Sentences with phrase «century gallery building»

Sharm Hotel is a very friendly budget hotel in the very heart of Amsterdam, located right behind the famous DAM square and opposite Anne Frank's house, surrounded by beautiful canals it is the superb place to be.The small hotel is located in a historic 17th century gallery building.

Not exact matches

Don't miss the Albright - Knox Art Gallery, a bastion for 20th - century American art, or Hotel Henry, a stylish 88 - room sleep built inside an abandoned 1870s asylum designed by lauded American architect Henry Hobson Richardson.

Previously hidden galleries and arcades have been uncovered that have both extended the space and returned this iconic building to its 19th century grandeur.

Home to a wealth of museums and galleries, the city's historic centre features delightful cobble - stoned roads, pastel 18th century rococo buildings and pedestrian plazas.

The neighborhood, a tangle of narrow streets, centuries - old houses and neo-colonial government buildings, was designated a UnescoWorld Heritage site in 1997 and is now a trendy arts district with galleries, coffeehouses, street musicians and some of the city's most stylish restaurants and boutique hotels.

Wander to Downtown Hilo, where you'll find antique stores, vegan eateries, coffee shops, and galleries tucked within centuries - old wooden buildings.

Charming nineteenth century Victorian - style homes, century old grand oaks, endless golden marshes, old magnolia tree lined streets and magnificently preserved buildings complement the bustling business community of boutique shops, fine and casual restaurants, art galleries, banking and financial institutions, quality care medical centers, churches and cultural venues.

Bellingham's historic Fairhaven district is known for its restaurants and art galleries housed in blocks of 19th century buildings (Credit: Elizabeth Rose)

Unique Hotel & Restaurant managed by owner / chef; 15th to 18th century buildings with Renaissance tower & balustraded galleries...

The 17th - century building was once a coach house and retains a cozy old - world charm in the public areas, with exposed beams, a roaring fireplace, and an eclectic gallery of portraits.

When merchant Thomas Gledstanes purchased the building which now bears his name in 1617, it had a wooden facade and a wooden gallery above the floor — a typical house of the 16th Century.

The newly renovated Gallery Hostel is set in a 19th century building, in a trendy area of Oporto, Portugal

The city's oldest block, Larimer Square is home to some magnificent landmark 19th - century buildings, and there is a fantastic range of museums, galleries, and attractions to enjoy, including the Denver Art Museum, and the mansion of famed Titanic survivor Molly Brown.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

Formed from an 18th - century house and two new, purpose - built exhibition spaces, it offers an intriguing mix of intimate domestic rooms, stripped down but full of period detail, alongside contemporary galleries — a union of old and new that echoes the dynamic of its location on the border between the East End and the City of London.

The intimate gallery space is housed in a 17th - century building, in the former Galleria Il Capricorno.

In 1996, the gallery moved to Chelsea to occupy an award - winning redesigned 19th century building.

For one, the dominance of brick walls, wood floors, big windows and frequent columns of its repurposed 19th - century factory buildings is the apotheosis of SoHo, whose small - industry loft spaces were taken over by commercial art galleries in the 1970s.

Occupying the 18th - century Threshing Barn, adjoining farm buildings, outdoor spaces and one of the new galleries, Barlow's dense and exuberant sequence of installations celebrates the rejuvenation of Durslade Farm that lay derelict and unoccupied prior to its recent conversion into an arts centre.

It gets a crucial financial boost from philanthropist George Washington Vanderbilt II, whose eponymous gallery in the building will host major exhibitions in the late 19th and early 20th century.

Housed in a refurbished two - storey wooden school and church building from the 19th century, located in Bangkok's Bang Rak District, long - running H Gallery is one of Thailand's leading private galleries and a jumping - off platform for Thai artists with international ambitions.

1988 Parallel Gallery: «California Gold» Del Mar, California Erie Art Museum: «Paper Thick / Forms and Images in CastPaper», Erie, Pennsylvania Spaso House: «Twentieth Century American Art» Moscow, USSR Thomas Babeor Gallery: «Summer 1988 / Selected Works» La Jolla, California James Corcoran Gallery: «Lost and Found In California: Four Decades of Assemblage Art» Santa Monica, California Santa Monica Heritage Museum: «Art and Architecture» Santa Monica, California Roberts Art Gallery / Santa Monica High School: «Four Artists - Guy Dill, Laddie John Dill, Peter Alexander, Francine Matarazzo» Santa Monica, California Galleries of the Claremont Colleges: «Professors Choice III» Claremont, California The Art Store: «Vessels» curated by Sharon Truax, Los Angeles, California California Arts Council and The Phebe Conley Gallery, The President's Gallery, California State University Fresno: «Art in Public Buildings», Fresno, California

Twentieth - Century Art: Selections for the Tenth Anniversary of the East Building, National Gallery of Art, Washington, D.C., December 13, 1988 — December 31, 1990.

Museum - Quality PresentationsLeading galleries will build upon the fair's reputation for quality and ambition, presenting solo and group shows of major 20th - century figures, including:

With choreography specific to the structure of the building, a soundscape recorded over a month - long residency, and a narrative inspired by the centuries - old curatorial conundrum of the «Summer Exhibition», this is the London premiere of a performance which has taken different forms at a number of venues including the National Museum Stockholm, the Hamburger Kunsthalle and Birmingham Museum and Art Gallery.

A spiritual and esthetic ideal in its origins, the sublime took on a sense of nation building in nineteenth - century America, of self - making in the time of Jackson Pollock, of ego - tripping for Matthew Barney, and now a kind of ego - undoing in the hands of an upmarket gallery and an inward - looking photographer.

British Folk Art: The House That Jack Built is the first significant exhibition of British folk art at a national gallery, and includes nearly 200 paintings, sculptures, textiles and other objects, spanning the 17th to 20th centuries.

Housed in a seventeenth - century building, in the heart of the San Marco district, the gallery has street and canal frontage.

Soho galleries, for instance, are carved out of old manufacturing lofts in 19th - century cast - iron buildings; in Chelsea, former garages and warehouses built of concrete provide the space.

Housed in a 17th - century building in the city's San Marco district, the new gallery will complement her existing spaces in Mayfair and east London, and will open to the public on 10 May with an exhibition by Chris Ofili.

The East Building audio tour explores a wide range of work from the turn of the twentieth century to the present day through the voices of several National Gallery curators, artists, and the building architect IBuilding audio tour explores a wide range of work from the turn of the twentieth century to the present day through the voices of several National Gallery curators, artists, and the building architect Ibuilding architect I.M. Pei.

Dzama utilized the architecture of the gallery itself — an eighteenth - century Georgian townhouse — by hanging puppets from a skylight above the five - story building's central spiral staircase and placing monitors in the windows so videos were viewed from the street.

In addition to Soleil Double, which will be shown in the lower level gallery, a focal point of the installation in the main gallery will be a large - scale projection of Grasso's film, Uraniborg, which examines the scientist Tycho Brahe's discoveries in astronomy in the 16th century and, specifically, the astronomical observatory that Brahe built in 1576 on the island of Ven in Sweden.

More than a decade after her last major exhibition in London, Dame Bridget Riley agreed to a show which covers a half century of her career but includes new paintings, because she loved the gallery building.

In 2008 the gallery moved from it's original location at 123 State Street to a restored eighteenth century warehouse building on the grounds of Strawbery Banke Museum at 420 Court St.. The Banks Gallery staff is supportive and understgallery moved from it's original location at 123 State Street to a restored eighteenth century warehouse building on the grounds of Strawbery Banke Museum at 420 Court St.. The Banks Gallery staff is supportive and understGallery staff is supportive and understanding.

Labour, capitalism and consumption dynamics as explored by Beier find their natural echo in the Foundation's building, a former furniture factory built at the end of the 19th century, and now operating as an art gallery.

On 10 May, the gallery will open it first overseas space when it inaugurates an outpost in Venice, based in a 17th - century building in the San Marco district.

Generations of Influence: 20th century movements and tribal art Building on Frieze's reputation for showcasing modern artists and encouraging the growth of art collections across eras, this year's fair features a growing presence of galleries exhibiting significant works from the 20th century alongside masters of contemporary art.

It was at a party for Gladstone Gallery at an 18th Century castle in Switzerland, my first time in Basel, that fairytale of a town with ancient buildings frosted like birthday cakes, the land of free public transportation and $ 70 whiskey sodas.

The Chiostro del Bramante in Rome is a 16th century building and gallery, part of the Santa Maria della Pace complex, famous for its frescoes by Raphael

Originating at the celebrated SANAA - designed 21st Century Museum of Contemporary Art in Kanazawa, Japan, the exhibition builds on previous retrospectives held at Kunsthaus Zurich (2005), the Irish Museum of Modern Art (2002), The Museum of Modern Art, New York (2001), and Whitechapel Art Gallery, London (2001).

In the 19th century there was public money available for building libraries, for public improvement, and it was therefore relatively cost effective to put a gallery above.

British superstar architect David Adjaye has designed a new home to replace the 1914 bank building it has occupied for nearly a quarter - century; the renovation will offer substantially more space for education program, more natural light in the galleries, and a café.

20th - Century Art Contextualizing Contemporary Work: Building on Frieze's reputation for showcasing modern artists, this year's fair features a growing presence of galleries exhibiting significant works from the 20th century alongside masters of contemporaCentury Art Contextualizing Contemporary Work: Building on Frieze's reputation for showcasing modern artists, this year's fair features a growing presence of galleries exhibiting significant works from the 20th century alongside masters of contemporacentury alongside masters of contemporary art.

The Hauser Wirth & Schimmel Gallery is housed in a revamped industrial complex, a flour mill built in the nineteenth century.

In the built - in cabinet in Glyndor Gallery, Abbassy's presentation is «like a 19th - century anthropologist's collection, or cabinet of curiosities.»

The gallery was the vision and commission of Alan Grieve, Chairman of the Jerwood Foundation, and was built to house the Jerwood Collection of 20th - and 21st - century British art, whilst also showcasing a contemporary curated programme.

The intimate gallery space is housed in a seventeenth - century building, in the former Galleria Il Capricorno.

he museum building boom can be traced to a number of late - 20th - century developments: an increase in museum attendance, overburdened galleries, elevators, and gift shops.