Sentences with phrase «century learning spaces»

We now have hopes to build new chemistry, STEM, and innovation labs, and to upgrade all of the classrooms to be 21st century learning spaces.

What should designers be planning in 21st - century learning spaces that promote zones of engagement and help «customers» choose a school?

No, if our investment in 21st century learning spaces is going to result in meaningful changes for students, we need to pay attention to how new furniture and its arrangement can shake up our expectations of how students should work and what collaboration looks like.

We have implemented an immersive experience in «Real World Problem Solving» - such as designing a new «21st century learning space» for the school library or studying agricultural sustainability in order to develop a local permaculture garden.

Not exact matches

Space pictures have gotten more realistic in the subsequent half - century, but they still haven't learned to compensate for the absence of green - skinned women in minidresses.

John Harmon, assets strategy manager at Warwickshire County Council said: «With the original budget, we were looking at extending and altering the current building, but analysis showed it wouldn't be suitable for conversion into a 21st century school premises — a refurbishment option would have meant a poor learning space and the running costs would have been high.

The effective 21st century teacher will meld the online space and the face - to - face combination of learning.»

The OECD's Andreas Schleicher calls Fadel's book a «first of its kind organizing framework of competencies needed for this century which defines the spaces in which educators, curriculum planners, policy makers and learners can establish WHAT should be learned.»

Currently, the general Zeitgeist guiding the design of learning environments that embrace 21st century ideals are open and flexible spaces.

I envisioned shaping it to allow us to explore how 21st century libraries can use the virtual terrain for creating fluid, flexible learning spaces.

The advantage of a «commons» approach is it provides an opportunity to re-engineer the school library into a place / space that brings together the library, information technology and a qualified team of information, technology and learning staff whose combined knowledge, skills and expertise collectively support the integration of 21st century learning into the curriculum.

YOUmedia, an innovative, 21st century, teen - oriented learning space has experienced much success as part of the Chicago Public Library since its first lab opened in 2009.

According to Andreas Schleicher, Director for Education and Skills at the OECD, Fadel's book, Four - Dimensional Education: The Competencies Learners Need to Succeed, provides a «first of its kind organizing framework of competencies needed for this century which defines «the spaces in which educators, curriculum planners, policy makers and learners can establish WHAT should be learned.»

BAMS is committed to preparing kids for the 21st century and is taking thoughtful steps in the technology space to provide useful tools for teaching and learning.

Terence Mills» comments are most apposite both in reference to adults and professional learning and their learning spaces and the redundancy of the classroom as the primary learning space in the digitalised 21st century.

Attendees will learn how the school is combining analog and digital spaces in an effort to best embody the mission of the school in the 21st Century.

Different Schools for a Different World (School Improvement for 21st Century Skills, Global Citizenship, and Deeper Learning)(Solutions for Creating the Learning Spaces Students Deserve)

Eduthink.21 was created to support schools and districts with the development of innovative cultures, pedagogies, teacher development, curriculum and learning space design fit for the 21st century.

-- Jeff Vredevoogd Is your classroom space designed to promote effective teacher and student engagement and inspire 21st century learning?

For 21st century learning, «there is a need for a lot more space than is available in a traditional school.

They examine every aspect of K — 12 education, including teacher roles, curriculum, instruction, and assessment, as well as the physical and virtual learning spaces that engage 21st century teachers and learners.

Join the American Architectural Foundation as we explore the impact space has on learning, by connecting progressive educators, and administrators with forward - thinking design that embraces the way 21st century students learn - creating flexible learning environments that improve student achievement in practical and replicable ways.

Distinctive entrances, daylighting, large / medium / small group learning spaces, student display areas, thoughtful color palettes, flexible / mobile walls, spaces of solitude, creativity spaces, multimedia studios, performance areas, flexible / mobile furniture variations, student - accessible teacher work areas, technology anywhere - anytime, portable writing surfaces, and private, personalized spaces are some of the characteristics that signal to a customer that engagement and choice are a top priority in delivering 21st - century education.

During the ISTE conference, she discussed how her school system is shifting from traditional industrial - style classrooms with desks arranged in rows to more flexible learning spaces that encourage the development of 21st - century skills.

A «Learning Commons» with expanded hours has replaced Revere's former library with 21st - Century media and flexible gathering spaces to support «anywhere, anytime» learning for all sLearning Commons» with expanded hours has replaced Revere's former library with 21st - Century media and flexible gathering spaces to support «anywhere, anytime» learning for all slearning for all students.

Today's twenty - first - century learners enjoy learning spaces that meet their needs; therefore, our school library media specialists manage these programs and spaces with careful consideration of the physical spaces, collections, technology, and delivery methods to best accommodate our constituents.

Over the past 15 years, funding from the 21st Century Community Learning Centers initiative and other afterschool sources has a created a new space and extra time for caring adults to work with children and youth.

Delve into the narrow alleyways and overhanging galleries to get a sense of what the crowded space would have felt like centuries ago, and then explore the Bryggen Museum to learn more about the iconic area's history.

Visitors will learn about MacDougal Alley, the artists» enclave where Mrs. Whitney chose to locate her studio in 1907; her friendships with fellow artists including Daniel Chester French, James Earle Fraser, and Robert Chanler (designer of the Whitney Studio space — including the fireplace and ceiling); and the support she gave to American artists through purchases, commissions, and exhibits, in the process reshaping the landscape of American art in the early 20th century.

1991 Telekinesis, curated by Patrick Painter, Mincher / Wilcox Gallery, San Francisco, California, US 20th Century Collage, Margo Leavin Gallery, Los Angeles, California, US Children in Crisis, Lorence Monk Gallery, New York, US The Readymade Boomerang (Print Portfolio), DAAD Galerie, Berlin, DE L'Art Se Porte Bien, Confort Moderne, Poitiers, FR Metamemphis 1991, Galerie Tanit, Cologne, DE Arte Fiera» 91, Mostra Mercato Internazionale d'Arte Contemporanea Bologna, IT Saga 91, Eric Linard Editions, Grand Palais, Paris, FR The Political Arm, John Weber Gallery, New York, US The Collection of Jason Rubell, Duke University Museum of Art, Durham, North Carolina, US Group Show, Daniel Newburg Gallery, New York, US Poet's Walk (public sculpture), Citicorp Plaza, Los Angeles, California, US The Fetish of Knowledge, Real Art Ways, Hartford, Conneticut, US Artists» Sketchbooks, Matthew Marks, New York, US Solaris, Mai 36 Galerie, Lucerne, CH Tokyo Art Expo, Harumi New Hall, Tokyo International Trade Center, Tokyo, JP Audio Arts, Wiens Laden & Verlag, Berlin, DE Blast Art Benefit, The X-Art Foundation Inc., New York, US Designated Space, Museum Dhondt - Dhaenens, Deurle, BE Franklin Furnace's 15th Anniversary Art Sale, Marian Goodman Gallery, New York, US This Land..., Marian Goodman Gallery, New York, US Tre Opera / 1965 -1975, Primo Piano, Rome, IT Inheritance and Transformation, The Irish Museum of Modern Art, Dublin, IR Tabula Rasa, Biel / Bienne, CH Für die Stimme, Wiens Laden & Verlag, Berlin, DE Group Show, Galerie Edouard Merino, Palais Albany, Monte Carlo, FR Learn to Read Art - An Exhibition of Artists» Books and Multiples From the Permanent Collection of Art Metropole, Basel Art Fair, Basel, CH Multipels en Andere Multipels, De Warande, Turnhout, NL Beyond the Frame / American Art 1960 - 1990, Setagaya Art Museum, Tokyo, JP; The National Museum of Art, Osaka, JP; Fukuoka Art Museum, Fukuoka, JP Metamemphis Exposition, Kunstlerkolonie Museum, Darmstadt, DE Summer Group Exhibition 1991, Leo Castelli Gallery, New York, US A View From The Sixties: Selections from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York, US

Walker Art Gallery hosted the biggest ever exhibition of Pre-Raphaelite work in British history; the Biennial rediscovered the city; Tate Liverpool blew us away with exhibitions that celebrated some of the 20th Century's greatest artists, and the 21st Century's newest; FACT collaborated with CERN; Metal brought us a never before seen live rendition of Steve Reich's Different Trains; Bluecoat hosted a ground breaking exhibition, curated by learning disabled artists; and nine new studios, galleries and project spaces were born.

Selected group exhibitions: PRESENT, SHANGHAI GALLERY OF ART, Shanghai, 2014; OPENING EXHIBITION OF ANNTENNA SPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEARS?

We aim to instigate some cultural shift — opening up our museums to be more social, recreational, and immersive spaces for the teens learning in the 21st century.»