Sentences with phrase «century painters such»

19th century painters such as Gustave Courbet, John Constable, Thomas Cole, Arthur Parton, J.M.W. Turner and R.A. Blakelock represent open skies and the emotional states sunsets, sunrises and weather conditions can impart.

19th century painters such as Caspar David Friedrich, JMW Turner, and Frederic Edwin Church are some of my favorites in terms of how the handle and describe atmosphere, luminosity, and color.

Nineteenth - century painters such as Washington Allston and Thomas Cole found little or no demand from churches for religious art.

Not exact matches

Visit the upper level to see exceptional works such as the mid-19th century cedar sideboard crafted by George Dowden for the Cribb family's historic Ipswich residence «Gooloowan», Australian paintings such as Frosty morning by key Australian landscape painter Elioth Gruner, and the exquisite Australian wildflower tea service designed by renowned Australian botanical artist Ellis Rowan.

From the legendary sculptor, Sabina von Steinbach, in the 13th century, who, according to local tradition, was responsible for South Portal groups on the Cathedral of Strasbourg, down to Rosa Bonheur, the most renowned animal painter of the 19th century, and including such eminent women artists as Marietta Robusti, daughter of Tintoretto, Lavinia Fontana, Artemisia Gentileschi, Elizabeth Chéron, Mme. Vigée - Lebrun and Angelica Kauffmann — all, without exception, were the daughters of artists; in the 19th century, Berthe Morisot was closely associated with Manet, later marrying his brother, and Mary Cassatt based a good deal of her work on the style of her close friend Degas.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

Yes I admire both those artists work, I am drawn to the psychological and emotional aspects of their work, and I have always been interested in artists who use photography as their medium, painters that have influenced me have been Helen Frankenthaler and Artemisia Gentleschi, both centuries apart and they are such brilliant painters and in terms of current painters I am very interested in the work of Jenny Saville, I willl always go to see her work.

In this context, Opera will discuss his own work and the concerns that have fed his development over the past five years, as well as the work of other contemporaries and painters that intuitively have investigated surface since the mid 20th century, such as Morris Louis.

Dubbed as primitives in the late 18th Century, these painters enjoyed a revival thanks to the declining interest in Old Masters such as Raphael, seen as champions of an over-stylised art that eventually developed in full - blown mannerism.

The early works, such as Botticelli's Virgin Adoring the Sleeping Christ Child, which has not been exhibited outside of Scotland for more than 150 years, are religious paintings while later works from the Renaissance masters, 17th - century painters, Impressionists, Post-Impressionists, and Cubists include different genres of paintings such as portrait, still life and landscape, and represent the changing treatment of those genres over time.

You can get a sense of the history of painting within Saville's work so it also reminds me of other artists who inspire me such as Seventeenth century Dutch still - life painters, Picasso, and Lucien Freud.

In the world of art, in the first decade of the 20th century, young painters such as Pablo Picasso and Henri Matisse were causing a shock with their rejection of traditional perspective as the means of structuring paintings, [47][48] though the impressionist Monet had already been innovative in his use of perspective.

Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).

As it survived through the centuries, various painters such as William Blake, James Whistles used this method which was also famous among the avant - garde artists such as Neo-Expressionism and the work of Francesco Clemente, Gerhard Richter and many other.

It features Spanish Colonial artworks such as religious paintings, portraits, furniture, and decorative arts, and also boasts remarkable works by early - and mid-20th century Mexican painters and printmakers.

Tarver notes that European painters, such as Paul Gauguin and Henri Rousseau, and the human zoos of the 19th and 20th centuries in Western countries exoticized the «other» and created fictions surrounding non-Western people from tropical lands and African countries and their lifestyles.

This exhibition examines the ways in which 14th -, 15th - and 16th - century Italian painters such as Duccio, Crivelli and Botticelli represented architecture in their work.

Nancy has had many awards in her career and has been juried into international competitions such as the annual Salon International, the American Impressionist Society Annual Exhibit, and Oil Painters of America.In 2008, she was honored to be selected as one of two painters from the Eastern Shore to be part of a show titled «Making Art: Explorations in Process» at the Academy Art Museum in Easton, Maryland which included notable American artists from the 19th and 20th centuries and works borrowed from major museums including the National Gallery of Art and the Brandywine RiverPainters of America.In 2008, she was honored to be selected as one of two painters from the Eastern Shore to be part of a show titled «Making Art: Explorations in Process» at the Academy Art Museum in Easton, Maryland which included notable American artists from the 19th and 20th centuries and works borrowed from major museums including the National Gallery of Art and the Brandywine Riverpainters from the Eastern Shore to be part of a show titled «Making Art: Explorations in Process» at the Academy Art Museum in Easton, Maryland which included notable American artists from the 19th and 20th centuries and works borrowed from major museums including the National Gallery of Art and the Brandywine River Museum.

Beginning with works from the sixteenth and seventeenth centuries, the exhibition will show that much British art from this period was made by artists from abroad, including Antwerp - born Anthony Van Dyck, the court painter whose famous portraits such as Charles I 1636 (The Chequers Trust) have come to shape our perceptions of the British aristocracy of this time.

Perhaps surprisingly, his technical prowess recalls the more gothic of 19th - century Romantics, such as the German painter of the moonlit sublime Caspar David Friedrich.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

PIERRE Banchereau — I like the classical Flemish painters of the 17th century, such as Jan van Huysum, the flower photos of Hans - Peter Feldmann, the opulent décor of the Villa Boscogrande in Luchino Visconti's The Leopard, or the work of the German visual artist Gerhard Richter.

In the mid-20th century her circle included painters such as Larry Rivers, Fairfield Porter and Joan Mitchell and the poets John Ashbery, Kenneth Koch and Frank O'Hara.

Mauss writes that he was surprised not to know of 20th - century ballet figures such as Christian Bérard, a French painter and designer of ballet sets who was an important artist during his lifetime but relatively unknown today.

The majority of that collection was amassed by the late Dr. Otis T. Hammonds, who hung works by such masters as 19th - century landscape painter Robert Duncanson and Romare Bearden in his Victorian home, now occupied by Hammonds House.

While I'd love for the Museum of Fine Arts, Houston to pass on one of its never - ending «once in a lifetime» opportunities to rent other museums» Impressionist collections, it's hard to see how San Antonio's interests don't include giving the city its first look at a significant concentration of works by the artist Green has argued made the most important painting of the 20th century — especially since SAMA's contemporary collection includes painters such as Hans Hofmann and Richard Diebenkorn whom Matisse influenced.

His family was already known by his teachers because his grandfather ran an important stationery company, with stores in China and Japan, that sold art supplies to such customers as Qi Baishi, China's leading 20th - century modernist painter.

• 2005 - The Triumph of Painting (3 - part series) Featured some outstanding late 20th century paintings, by a number of European painters such as Jorg Immendorff, Peter Doig, Martin Kippenberger, and Luc Tuymans, as well as younger painters from America, Germany and Britain.

Galerie d'Orsay offers works ranging from Old Masters such as Rembrandt and Renoir to early 20th century modernists such as Picasso and Miro to contemporary painters, print makers, and sculptors such as Bruno Zupan, Luc Leestemaker, and Samir Sammoun.

This display explores the pioneering role that painters such as Francis Bacon, Lucien Freud and David Hockney played in the reinvention of figurative art in the second half of the 20th century.

With a seemingly bottomless supply of money from the Walton Family Foundation, they acquired essential works, such as Asher B. Durand's 1849 «Kindred Spirits» (from the New York Public Library for a reported $ 35 million) along with paintings by Thomas Moran, Frederic Edwin Church, Thomas Cole and other 19th - century painters.

Rapidly broadening his interest to embrace all forms of avant - garde art, including painting and sculpture, Stieglitz hosted the first exhibition of African Art in America, and the first US art shows for several important 20th century painters from Europe, such as Matisse (1908), Toulouse - Lautrec (1909), Paul Cezanne and Henri Rousseau (1910), Pablo Picasso (1911), Francis Picabia (1913), Constantin Brancusi (1914), Gino Severini (1917).

Embraced by the first generation of Abstract Expressionist painters on the East End of Long Island, she represents one of the last living links to central figures in the avant - garde of 20th century American art, including such artists as Willem De Kooning, Philip Pavia, Ibram Lassaw, John Little and Balcomb Greene.

In contrast, Human Instamatic will offer the first in - depth assessment of Wong's formal contributions as a painter, placing his work in line with such 20th - century painters as Marsden Hartley and Alice Neel, both renowned for their insightful portraits of the communities in which they lived.

For several years, she signed her early paintings «George Hartigan,» as a tribute to 19th century female novelists George Eliot and George Sand, and her reputation exceeded those of such renowned female painters as Helen Frankenthaler, Joan Mitchell and Lee Krasner.

Considered to be one of the most prominent Washington D.C. artists of the last century, Green led art in the city away from the prevalent trend of painters in the Washington Color School (such as Morris Louis and Kenneth Noland), while working for 35 years as an instructor at the Corcoran College of Art and Design.

Results show that despite huge publicity and media attention for contemporary artists such as Tracey Emin and Damien Hirst, art lovers voted with their feet in Britain and abroad to see traditional exhibitions of old masterpieces or well - known early 20th century painters.

Consciously locating her work in the tradition of nineteenth - century painters of society and celebrity such as Manet, Peyton uses a loose, sensuous figuration to portray the young, the famous and the glamorous of our times.

Meanwhile he was stitching himself into a group, horribly neglected by 20th - century art history, of black abstract painters such as Jack Whitten and Stanley Whitney (both of whom, like Binion, are finally gaining overdue recognition).

Our collection features works by artists from many countries such as the 16th century German Renaissance woodcut artists, Conrad Faber von Kreuznach, «Konrad Faber von Creuznach», the 17th century French artists, Antoine Masson and Francois Bignon, the British Artist, author and lithographic printer, Thomas Robert Way, the nineteenth century Norwegian painter, Anders Monsen Askevold, Anders Askevold, the British artists, Francesco Bartolozzi, George Percy Jacomb Hood, Sir Francis Seymour Haden, Luigi Schiavonetti and Donald Wilkinson, the French artists, Pierre Bonnard, Pierre Gusman, Othon Friesz and Gustave Adolphe Simonau, or the American artists such as Martin Lewis, Elmer William Brown, Elmer Brown, Jon Corbino, Robert Cumming, Erika Kahn, Louise Nevelson, Arthur Litt, James Craig Nicoll, Margaret Sargent, Margarett Sargent, Raphael Soyer and Federico Castellon, the Mexican artists, Jose Guadalupe Posada, and Francisco Dosamantes, and Jose Ignacio Aguirre, the Japanese artists, Hokusai, Kuniyoshi, Toshi Yoshida, and Yoshitoshi, the Austrian artist, Hans Gerstmayr, the German artists, Hilde Goldschmidt, Peter Ackermann and Hanns Anker, the Israeli artists, Abel Pann, David Sharir, Mireille Kramer and Yigal Zemer, the Satirical artists, James Gillray, George Cruikshank, William Hogarth Thomas Rowlandson and many others.

Through Beaumont, Smith, and Farington, he became familiar with the European tradition of landscape painting, particularly the works of the French master Claude Lorrain (1600 - 82) and the Dutch painters of the 17th century, such as like Aelbert Cuyp (1620 - 1691) and Jacob van Ruisdael (1628 — 1682).

These and later works - such as Purple Virgin (2004) and Asleep Alone With Legs Open (2005)- have gained Emin a reputation as one of the most controversial 20th century painters.

In the late 19th century and 20th century, European artists like Emil Nolde (1867 - 1956) and Egon Schiele (1890 - 1918), as well as American painters such as Winslow Homer (1836 - 1910), Maurice Prendergast (1859 - 1924) and John Marin (1870 - 1953), produced hundreds of colourful paintings using the medium.

There won't be any more legacy of abstract expressionism, the great avant garde of mid-20th century America, when painters such as Poons are gone.

For example, in the 19th and early 20th Century, Impressionism was adopted by many Flemish and (now) Belgian painters (such as Georges Lemmen and Théo van Rysselberghe), thus there were the Belgian Impressionists.

John Minton was one of the major figures in the Neo-Romantic school in Britain in the 1940s, painting landscapes that charted a changing world but which also drew influence from 19th - century precursors such as the pastoral painter Samuel Palmer.

Though Lowry's images of matchstick - style workers in industrial landscapes are some of the most famous in British art, the exhibition promises to reveal how he was influenced by 19th - century French painters such as Camille Pissarro and Maurice Utrillo.

One of the most prominent Belgian painters, Michaël Borremans, is well - known for his unique painting technique that dates back to the 18th - century art and artists such as Édouard Manet and Degas.

Wallace's 2012 Redactor series, for instance, features chaotic and multidimensional collaged paintings, which draw from art - historical styles such as those championed by the Color Field painters and Abstract Expressionists of the mid-20th century.

His painting has also inspired a number of 20th century painters, such as Surrealist Max Ernst (1891 — 1976) and the American Abstract Expressionist Mark Rothko (1903 — 70).