmistakable elegance of an Italian brand, N ° 21's designs show how modern tailoring can be transformed into sultry pieces fit for any 21st Century woman's wardrobe.

He (played as a kid by Mason Cook) and his only friend, Anton Marvelon (played by Luke Vanek), are too nerdy to be liked by the popular guys in the «burbs, but they bond over a magic set designed by Rance Holloway (Alan Arkin — shown in the set's video looking a quarter - century younger, a tribute to the make - up department).

For graphic designers, these bold designs represent a golden age and inspiration, and for teachers of the 20th century, they show the use of propaganda.

Whether or not it is the result of the disappointing showing of US students on international tests, college professors» concerns about the college readiness of students, or other evidence of students» and graduates» lack of 21st century skills, there is no shortage of recent initiatives designed to address the situation.

The XP2000 show car is designed to use the Intelligent Vehicle Highway System, which may be built in the next century.

It will feature customizable characters (only male is shown in the trailer, but Deli Interactive's devlog - like forum posts show female options) and hand - drawn art designed to evoke a 19th century feel.

Peggy Guggenheim opened her Art of This Century Gallery in 1942 and was showing Frederick Kiesler (he designed the gallery for her), Jackson Pollock, Robert De Niro, Robert Motherwell; Marian Willard showed David Smith, Tobey and Graves; Edith Halpert at the Downtown Gallery showed Stuart Davis, Zorach and Ben Shahn; Betty Parsons had Hans Hofmann, Jackson Pollock, Barnett Newman, Hedda Sterne, Mark Rothko, Lee Krasner, Ad Reinhardt.

Bringing together political, imaginative, and whimsical works, the show «offers a vision of Africa in the twenty - first century as a place of unbounded optimism, rapid growth, and massive cultural transformation and presents the continent as a hub of experimentation that generates innovative design approaches and solutions with worldwide relevance.»

For its second annual Architecture and Design Series, Swiss Institute has tapped Pin - Up magazine's Felix Burrichter to curate «A 21st - Century Show Home.»

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

One of the most persistent themes in contemporary art since the early 1990s has been the proliferation of work that addresses «ruined modernity» and «failed utopias»: in other words, a type of art that reformats iconic examples of 20th - century architecture and design into painting, sculpture, photography, video, slide shows, archival installations, etc..

Shows cancelled or postponed • Baltimore, Walters Art Museum, «Jean - Léon Gérôme», February - May 2010, cancelled • Boston, Museum of Fine Arts, «Subversion of the Images: Surrealism and Photography», spring 2010, cancelled • Chicago, Field Museum, «Lucy's Legacy: the Hidden Treasures of Ethiopia», planned for 2009 - 10, dropped • Denver, Denver Art Museum, «Imperial Mughal Albums from the Chester Beatty Library», July - September 2009, cancelled • Honolulu, Contemporary Art Museum, «Japan Fantastic» (11 contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010, cancelled ``

Nuevas incorporaciones - Museu d'Art Contemporani de Barcelona - MACBA, Barcelona Days Lumberyard Studios - ACME Fine Art & Design, Boston, MA Great Impressions II - Dean Jensen Gallery, Milwaukee, WI Pollock's Mural and Modern Masterworks from the University of Iowa Museum of Art - Figge Art Museum, Davenport, IA Shaping Reality: Geometric Abstraction after 1960 - The Minneapolis Institute of Arts, Minneapolis, MN Layered / Boxed - Nohra Haime Gallery, New York City, NY International: 20th Century and Contemporary Masters - Hillsboro Fine Art, Dublin Pop to Present - Cantor Arts Center at Stanford University, Stanford, CA Grafik; Multiple & Plastik Der 60iger Und 70iger Jahre - Galerie Baal, Bielefeld Collected Visions - Bronx Museum of the Arts (BxMA), New York City, NY Modern Masters - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA 1968 - 69: 40 Years Later - Armand Bartos Fine Art, New York City, NY Action / Abstraction: Pollock, de Kooning, and American Art, 1940 — 1976 - Albright - Knox Art Gallery, Buffalo, NY The Third Mind: American Artists Contemplate Asia: 1860 - 1989 - Solomon R. Guggenheim Museum, New York City, NY Vivre l'art - collection Venet - Espace de l'art concret, Mouans Sartoux Gallery Selections - Hollis Taggart Galleries, New York City, NY Gallery Mixed Show - Bernard Jacobson Gallery, London, United Kingdom Made in America - Manny Silverman Gallery, Los Angeles, CA Synchronies: Undercurrents in Postwar European and American Abstraction — Hackett Freedman Gallery, San Francisco, CA (closed, 2009)

Featuring graphic design, film, photography, ceramics, taxidermy, furniture, textiles and fine art, this multi-media show explores work inspired by the 19th century and created over the last 20 years, highlighting the ongoing influence of the Victorian age.

Last Friday, October 3, the Armand Hammer Collection reopened in galleries newly designed to show off the museum's impressive array of old master and 19th Century paintings, drawings, and sculpture.

Add to the season solo shows by Frances Stark (Museum of Fine Arts, Boston, Sept. 17); Françoise Grossen (Museum of Arts and Design, Oct. 18); Lygia Pape (the Met Breuer, March 21); Florine Stettheimer, early - 20th - century New York's czarina of culture, who arrives at the Jewish Museum in May, and the Guerrilla Girls at the Baltimore Museum of Art later this month (Sept. 26), and you have an unbeatable executive lineup.

The Noguchi Museum was founded in 1985 by Isamu Noguchi (1904 — 1988), one of the leading sculptors and designers of the twentieth century, The museum was the first museum in America to be established, designed, and installed by a living artist to show their own work, according to The Noguchi Museum.

The museum shows a large and rarely exhibited collection of design and everyday culture of the 20th and 21st century.

GLENN LONEY»S JANUARY, 2015 RAMBLES At The Asia Society: TAKAHIRO IWASKAI: In Focus, BUDDHIST ART OF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlement.

This type of art reformats iconic examples of twentieth - century architecture and design into other mediums (painting, sculpture, photography, video, slide shows, archival installations, etc).

Undoubtedly one of the most stunning exhibitions was located at the recently renovated 19th century Teatro Gerolamo where Czech glassmaking and design company Lasvit presented «Monster Cabaret», a fantastical show full of beasts, antiheroes, vicious genius minds, egos, outcasts and fantastical creatures, all made out of glass.

Yet Lyons» MCA show was called, somewhat ironically (and then again, somewhat not), «Abstraction in the 21st Century,» a title that was clearly designed to provoke a certain amount of bemusement and even incredulity on the part of viewers, given the relatively short history of 21st century painting in gCentury,» a title that was clearly designed to provoke a certain amount of bemusement and even incredulity on the part of viewers, given the relatively short history of 21st century painting in gcentury painting in general.

The changing nature of London is a central concern to Payne and Relph and their limited - edition print, Chef's Regret, shows a fantastical skyline of buildings designed and proposed for the city in the late 19th and early 20th century, but never constructed.

With Kindling Fund support, artist Alexis Iammarino and designer Maeve O'Regan will design, publish, and print a catalogue from a recent exhibition curated by Iammarino called «Hole History Show: Origins of the American - style Donut,» a collection of art, performance and writing that responded to a claim that the hole - in - the - donut was singularly invented by a 19th - century sea captain from Rockport, Maine.

Curated by Michael Rooks «Teaching an Old Dog New Tricks; Recent Developments in Painting» Den Frie Udstillingsbygning, Copenhagen, Denmark «HyperSurface», OVADA, Oxford, UK «Schil / Ders», De Constant Rebecqueplein (DCR), The Hague, Netherlands «HyperSurface», Rod Barton Invites, London «Parallax», Fieldgate Gallery, London 2007 «Existencias», Museo De Arte Contemporaneo De Castilla Y Leon, Leon, Spain «Design for Living», Initial Access, Wolverhampton, England «Raumwelten», Kunsthalle Arnstadt, Arnstadt, Germany «Odd Spaces», Galerie Møller Witt, Aarhus, Denmark Artist Intervention, Commissioned by Vienna Art Week and the City of Vienna, Austria 2006 Recent Acquisitions, Hamburger Banhof, Berlin, Germany «The City is Not a Tree» Alon Segev Gallery, Tel - Aviv, Israel «Slider» Cell Projects, London 2005 «Ian Monroe and Emma Stibbon: Utopian Architecture», Upstairs Berlin, Germany «Infrastructure» Studio Voltaire, London «Winterzauber» Upstairs Berlin, Germany 2004 «Edge of the Real», The Whitechapel, London «Selected Sculpture» MW Projects, London «Cinderella» Trailer Projects, London «Contra Pop» Vamiali's Gallery, Athens, Greece 2003 «Bag Lady» Cell Projects, London «Reduced» Century Gallery, London «Debris» Martinez Gallery, Brooklyn «Godzilla» Trailer Projects, London Saatchi Gallery, County Hall, London «The Queen Mum Show» One in the Other Gallery, London «Chockerfuckinblocked» Jeffery Charles Gallery, London «RSVP» 5 Cork Street, London 2002 «Present» Hammer Sidi Gallery, London «The Way to Happiness» VTO Gallery, London «Trailer Presents» Trailer Projects, London «Lend us # 100m» 21 Dingley Road, London

Juan J. González (b. 1942, Camagüey - d. 1993, New York): The super-realist artist Juan González participated in group shows such as Painting and Sculpture Today ‑ 1974 at the Indianapolis Museum of Art; Looking Inside: Latin American Presence in New York; Ancient Roots / New Visions, which traveled to several cities in the United States; Hispanic ‑ American Artists of the United States, at the Museum of Modern Art of Latin America in Washington, D.C., The Figure in the Twentieth Century at the New York Academy of Design, Outside Cuba, The Miami Generation traveling exhibition and the Cuba - USA: The First Generation traveling exhibition.

Other notable exhibitions of Wilson's work include Cotton: Global Threads at the Whitworth Art Gallery in Manchester UK in 2012, Hand + Made: The Performative Impulse in Art and Craft at the Contemporary Arts Museum Houston in 2010, Shift: Field of Fluctuation at the 21st Century Museum of Contemporary Art in Kanazawa Japan in 2009, Out of the Ordinary at the Victoria & Albert Museum in London and Radical Lace and Subversive Knitting at the Museum of Arts and Design in 2007, as well as recent solo shows at Rhona Hoffman Gallery in Chicago, Paul Kotula Projects in Detroit, and the Museum of Contemporary Art Chicago.

Examples include The Upper Room, with 13 paintings by Chris Ofili (2002), Within Reach, and the Thyssen - Bornemisza Art for the 21st Century Pavilion designed to show a work by Olafur Eliasson, Your Black Horizon, at the 2005 Venice Biennale.

Shown alongside the paintings and drawings are three items which are designed to re-orientate the reading of the work: an early 19th century Indian miniature (Rhodes spent her childhood in Bengal and has an affinity with Indian court painting); an aerial photograph from 1926 of the site of Woodhenge in Wiltshire — drawing attention to the artist's interest in what becomes visible though distance; and a photograph by Luigi Ghirri of an avenue of trees disappearing into the mist.

The videos include the work by Ludwig Hirschfeld - Mack, Kreuzspiel, which concerns the reconstruction of a machine for light shows designed in the mid 20s; Ein Lichtspiel schwarz - weiss - grau of 1930 by László Moholy - Nagy, which contains clear references to light effects; the film Filmstudie (1926) by Hans Richter, renowned for his experimentation with abstract and moving forms in the first half of the last century, and lastly the video Blue Movie by Marc Adrian, which belongs to a later generation but undoubtedly bears the legacy of the aforementioned experimental works.

Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles (2007, traveling); Second Lives: Remixing the Ordinary, Museum of Art and Design, New York (2008); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); 54th Carnegie International, Carnegie Museum of Art, Pittsburgh (2004); Out of Actions: Between Performance and the Object, 1949 - 1979, Museum of Contemporary Art, Los Angeles (1998); Afro - American Art in the Twentieth Century: Three Episodes, Bronx Museum of the Arts, Bronx, NY (1980); Afro - American Abstractions, P.S. 1 Contemporary Art Center, Long Island City, NY (1980); Freeway Fets, public art project, freeway underpass, Los Angeles (1979); The Concept as Art, Just Above Midtown Gallery, New York (1977); California Black Artists, The Studio Museum in Harlem, New York (1977); and Sapphire Show, Gallery 32, Los Angeles (1970).

The show covers nearly a century and a half and a broad range of media including photography, video, architecture, film, sculpture, graphic design, industrial design, drawing, painting, animation, music, digital media, illustration and fashion design.

Many of the figures show costume designs by artists and designers from the early part of the twentieth century, thereby linking the performing arts of the festival with the collection of the museum.

★ Museum of Art and Design: «Crafting Modernism: Midcentury American Art and Design» (through Jan. 15) This sweeping, stimulating exhibition is the fourth in a continuing series of shows on 20th - century craft known as» «The Centenary Project.»

Examples include The Upper Room, with thirteen paintings by Chris Ofili (2002), Within Reach, and the Thyssen - Bornemisza Art for the 21st Century Pavilion designed to show a work by Olafur Eliasson, Your Black Horizon, at the 2005 Venice Biennale.

Kuwata has been shown extensively in Japan, including Art Crafting Towards The Future at the 21st Century Museum of Contemporary Art, Kanazawa, Japan, 2012, and Japanese K?gei Future Forward at the Museum of Arts and Design, New York, 2015.

Through vast architectural projects to modest one - off pieces of salvaged furniture, the book shows how the design world is responding to the environmental challenges of this century.

Vancouver - based Propellor Design has impressed in the past us with their groovy pendant lighting, and they turned a few heads at last week's Toronto Interior Design Show with the Century Chandelier.

Our vision is to unite fashion and design with doing good in an authentic way, building a company that truly embodies 21st century needs, showing a new way for businesses to operate in the future.»

The experimental design being undertaken for the CMIP5 simulations to be used in the IPCC AR5 show some improvements that should eliminate some of the circular reasoning in the AR4 associated with using climate model results to determine 20th century attribution.

Laserium president Ivan Dryer notes his team brought nearly a century's worth of combined experience to the project, which helped them design, choreograph and install the show over a one - month timeline.

Designed by Southend - on - Sea borough council for the RHS Hampton Court Palace Flower Show, this garden aimed to create a touch of early twentieth century, coastal - style nostalgia.

This small section of silk fabric made in Sicily in the 13th century shows how European weavers borrowed designs from all over the world.