The practical adobe structures built by Pueblo Indians inspired a 20th
century house style known as Pueblo Revival.
Colonial Revival Architecture From This Old House, a look at how colonial ideas were recreated in nineteenth
century housing styles.
Not exact matches
In 1995, it took the demolition of a turn - of - the -
century, Tudor -
style pump
house in Crystal Lake to galvanize a citizens» group that would identify and preserve city historic structures.
This is a 19th
Century house converted to a B&B that was built and furnished in that sort of late Victorian dark and heavy
style.
Is a traditional Okinawan
style house, dating from the 18th
century, when it served as the residence of the Nakamura family.
The first trailer for Phantom Thread, which debuted Monday, offers a first look at Day - Lewis as Reynolds Woodcock, an English couturier designing for society ladies («dressing royalty, movie stars, heiresses, socialites, debutantes and dames with the distinct
style of The
House of Woodcock,» reads the film's synopsis) in the middle of the 20th
century.
From Slamdance, we have three documentaries — The Modern Jungle (which analyzes the relationship between filmmaker and subject among dirt - poor peasants in Chiapas), Strad
Style (about an unlikely violin maker and his quest to recreate a renowned 18th -
century instrument) and Supergirl (a tale of the strongest 12 - year - old girl in the world)-- and three narratives — Dave Made a Maze (a demented fantasy about an out - of - control labyrinth), Future ’38 (a clever sci - fi look forward from 1938 to the year 2018) and Weather
House (a hypnotic meditation on the end of the world).
Italianate This
style of
house, popularized in the United States in the mid-nineteenth
century by architects such as Andrew Jackson Downing, takes its name from the square Italian villas that inspired it.
AHMP's historic buildings include a large, Tudor -
style house, which dates from the early 20th
Century and was home to the family that founded the cemetery, and a kennel, which
housed their prized dogs.
The Steves Homestead, maintained since 1954 as a historic
house museum, is a Victorian French Second Empire design, three - story residence in the King William area built for Edward Steves in 1876 and furnished in a late 19th -
century style.
The 37 rooms and suites of this Belmond hotel (rebranded from Orient - Express) are
housed in 16th to 18th
century, colonial -
style casonas or mansions.
Housed in an 18th -
century colonial -
style building, the museum displays the largest and most impressive ceramic collection in the world, including the exquisite ceramics of the Moche civilization.
Don't miss the chateau in the heart of the village, perched magnificently on the edge of a fussy pond flanked by vast, manicured gardens that
houses a massive collection of pre-modern oil paintings, all displayed in the crowded, colorful 19th
century style.
Situated in the 19th
century building that previously
housed the Bank of NSW in Townsville, it has a heritage appeal and warm atmosphere you just can't get in a franchise
style Irish bar.
The
house's master bedroom is named after former resident Laura Ashley, the legendary designer who built her fashion and furnishings empire around the Romantic English
style characterized by a 19th
century rural sensibility.
In a neighborhood that seems to reinvent itself at least once a week, this
century - old Italian -
style building
houses a 60 - year - old general store - turned - restaurant.
It has
style — gracious
centuries - old stone
houses climb the hills surrounding a lovely boat - filled harbor.
Ardmore
House is a fine example of the high Italianate
style of architecture, common in Australia in the mid-late nineteenth
century.
Located in the heart of Essaouira, this hotel is set in a
house dating from the 19th
century and is decorated in a traditional Moroccan
style.
The Neoclassical and Victorian -
style houses from the late 19th
century give downtown Puerto Plata its unmistakable charm.
A historic
house that represents the exquisite
style of the mansions of Quito from the early 20th
Century will enchant guests by night while they discover this World Heritage City by day in easy walking distance from the Hotel.
In the early 17th
century Dutch Republic, Hendrick de Keyser played an important role in developing the Amsterdam Renaissance
style, which has local characteristics including the prevalence of tall narrow town -
houses, the «trapgevel» or Dutch gable and the employment of decorative triangular pediments over doors and windows in which the apex rises much more steeply than in most other Renaissance architecture, but in keeping with the profile of the gable.
The Hunter
House is an example of the Italianate
style and was built by a successful 19th -
century African American businesswoman.
The heart of the resort is a magnificent 11th
century Sussex -
style Manor
House overlooking peaceful Ganges Harbour on Salt Spring Island, BC.
The hotel's ballroom, Svetloyar,
housed in the historical part of the hotel preserved the luxurious
style of 18th
century Russian ballrooms and in keeping with this
style, will serve Russian and European cuisine.
The Norwegian heritage of the village of Seyðisfjörður is reflected in colourful Nordic -
style wooden
houses dating from the early 20th
century.
Due to its varied history, the 19th
century building
housing the hotel is a mix of baroque and classicist
styles.
Owned and restored by interior designer Caroline Wright and her husband Leal, St Annes Guest
House is a beautiful mix of authentic, early 19th
Century style alongside a more African feel.
A writing desk provides tourism information and the hall runs the length of the
house with screened doors leading to verandahs at each end — a feature typical of the Australian early 20th
century style homesteads.
Designed by Miami - based design firm Saladino Design Studios, AQ Chop
House was inspired by a throwback to mid-
century European design, culminating in a cross between the bold, modern designs of the 1970s and the quieter
style of 19th
century Italian residential classicism.
The city is best known for its largest collection of 19th
century Victorian -
style houses in the Caribbean.
Occupying a 19th -
century house in a rural, hillside setting, and offering a
centuries - old tradition of exceptional service, the award - winning English -
style country inn offers luxurious accommodations, delicious cuisine, upscale amenities and facilities, and gracious hospitality.
Designed in the
style of an 18th
century colonial plantation
house, with large wrap - around verandahs, the 8 - bedroom hotel stands on a high ridge to catch the sea breezes and panoramic ocean views.
For a more authentic experience, take a field trip to St. Peter Parish, about 45 minutes north of the capital of Bridgetown to visit St. Nicholas Abbey a beautifully restored Dutch -
style landowner's
house that originally dates to the 17th
century, where visitors can learn about the history of Barbados and about rum distillation while sampling some of the premium liquors they sell here.
The traditional 15th
century style house with a spectacular view is great for groups, families or events.
House Style: Five
Centuries of Fashion at Chatsworth, Chatsworth
House, Bakewell, United Kingdom
Portraying a pitchfork - holding farmer and a younger woman in front of a
house of Carpenter Gothic
style, it is one of the most familiar images in 20th -
century American art.
As in the Shingle
Style houses normally built on balloon frames, Gehry's proposed building has more to do with the technology of roller coasters than with the rational use of structure that we admire in the iron bridges of the early 19th
century.
He associates the aesthetic — and therefore political — self - determination of Percy's
House of
Style with De Stijl, an early twentieth -
century avant - garde movement.
The backdrops in Contemporary Business seem carefully chosen to reflect upon Shanghai's and China's complicated past, its rapid present transformations, and its undecided future, as the merry band of outsiders groove in front of a massive, drab communist
style housing project, dance on the Bund along Shanghai's Huangpu River, a vibrant promenade lined with handsome Neo-Classical, Beaux - Arts and Art - Deco buildings (former banks and financial
houses from the 19th and early 20th
centuries) that are beautiful relics of Shanghai's colonial past and emblems of the city's cosmopolitan present.
This year, to tie in with
House Style: Five
Centuries of Fashion, Art Out Loud is thrilled to be including leading figures from the world of fashion.
Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith
Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out,
House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth
Century Gallery, Williamsburg, VA
First,
housed within Zabludowicz's main 19th
century Corinthian -
style Methodist chapel space are recent works by key members of The Still
House Group; these paintings and sculptures reflect upon the role of contemporary art in current culture, and are framed by site - specific sculptural interventions which challenge perceptions of the weight and importance of the everyday.
Three other rooms — the entrance hall, great stairs, antechamber — also received sympathetic restoration, while four rooms were redecorated in 18th -
century style, the painting collection was rehung, and the
house's slate roof was repaired.
also received sympathetic restoration, while four rooms were redecorated in 18th -
century style, the painting collection was rehung, and the
house's slate roof was repaired.
Founded in 1853 by King Ludwig I of Bavaria (1825 - 1848) to
house the Royal Bavarian collection, this museum presents European fine art painting and sculpture from 1700 - 1900, encompassing
styles such as Neoclassical art and Romanticism, 19th
century Realism, French Impressionism and the broad
style of Post-Impressionism.
Highlights include a circa - 1800 barn that was adaptively repurposed into a charming residence, the Eliphalet Sturges / George Hand Wright
house, which was originally built in 1764 as a simple two - room farm house and extensively remodeled in the colonial revival style by the dean of Westport artists, George Hand Wright, in 1910; «Duck Haven,» a house and cottage on the Saugatuck River adjacent to the historic low - tide crossing point; the David Judah House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail, piece of timber and window; a circa 1840 Italianate house whose owners uncovered an original back staircase hidden by 20th century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966 designed and built by well - known architect George White, which won a Historic Preservation Award this
house, which was originally built in 1764 as a simple two - room farm
house and extensively remodeled in the colonial revival style by the dean of Westport artists, George Hand Wright, in 1910; «Duck Haven,» a house and cottage on the Saugatuck River adjacent to the historic low - tide crossing point; the David Judah House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail, piece of timber and window; a circa 1840 Italianate house whose owners uncovered an original back staircase hidden by 20th century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966 designed and built by well - known architect George White, which won a Historic Preservation Award this
house and extensively remodeled in the colonial revival
style by the dean of Westport artists, George Hand Wright, in 1910; «Duck Haven,» a
house and cottage on the Saugatuck River adjacent to the historic low - tide crossing point; the David Judah House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail, piece of timber and window; a circa 1840 Italianate house whose owners uncovered an original back staircase hidden by 20th century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966 designed and built by well - known architect George White, which won a Historic Preservation Award this
house and cottage on the Saugatuck River adjacent to the historic low - tide crossing point; the David Judah
House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail, piece of timber and window; a circa 1840 Italianate house whose owners uncovered an original back staircase hidden by 20th century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966 designed and built by well - known architect George White, which won a Historic Preservation Award this
House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail, piece of timber and window; a circa 1840 Italianate
house whose owners uncovered an original back staircase hidden by 20th century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966 designed and built by well - known architect George White, which won a Historic Preservation Award this
house whose owners uncovered an original back staircase hidden by 20th
century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966 designed and built by well - known architect George White, which won a Historic Preservation Award this year.
The Gihon Foundation
housed a permanent art collection for many years that encompassed a wide range of
styles and media represented by almost a
century of development in American art, from the Impressionist influence in the work of Mary Cassatt's Sketch of Mother Looking Down at Thomas to the contemporary art of today as illustrated in the works of both well - known and mid-career artists.
• Chicago School of Architecture (1880 - 1910) • Art Nouveau Architecture (1890 - 1920) • Revivalist Architecture (1900 - 2000) • New York School of Skyscraper Architecture (1900 - 30) • Early Modernist Architecture (1900 - 30) • Expressionist Architecture (1910 - 25) • De Stijl Architecture (1917 - 1930) • Social
Housing Architecture (1918 - 30) • Bauhaus Design School (1919 - 1933) • Art Deco Architecture (1925 - 1940) • Totalitarian Architecture (1933 - 60) • International
Style of Modern Architecture (1940 - 70) • High - Tech Architecture (1970 onwards) • Deconstructivism (1980 - 200) • Blobitecture (1990s) • Late 20th -
Century Supertall Towers
The 20th
century brings pre-fab
house - building kits and Levittown -
style mass production.