My project focuses on Lorraine O'Grady, Glenn Ligon, Alfredo Jaar, and Kerry James Marshall whose artwork challenged the ways that late twentieth -
century dominant culture's portrayal of the movement obscured mid-twentieth-century civil rights activists» efforts to overturn foundational American structures, which maintain racist oppression.
Not exact matches
Today «liberal Protestnatism» usually refers to Protestant movements in the nineteenth and twentieth
centuries that responded to the increasingly secular and atheist character of the
dominant forms of European
culture.
When Protestant literalism and enlightenment rationalism became
dominant in the late 18th and 19th
centuries, typological interpretation was taken up covertly by the novelists and poets or began to operate at unconscious or semiconscious levels of popular
culture and ideology.
Secondly, modern missionary movement which became
dominant in the 18th and 19th
centuries have been emphasizing proclamation of the gospel to people of other religions and
cultures making clear that they were called to decide for or against Christ and that their decision for Christ involved joining the fellowship of Christians in one of the denominational churches as representing the Church, the Body of Christ.
«Theologians», who had labored in libraries down the
centuries to dialogue with the
cultures and thought - forms of the
dominant only to find those resources that help our theology legitimize the status - quo, now need to cast their net to fish in the cultural resources of the marginalized.
The Bible knows only a love ethic, which is constantly being brought to bear on whatever sexual mores are
dominant in any given country, or
culture, or period» («Biblical Perspectives on Homosexuality,» The Christian
Century, November 7, 1979)
By the 16th
century, when Europeans first arrived, Islam was the
dominant religion, though it was mixed with the already - present Hindu and Buddhist
culture.
Taking over all four floors of the Vancouver Art Gallery, this groundbreaking exhibition will offer an international survey of mashup
culture, documenting the emergence and evolution of a mode of creativity that has grown to become the
dominant form of cultural production in the early 21st
century.
Eric White's paintings reference 20th
century film, music and pop
culture backed by consummate draftsmanship and painterly finesse to subvert and recode the
dominant narratives of contemporary society.
I started by suggesting that today's
dominant law firm
culture has been shaped by the marketplace realities of the last half -
century, which in turn was heavily influenced by demographics.