Sentences with phrase «century modern piece»

Lovely Chaos created such a cool piece of Mid Century Modern piece of furniture from a very old filing cabinet... how awesome does this look.

I absolutely love the mid century modern pieces.

Not exact matches

This handmade piece showcases old and new influences by combining centuries - old craftsmanship with a modern color palette.

With a playfully romantic aesthetic and the unmistakable elegance of an Italian brand, N ° 21's designs show how modern tailoring can be transformed into sultry pieces fit for any 21st Century woman's wardrobe.

This piece is rare and would be a great addition to your Mid Century Modern home.

We live on this modern century with advanced technology so meeting single Christian men and women online is a piece of cake.

Computer - animated worlds sometimes act as a transitioning map, a location and day number occassionally remind us where we are (always in a different font), and fast - paced editing and zooms given this «Before the Turn of the Century» (though the century is not specified) piece a much modern look than its setting wouldCentury» (though the century is not specified) piece a much modern look than its setting wouldcentury is not specified) piece a much modern look than its setting would merit.

... and truth - be-told that Pepsi ad (er, short film) is a great piece of 21st Century political Post Modern Pop - Art.

While the Musée des Beaux Arts hosts an impressive collection of pieces from ancient Egypt and European paintings and sculpture dating from the 14th Century, many of the galleries on Rue Burdeau showcase modern artists.

The outside of the house has been left as it was several centuries past, creating a greater contrast with the modern interiors and furnishings which blend nicely with traditional pieces.

Making reference to the reaper who appears in everyday lives in Hans Holbein's 16th - century series «The Dance of Death,» as well as to the shadows that enthrall the fictional prisoners in Plato's allegory of the cave (a recurring theme in Kentridge's work), the piece also conjures a modern - day New Orleans funeral march.

Marking the culmination of a year - long celebration of photography at the museum, this installation brings together an exquisite group of gifts, ranging from innovative photographs made in the earliest years of the medium's history to key works by important 20th - century artists and contemporary pieces that examine the ways in which photography continues to shape our experience of the modern world.

The section dedicated to Modern Art will feature historical pieces of international artists, produced mainly during the first half of the twentieth century.

This presentation of masterworks and experimental pieces from SFMOMA's collection of painting and sculpture explores themes that have shaped the history of modern art from the early twentieth century to our own time.

Beside these personal pieces of the 1970s, 1980s and 1990s are two untitled works in pencil on paper of 1916 by Kazimir Malevich — part of David Whitney's personal collection and an obvious link to both men's appreciation of the earliest stages of Modern art in the 20th Century.

Thanks to a loan from The Museum of Modern Art, Fort Tilden's military chapel — which was damaged by Sandy and is now being restored — will showcase one of the highlights from the MoMA collection: The Forty Piece Motet by Janet Cardiff, a spatialized adaptation of a sacred 16th - century motet created by recording each member of a choir individually and giving each voice its own speaker.

The exhibition is also an opportunity to showcase pieces from The Amistad Center's advertising collections along with selections from the early 20th century, stereotypic objects to illustrate the post-Civil War imagery A final section will present mid-late 20th century photographs and fine art emphasizing the relationship between art, celebrity, and the modern civil rights movement.

With sterling examples of Impressionist, Post-Impressionist, Modern and American paintings, as well as pieces of English and European furniture, Asian works of art, European ceramics and Chinese export porcelain, silver, and American decorative arts and furniture, the Rockefeller cache not only features a roster of future record - setters but also reads as a guide to what the American elite considered good taste in the 20th century.

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

Jonathan Jones ponders the meaning of one of the most influential pieces of 20th - century art, Marcel Duchamp's Fountain, on show at Tate Modern

Collections The High Museum's collections, comprising over 14,000 pieces, feature American decorative arts from 17th century to present day, European art from Renaissance to Impressionism, American 19th and 20th century art, folk art, African art, photography, and American and international modern and contemporary art.

While this main installation recalls an ongoing body of research into the 18th - century phantasmagoria shows of Jean - Gaspard Robertson — as first seen in Oursler's iconic piece, The Influence Machine (2002) commissioned by Artangel and restaged at Tate Modern in 2013 — another new series situates these reconfigured faces squarely in the context of the 21st century.

The Sammlung Moderne Kunst (Modern Art Collection) houses paintings and sculptures, with over 3,000 pieces of art dating to the 20th and 21st century, including works by Boccioni, Braque, Picasso, Klee, Kandinsky, Beckmann, Kirchner, Fontana, Wahrol, Bacon, Beuys, Nam June Paik, Rauschenberg and Richard Serra, to name just a few.

Notable group exhibitions include «Piece by Piece» at the Kemper Art Museum, Kansas City (2015); «Glass Today: 21st Century Innovations» at the New Britain Museum of American Art (2014); «Facets of Modern and Contemporary Glass» at the Knoxville Museum of Art (2014); «Color Ignited: Glass 1962 - 2012» at the Toledo Museum of Art (2012); «Cyberfest» at The State Hermitage Museum in St Petersburg (2009), «Art Parade» at Deitch Projects in New York (2008), and «Insatiable Streams» at Beijing BS1 Contemporary Art Center in Beijing (2007).

The modern take on the 19th century piece uses large coloured dots to create an abstract piece that collectively mirrors Seurat's masterpiece.

«The Towering Inferno: The Babel Trilogy,» University of Tel Aviv, Tel Aviv, Israel, January 21, 2014 — January 30, 2014; catalogue «Codex,» CCA Wattis Institute, San Francisco, CA, January 23 — March 29, 2014 «Imaginary Portraits: Prince Igor,» Gallery Met, The Metropolitan Opera, New York, NY, January 15 — May 10, 2014 2013 «Art and Its Discontents,» University of California Santa Barbara Art Museum, Santa Barbara, CA, October 19 — December 13, 2013 «TACET,» Museum of Fine Art Dole, Dole France, June 22 — Spetember 8, 2013 «Imitation of Christ,» The Hammer Museum, Los Angeles, May 18 - August 18, 2013 «The Whole Earth: California and the Disappearance of the Outside,» Haus der Kulturen der Welt, Berlin, Germany, April 26 — July 1, 2013 «Art Geneve,» Suisse Romande, Geneva, Switzerland, January 31 - March 3, 2013 «Set Pieces,» Cardi Black Box, Milan, Italy, February 2013 «The Circle Walked Casually,» Deutsche Bank KunstHalle, Berlin, Germany, November 28, 2013 — March 2, 2014 2012 «Letters From Los Angeles,» Jack Rutberg Fine Arts, Los Angeles, CA, November 17 — December 22, «Tracing the Century: Drawing from the Tate Collection,» Tate Liverpool, Liverpool, England, November 16 — January 20, 2013 «This Will Have Been: Art, Love, & Politics in the 1980s,» Museum of Contemporary Art (MCA), Chicago, IL, February 11 — June 3, 2012; travels to Walker Art Center, Minneapolis, MN, June 30 — September 30, 2012; travels to Institute for Contemporary Art (ICA), Boston, MA, October 2012 — January 2013 «In Numbers,» Institute of Contemporary Art, London, England, January 25 — March 18, 2012 «Self - portraits,» Louisiana Museum of Modern Art, Humlebaek, Denmark, September 14, 2012 - January 13, 2013 «Behold America!»

This time, Mr. Gouzer and his fellow specialists at Christie's aimed to combine high - value, early - 20th - century works including Picasso, Giacometti and Monet, which would normally headline an Impressionist and modern sale, with desirable contemporary pieces by artists such as Andy Warhol, Jean - Michel Basquiat and Peter Doig.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

While retaining many original pieces, like a decades - old crystal chandelier, Obama became the first White House occupant to add modern, 20th century touches to the room.

Group exhibitions have included You Imagine What You Desire, Sydney Biennial, Sydney, Australia, (2014), We are living on a star, Henie Onstad Kunstsenter, Oslo, Norway (2014), Changing States, Irish Museum of Modern Art, Dublin, (2013), Making is Thinking, Witte de With, Rotterdam, Netherlands (2011), The Dark Monarch, Tate St Ives, St. Ives (2009), Un-monumental: Falling to Pieces in the 21st Century, the New Museum, New York (2007).

This vintage Mid Century Modern framed original hand needlepoint textile art piece is after the world famous Modern artist Marc Chagall.

Featuring the Dallas Museum of Art's Jewel Stern American Silver Collection — which comprises over four hundred extraordinary works in the modern idiom — as well as other objects in the Museum's collection, and selected pieces on loan, Modernism in American Silver is the first book to study the full scope of progressive design in American silver of the twentieth century.

In fact, over the centuries, it has premièred many modern masters and nowadays it still support and present first class emerging or established artists.Last year the exhibition program was closed with a survey of the «tomboy» Sarah Lucas, whose ironic and iconic pieces — from the early the very last production — have been exposed together for the first time in United Kingdom.

Beside these personal pieces of the 1970s, 1980s and 1990s are two untitled works in pencil on paper of 1916 by Kazimir Malevich - part of David Whitney's personal collection and an obvious link to both men's appreciation of the earliest stages of Modern art in the 20th Century.

Moderna Museet houses one of the world's finest collections of Swedish and international modern and contemporary artworks, from the early twentieth century to today, including pieces by Dali, Picasso, Rauchenberg, Duchamp and Matisse.

Trying to find room for his monumental pieces within the approaching modern 19th - century, Rodin took away the hard outline of traditional 3D production.

Although his work has had the prestige of selection for the Tate Modern's Turbine Hall, his most famous piece is no doubt his feature film Zidane: A 21st Century Portrait, which focused solely on French soccer star Zinedine Zidane as he plays a game of football.

Beginning with Solomon R. Guggenheim's founding collection of abstract art, the museum's holdings have been augmented and strengthened over the years by Karl Nierendorf's important German and Austrian Expressionist works, Justin K. Thannhauser's Impressionist, Post-Impressionist and other modern pieces, Hilla Rebay's personal collection of 20th century works, and Count Giuseppe Panza di Biumo's Minimalist, Post-Minimalist, Environmental, and Conceptual art.

-- 24 December 2009 32 East 69th Street New York NY 10021www.hauserwirth.com WHITE SNOW, a group of never before seen pieces from a new body of work by Paul McCarthy, drawing upon the famous 19th century German folk tale «Snow White» («Schneewittchen») and commenting upon the modern interpretation of the story in Disney's beloved -LSB-...]

This ship - shaped piece perfectly straddles the line between now and the past, by being quirky while also harking back to early 19th century lights favoured by aristocrats with a love for the sea — check out some National Trust homes like Castle Ward for some more inspiration; you'll be surprised how well the study's similar chandelier to this one works in a country manor as it does in this cool modern home.

A 19th - century carpenter's bench is used as a console and styled with modern pieces like a Tizio task lamp and Rothko poster in the mud room.

We mixed 18th - century paintings, modern pieces and traditional coromandel panels.