Major icons of the transfiguration, moreover, such as the sixth - century mosaics in the apse of the monastery of St. Catherine at Mount Sinai and St. Apollinaris Church in Ravenna, or the 14th -
century icons of Andrei Rublev and Theophane the Greek, did not just reflect but substantially contributed to the development of Byzantine theology.
Not exact matches
A sea
of Catholic devotees jostle for position as they try to touch the life - size statue
of the Black Nazarene as it arrive at the Quiapo Church during the annual procession in honor
of the
centuries - old
icon of Jesus Christ in Manila on January 9, 2013.
Besançon first earned his reputation as a historian
of Soviet politics and
of Russian nationalism (toward both
of which he entertains understandably dim views), and he thinks that the Russian nationalists
of the nineteenth
century, among their other sins, killed the genre
of icon «painting when they began to praise the
icon's superiority over Western art.
The Byzantine emperors who first issued the edict to smash and destroy the
icons (Leo the Isaurian and his son Constantine V, both
of whom reigned in the eighth
century) do remind one
of Oliver Cromwell, for both sets
of rulers were military leaders with a loyal army from the provinces; such figures often have a puritanical streak and tend, moreover, to command soldiers who themselves are suspicious
of the decadent mores
of the cities.
From the vestments (which are really nothing more than the Fourth
Century CE court clothing
of the Eastern Roman Empire), the canonized saints (which are essentially «Christian» demigods that replaced the pagan pantheon), the numerous feast days and holy days (which replaced pagan holidays), the statues and painted
icons (which replaced pagan idols), and the episcopal structure (in which «third sons»
of landed aristocrats who had no hope
of inheriting their fathers» titles and lands could become «princes
of the church» with as much worldly comfort as the «first sons» and almost as much wealth and power), the Anglican Church was practically indistinguishable from the Roman Church except that they used English in the Mass instead
of Latin.
Toward the end
of Ut Unum Sint, John Paul cites some
of the questions that must be addressed in conversation with the communities issuing from the tragic divisions
of the sixteenth
century: (1) The relationship between Sacred Scripture, as the highest authority in matters
of faith, and Sacred Tradition, as indispensable to the interpretation
of the Word
of God; (2) The Eucharist as the Sacrament
of the Body and Blood
of Christ, an offering
of praise to the Father, the sacrificial memorial and Real Presence
of Christ and the sanctifying outpouring
of the Holy Spirit; (3) Ordination, as a Sacrament, to the threefold ministry
of the episcopate, presbyterate, and diaconate; (4) The Magisterium
of the Church, entrusted to the pope and the bishops in communion with him, understood as a responsibility and an authority exercised in the name
of Christ for teaching and safeguarding the faith; (5) The Virgin Mary, as Mother
of God and
Icon of the Church, the spiritual Mother who intercedes for Christ's disciples and for all humanity.
On one wall, below the
icon of a dancing Christ, is a framed rubbing
of a tablet from a seventh -
century Eastern, or Nestorian, church in western China.
Built in 1919 by Frederick William Vanderbilt, the Condado Vanderbilt's lavishness attracted royalty, heads
of state, Hollywood stars and industry
icons to the hotel's dramatic perch on the edge
of the Atlantic Ocean for almost half a
century.
The Times Square Alliance works to improve and promote Times Square — cultivating the creativity, energy and edge that have made the area an
icon of entertainment, culture and urban life for over a
century.
The Gerber name has long been synonymous with baby food, and the
icon of the Gerber Baby traditionally has symbolized quality and trustworthiness; indeed, a late twentieth -
century survey found Gerber to have the highest consumer loyalty
of any commercial brand in the United States.92 In 1928 the Fremont Canning Company solicited illustrations
of a baby face for the advertising campaign to introduce its newly developed baby food.
«Mickey Mouse on the other hand is a universal 20th
century icon representing the triumph
of the little guy against the bully, the innocent against the corrupt, the weak against the strong.
In vivid prose that details all
of Fuller's eccentricities and achievements, Keats strips away the
icon's layers to reveal a truer, even more fascinating portrait
of the 20th
century genius.
Anders, whose photograph
of Earthrise would become an
icon of the 20th
century, would later find in that image a paradox: NASA had sent him and his crewmates all that way to explore the moon, he would say, but the most important thing they had discovered was Earth.
The second half
of the 20th
century, and the rise
of television, introduced yet a new change in communication technology that was accompanied by the rise
of a new cultural
icon: the sports figure, who for the first time in history rose to the status
of global celebrity.
This turn -
of - the -
century icon was known for its robust nature, long battery life and often garish shell.
Today the dodo bird is an
icon of extinction and the mammoth a giant
of de-extinction prospects, but during the 19th
century there were people that believed the dodo bird was a myth and that mammoths would be discovered still alive in the unexplored reaches
of America.
-- Deepak Chopra, Bestselling Author, one
of the top heroes and
icons of the
century
-- Deepak Chopra, Bestselling Author (heralded by Time magazine as one
of the top heroes and
icons of the
century)
Bruce Lee is without a doubt the biggest combat sports
icon of the twentieth
century and most young lads won't to do a Bruce Lee workout to try and obtain the same unbelievable fighting skills, muscular body and superhuman fitness that he showed in Kung fu movies like Enter the Dragon, Way
of the Dragon, the Big Boss and Fist
of Fury.
These days real isn't loved so much, but you can't deny
centuries of styles and style
icons who have made the fur coat a staple.
An inspirational journey through black fashion in America from the twentieth
century to the present, featuring the most celebrated
icons of Black style and style and taste... Model: Adau Mornyang, 2007,...
She was an incredible style
icon, muse and women who helped to build up British fashion
of the 20th
century.
An
icon of British homeware from the 1920s, its been given a new lease
of life for the 21st -
century with lots more colourways and beyond - kitchen uses too.
An exceptional exhibition Russian
Icons: Spirit and Beauty, comprising a collection of forty Russian and Greek icons dating from the 15th to the 19th centuries, will be staged by Jan Morsink Ikonen of Amsterdam at Trinity House, 50 Maddox Street, London W1S 1AY, from Saturday 22 November to Thursday 27 November
Icons: Spirit and Beauty, comprising a collection
of forty Russian and Greek
icons dating from the 15th to the 19th centuries, will be staged by Jan Morsink Ikonen of Amsterdam at Trinity House, 50 Maddox Street, London W1S 1AY, from Saturday 22 November to Thursday 27 November
icons dating from the 15th to the 19th
centuries, will be staged by Jan Morsink Ikonen
of Amsterdam at Trinity House, 50 Maddox Street, London W1S 1AY, from Saturday 22 November to Thursday 27 November 2014.
He continues, «I want to tell the story
of Norma Jean as a central figure in a fairytale; an orphan child lost in the woods
of Hollywood, being consumed by that great
icon of the twentieth
century.»
Jackie isn't just a convincing and riveting depiction
of a 20th
century icon; it's also a heart - rending portrait
of a grieving woman trying to regain control when the life she knows is suddenly and cruelly taken away.
But just as Warner Bros. and Lionsgate are respectively surging ahead with the latest from Stallone and Schwarzenegger, 20th
Century Fox surely felt a boost
of confidence pushing Die Hard in the current film landscape, where musclebound»80s
icons are giving many folks déjà vu.
There are anachronistic moments for certain characters do appear significantly more progressive in the 21st
century mindset than necessarily
of the 1930s segregation - era, but it's clear the film wants to glorify an acknowledged, yet too often overlooked American
icon.
It's the classic hardboiled private - eye movie; the nervy maiden offering
of its celebrated director, John Huston; the first glamorous star vehicle for Humphrey Bogart, an
icon of American cinema and the 20th
century's definition
of existential cool; and still the most triumphantly well - cast movie from Hollywood's golden age (rivaled only by Casablanca).
Dickinson may have been a proto - feminist, but the film is hardly a resurrection
of the 19th -
century poet as an
icon of social justice — surely one market - friendly direction this project could have taken — but rather a hard look at the contours
of her sequestered social universe, and how those sometimes limiting parameters nevertheless fueled her work.
It is said that a horror director will cast you as a victim because he admires you — or, in this case, because he admires your hypothetical camp value — but I can't help but sense some rage in the targets Mancini chooses: Set loose in La - La Land, the doll family goes on to kill unworthy pop stars (a Britney Spears look - alike),
icons of cinematic change (John Waters — himself much more talented with the whole camp thing — here playing a doomed paparazzo), and pretentious, unlikely filmmakers
of the 21st
century (rap artist Redman, standing in for Mel Gibson -LRB-!)
About a half -
century later, long after the Mini Cooper had established itself as an
icon, John Cooper's son, Michael, launched John Cooper Works out
of Sussex, England, and started popping performance parts for production Minis.
With a
century of history, Aston Martin has developed into an automotive
icon, a marque synonymous with luxury, heritage and authentic craftsmanship.
The band have become an
icon of 20th
century popular cultural.
And given the phenomenal global success this automotive
icon has enjoyed in the 21st
Century, can you really blame the company for deciding not to throw the baby out with the bathwater during this round
of midlife updates?
The Shadow Catcher dramatically inhabits the space where past and present intersect, seamlessly interweaving narratives from two different eras: the first fraught passion between turn -
of - the - twentieth -
century icon Edward Curtis (1868 - 1952) and his muse - wife, Clara; and a twenty - first -
century journey
of redemption.
The historic Caribbean Motel is widely regarded as the quintessential
icon of «Doo Wop» architecture in the New Jersey beach resort community
of The Wildwoods — home to the largest surviving collection
of mid-20th
century commercial beach resort architecture in North America.
Where distinguished members roamed for over a
century, a genuine
icon of this great city is now open to all, premier among Chicago hotels near Millennium Park.
Of the city's most sought - after properties, this global hotel
icon combines historic grandeur with modern amenities, making it ideal for 21st
Century luxury travelers.
Dating back to the 14th
century, this place
of pilgrimage is home to a famous
icon of the Black Madonna.
This water temple has stood as an
icon of exoticism and Balinese culture for
centuries.
Oum Kulthum is a subject who occupies a singular position in twentieth -
century celebrity culture — beloved on a world scale and an enigmatic
icon to tens
of millions,» said Bruce W. Ferguson, President
of Otis College.
Hofmann, Mitchell, Pousette — Dart, Stamos, Hollis — Taggart Galleries, New York (October 30 — December 6) De la pierre à l'écran: Studio Franck Bordas, Paris, Le Centre de la Gravure et de l'Image imprimée, Brussels, Belgium (October 4, 2014 — January 11, 2015) Make it New: Abstract Painting from the National Gallery
of Art, 1950 — 1975, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (August 2 — October 13) Joan Mitchell: Mémoires de paysage, Musée des Beaux - Arts de Caen, Caen, France (June 14 — September 21) Rothko to Richter: Mark - Making in Abstract Painting from the Collection
of Preston H. Haskell, Princeton University Art Museum, Princeton, New Jersey (May 24 — October 5) Mitchell, Benglis, Wilke, Williams College Museum
of Art, Williamstown, Massachusetts (May 19 — October 26) Hans Hofmann, Joan Mitchell, Sam Francis, Galerie Thomas Moderne, Munich, Germany (March 21 — May 17) Modern Masters: 20th
Century Icons from the Albright - Knox Art Gallery, Denver Art Museum, Denver, Colorado (March 2 — June 8) Made in the U.S.A.: American Masters from The Phillips Collection, 1850 — 1970, The Phillips Collection, Washington, D.C. (March 1 — August 31) Grażyna Kulczyk Collection: Everybody is nobody for somebody, Fundacíon Banco Santander, Madrid, Spain (February 15 — June 15) Ed Clark: Big Bang, Tilton Gallery, New York (January 14 — February 22)
Spanning a wide range
of periods and styles, the Post-War and Contemporary Art Day Auction offers superb work from 20th
century icons to exciting new names, with outstanding pieces from the likes
of Sigmar Polke, Howard Hodgkin, Jean Dubuffet and Martin Kippenberger.
Near the end
of Modern Masters:
Icons of 20th
Century Art from the Albright - Knox Art Gallery, there's a small section (only three paintings and two sculptures), titled «Monochrome, Minimalism, and Meditation.»
This superlative show is huge in every sense: big themes, giant
icons of mid
century art, enormous canvases, and no small amount
of ambition on the Royal Academy's part, tackling an often shied from movement — or «ism» — which was last explored in such a survey in the UK back in 1959.
A necklace by a pioneer in Art Nouveau Design, a rare wooden gong from the Gabon's Tsogo culture, an 17th
century Ethiopian
icon and a selection
of photographs including a work by Richmond - based Cynthia Henebry, are among the works acquired by VMFA in October.
Plus: Co-defendant in art theft trial claims he destroyed stolen masterpieces Art thief jailed over theft
of 18th -
century icon from Chester Cathedral and Art Cologne Prize 2017 goes to Günter Herzog
It seems only natural, then, that the institution is about to dedicate a display to another
icon of 20th -
century Italy: Campari.
Ethiopian
Icon African, Ethiopian, Triptych
of the Virgin and Child flanked by Archangels and John the Baptist, 17th
century Overall: 13 1/4» H × 17 7/16» W × 9/16» D. Gift
of Robert and Nancy Nooter.