Sentences with phrase «century landscape painting»

They also reference 19th century landscape painting, thus transforming works that are pure products of the digital age into vehicles transporting us to lost worlds of artistic practice.

The Fenimore Art Museum presents The Hudson River School: Nature and the American Vision an exhibition on view June 29 — September 29, 2013, showcasing over forty - five important 19th century landscape paintings by Hudson River School artists.

The Landscape Garden is rooted in an eighteenth century taste for idealised classical landscapes that developed from studying the seventeenth century landscape paintings of Salvator Rosa, Gaspart Poussin and Claude Lorrain.

Amateur snapshots from the Internet and images of 19th century landscape paintings from the museum's collections layered together to create photographs.

• For more about 20th century landscape painting in Australia, see: Homepage.

Hannock's addition of diaristic texts and photographic images to the mountains, trees and fields is his unique contribution to 20th Century landscape painting.

Nineteenth century landscape painting in America witnessed the emergence of several outstanding schools.

Both are key locations for the 19 - century landscape painting style known as the Hudson River School.

The Museum's holdings now consist of more than 3,000 works ranging from early nineteenth - century landscape paintings through American Impressionism and into the twentieth - and twenty - first centuries.

The press release cites an anxious «post-9 / 11 zeitgeist» as the motivation for choosing such subjects, but as a further allusion to 19th - century landscape painting makes clear, Marston's choices easily transcend the present.

• For 18th century landscape painting, see: Homepage.

Nineteenth - and twentieth - century landscape paintings testify to the beauty which drew well - known artists to the area.

Amateur snapshots from the Internet and images of 19th century landscape paintings from the museum's collections are layered together to create photographs.

The Parrish's collection includes over 2,600 works that range from 19th century landscape paintings to contemporary art.

Another focal point of the launch was the opening of Walter O. Evans Center for African American Studies, featuring a selection of close to 40 works from Evans» legacy collection of African American art - from 19th - century landscape paintings of the Hudson River School to works by masters of the Harlem Renaissance, as well as examples from the Federal Art Project of the 1930s and later 20th - century works by Jacob Lawrence and Romare Bearden, among others.

Klein continues, «Dingilian's work, although sharing connections with romantic nineteenth century landscape painting, doesn't depict spiritual exaltation, but rather a more melancholic view of human experience.

The Rockies and the Alps places Newark's renowned collection of 19th - century landscape painting in dialogue with European alpine painting of the same period.

Rather, these are studio creations, more indebted to American Modernist landscape paintings than Mother Nature... Referencing the pictorial language of late - 19th and early - 20th century landscape painting might seem a convoluted way to create imagery that purports to be urgently personal.

Would it not be knowledge of art to understand a nineteenth «century landscape painting (as Ruskin did) as a challenge?

In contrast to a backdrop of diverse wildflowers, bees, butterflies and birds — commonly seen in 19th - century landscape paintings — modern wooded areas are now overrun by imported invasive plants, choking out most native species and disrupting much of the natural biodiversity.

Capturing wide vistas in huge colour prints, the photography of Andreas Gursky has been compared with the power and majesty of 19th - century landscape painting.

From vast crowds to monolithic architecture, Gursky's scenes have all the sublimity and horror of 19th - century landscape paintings — but are all the more affecting for showing us the world as we know it.

Within these chronological boundaries are three areas of strength: Federal portraiture, 19th century landscape painting, and early 20th century realism.

The windmill was a recurring motif in 18th and 19th - century landscape painting.

«The painting is the most important piece in the Athenaeum's collection and a major work of 19th - century landscape painting,» Joly said.

These iconic works of 19th - century landscape painting are traveling on a national tour for the first time and are circulating to four museums around the country as part of the Historical Society's traveling exhibitions program Sharing a National Treasure.

Though individual works are very seldom loaned, these iconic works of 19th - century landscape painting are traveling on a national tour for the first time and are circulating to four museums around the country as part of the Historical Society's traveling exhibitions program Sharing a National Treasure.

The execution of the paint itself walks a fine line between photorealistic exactness and the subtle nuances of 19th - century landscape painting.

As a result his images have an explicit painting - like quality: indeed, some have all the aura of monumental 19th - century landscape paintings.

Richardson is fascinated by the ways we connect with landscape; within her deeply layered practice, she draws on narrative devices used in science fiction and B - movie horror films, as well as nineteenth - century landscape painting, with particular interest in the apocalyptic conjurings of John Martin (British, 1789 - 1854).

Increasingly important for this artist, too, are the elusive and affectionate memories of certain modes of 19th - century landscape painting.

Nineteenth - century landscape paintings by a self - taught black artist hang on the walls, Baroque sculptures of dancing figures face each other in an otherwise sterile vitrine, and baseball caps from Knuckles's collection are displayed commercially in a row within that nearby open - ended vitrine.

It took more than a century for his work to be rediscovered and identified as highly significant for the history of 19th - century landscape painting.

Ellen Phelan demystifies 19th - century landscape painting, not so much by deconstructing the myths that sustain it as by demonstrating anew how the impulse to record nature is inextricably bound up with the need to project personal states of mind onto the objective face of reality.

It's like the Weather Channel's greatest hits, with shout - outs to the 19th - century landscape paintings by the Hudson River School (those fellows who thought nothing was more sublime than getting caught in a downpour).

Referencing the ways that landscapes have been politicized through historical events — from the violent expansion of the American West, colonialism, war, and abolition, through to more recent race riots and social protests — Mehretu began by combining photographs from these events with nineteenth - century landscape paintings.

«Even though he is not very well known, he was one of the towering figures of 19th - century landscape painting,» Mr. Lee said.

Ward recalls an exhibition called Hip - Hop Nation: Roots, Rhymes and Rage at New York's Brooklyn Museum where visitors had to trek past galleries of huge 19th century landscape paintings to get to the show.

It was restored to view in 1980, reflecting a wider revival of British interest in American nineteenth - century landscape painting, and is now among the most popular works in the Scottish National Gallery.

Don't miss the unique opportunity to see forty - five nineteenth - century landscape paintings from the New - York Historical Society (New York, New York) in the exhibition The Hudson River School: Nature and the American Vision.

His stay in Copenhagen also gave him the opportunity to study the collection of 17th - century landscape painting by Dutch Realist artists - such as Aelbert Cuyp and Jacob van Ruisdael - at the Royal Museum of Fine Arts.

This unparalleled collection includes special strengths in nineteenth - and twentieth - century marble and bronze sculpture, nineteenth - century landscape painting, Gilded Age and American impressionist painting, twentieth - century realism, photography and graphic art, folk and self - taught art, Latino art, African American art, and film and media arts.

His is a heritage that includes both American nineteenth — century landscape painting and contemporary cinema.

Constable introduced a new and refreshing naturalism into British nineteenth - century landscape painting.

These paintings span genre and period, including iconic works of 19th - century landscape painting and portraiture, American impressionism, and early 20th - century realism.

Other types of art, including Contemporary folk artifacts, 19th century landscape painting, American Impressionism, and pieces from the Gilded Age are all well represented, as is African - American art, photography, sculpture, prints, drawings, folk art, 20th century abstract art and New Deal projects.

For an explanation of 19th century landscape paintings, like those produced by Barbizon painters, see: Analysis of Modern Paintings (1800 - 2000).