Sentences with phrase «century painters who»

Other 20th century painters who were claimed for Surrealism whether they liked it or not, such as Pablo Picasso (1881 - 1973) **, Marc Chagall (1887 - 1985) ** and Paul Klee (1879 - 1940) **.

Morris Louis (1912 — 1962) is the best - known artist of the Washington Color School, a group of mid-20th century painters who explored the language of abstraction using new materials and a focus on color.

Jonathan Jones: From the 17th - century painter who repeatedly depicted a woman beheading a man to the last great surrealist, Louise Bourgeois, here are 10 artists who took on the patriarchy and won

Thomas Colville Fine Art is presenting more than a dozen landscapes by George Inness, a 19th - century painter who stands as an American cousin to Corot, Millet and the rest of the French Barbizon school.

From the 17th - century painter who repeatedly depicted a woman beheading a man to the last great surrealist, Louise Bourgeois, Jonathan Jones reports on 10 artists who took on the patriarchy and won.

Two great artists bounce and fizz off each other in an exhibition that compares Bridget Riley's early masterpieces of abstract art with the 19th - century painter who helped inspire them: Georges Seurat.

Not exact matches

Painters who definitely did make use of φ include the 20th - century artists Louis - Paul - Henri Sérusier, Juan Gris, Gino Severini, and Salvador Dalí; but all four seem to have been experimenting with φ for its own sake rather than for some intrinsic aesthetic reason.

The shingle - style architecture, all twists and turns and gables and porches, is incurably romantic, though interiors are also impressive, as they include a prominent collection of art from early in the 20th century, including works by William Wendt, Jean Mannheim and other air painters who put Laguna Beach on the map.

What led them there was the travel writer's initial fascination with the 18th - century painter Nainsukh, a famed fresco artisan who, along with his brother, Manaku, and his father, were one of the time's leading painters of the area, Pandit Seu.

Authors, actors, painters, sculptors, photographers, and musicians have captured and celebrated their majesty for more than a century; George Catlin, Ansel Adams, and Rudyard Kipling are among the earliest artists who promoted the preservation and protection of these unique American landscapes.

Stephen the Great was a religious and cultural man, and it was his influence that gave rise to a school of native painters who have bequeathed some true masterpieces of the fresco technique found on the 16th and 17th - century painted monasteries of Bucovina.

Those in the running include Ghanaian - British multi-media artist Amartey Golding whose film Chainmail throws light over cultural behaviours towards race, gender and sexuality, while channelling the darkness of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms of the Old Masters with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose eerie still lifes are created from over 1,000 separate photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian marriage portraits.

From the legendary sculptor, Sabina von Steinbach, in the 13th century, who, according to local tradition, was responsible for South Portal groups on the Cathedral of Strasbourg, down to Rosa Bonheur, the most renowned animal painter of the 19th century, and including such eminent women artists as Marietta Robusti, daughter of Tintoretto, Lavinia Fontana, Artemisia Gentileschi, Elizabeth Chéron, Mme. Vigée - Lebrun and Angelica Kauffmann — all, without exception, were the daughters of artists; in the 19th century, Berthe Morisot was closely associated with Manet, later marrying his brother, and Mary Cassatt based a good deal of her work on the style of her close friend Degas.

17 In mid-century France, as in 17th - century Holland, there was a tendency for artists to attempt to achieve some sort of security in a shaky market situation by specializing, by making a career out of a specific subject: animal painting was a very popular field, as the Whites point out, and Rosa Bonheur was no doubt its most accomplished and successful practitioner, followed in popularity only by the Barbizon painter Troyon (who at one time was so pressed for his paintings of cows that he hired another artist to brush in the backgrounds).

There aren't many twentieth - century American painters who have had powerful and distinctly contained phases of work within their art as a whole.

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..

Each canvas is a faithful replica of a well - known 19th - century New York area landscape painting, recreated by Simeon Lagodich, a contemporary American realist painter who resides in New York City and the Hudson Valley.

For example, the removal of the artist's hand, underway for almost a century is taken to a new technological level in the works of many painters in the early 90s who were tinkering with the computer.

When I think of veteran painters like Raoul de Keyser ensconced in the small Belgian town of Deinze, or the reclusive expatriate James Bishop who has spent much of the last half century hiding out in the French countryside, the first lines of John Ashbery's poem «Soonest Mended» pop into my mind: «Barely tolerated, living on the margin / In our technological society.»

But few American painters have followed in the footsteps of Raphaelle Peale, who in the early decades of the nineteenth century produced some hundred exquisite pictures of fruit, cakes and wine (as well as a trompe - l'oeil, Venus Rising from the Sea — A Deception

The impact of the show was still fresh half a century later for Fairfield Porter, a representational painter resisting the ascendancy of Abstract Expressionism, who thought it was «a complete disaster» for American art.

«The exhibition John Graham: Maverick Modernist at the Parrish Art Museum in Water Mill, Long Island, is a unique opportunity to explore the work of an artist who has hovered on the margins of the Modernist narrative for more than a half - century, when he isn't forgotten altogether... Maverick Modernist takes a deep dive into Graham's background as an artist, a career he began in earnest when, at the age of 35, he enrolled in the class of the Ashcan School painter John Sloan at the Art Students League in New York City.»

Yes I admire both those artists work, I am drawn to the psychological and emotional aspects of their work, and I have always been interested in artists who use photography as their medium, painters that have influenced me have been Helen Frankenthaler and Artemisia Gentleschi, both centuries apart and they are such brilliant painters and in terms of current painters I am very interested in the work of Jenny Saville, I willl always go to see her work.

The accompanying fully illustrated exhibition catalog, published by the AFA in association with Yale University Press, surveys the activities and contributions of women painters who worked in Paris in the late 19th century, and provides an examination of the sociopolitical conditions that shaped the culture of the period.

From the sixteenth and seventeenth century Flemish and Dutch landscape and still - life painters who came to Britain in search of new patrons, through moments of political and religious unrest, to Britain's current position within the global landscape, the exhibition will reveal how British art has been fundamentally shaped by successive waves of migration.

This exhibition tracks the transitional period of the great twentieth century painter Arshile Gorky, who moved from figuration to abstraction with his drippy, brightly colored oil on canvases.

Considered one of the most important painters of the twentieth century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

David Hockney (b. 1937) is an English painter, printmaker, photographer and stage designer, who is considered among the most influential and versatile British artists of the 20th century.

Considered one of the 20th century's great still - life painters, Chaim Soutine, who died in 1943, was a double outsider — an immigrant Jew living in Paris and a modernist.

(New York, NY)-- VENUS is pleased to present Bernard Buffet: Paintings from 1956 to 1999, an exhibition of important and historic works by the renowned late figurative painter, who remains one of the most controversial French artists of the 20th century.

Similar to the painters who worked centuries before her, Lipman's work addresses materiality, consumerism, mortality, and temporality.

Emerging in 2014 with protest works created, in part, in response to the devastating, lingering effects of Hurricane Katrina, Moore renamed herself in homage to colorful and controversial twentieth - century painter Noel Rockmore, a New Yorker turned New Orleanian who, like Moore, had been the child of artists.

His works align with American painters like Charles Sheeler and Joseph Stella that were active in the late 19th and early 20th centuries, who celebrated cities and industrial societies.

And he closes with an appreciation of «the greatest American painter of the twentieth century» who was «intimately concerned with the bleakness of our spirituality in the absence of God» namely, Mark Rothko.

You can get a sense of the history of painting within Saville's work so it also reminds me of other artists who inspire me such as Seventeenth century Dutch still - life painters, Picasso, and Lucien Freud.

A French - American painter, sculptor, chess player and writer whose work has been associated with Dadaism and many other avant - garde movements, Marcel Duchamp is commonly considered as one of the artists who helped define the revolutionary developments in plastic arts in the begining of the twentieth century.

When the German dealer Susanne Vielmetter first moved out to L.A. around the turn of the century, one of the most interesting artists she encountered there was Kim Dingle, a figurative painter who specialized in portraits of «little girls doing unspeakable things,» the gallerist recalls.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

An iconic figure of the 20th century New York scene, Alex Katz is an American painter and printmaker who developed his highly stylized visual vocabulary as a reaction to the ideas of Abstract Expressionism that were blossoming in the United States during the 1950s.

The center, which opened on Thursday, celebrates a local hero who chose to come home and presents Bartlett as an important contemporary painter working in a grandiose tradition championed a century ago by George Bellows, Robert Henri and, to a lesser degree, Edward Hopper.

Sue Williams work will be exhibited alongside historical work by Chinese painters from early and mid 20th century and contemporary Chinese ink artists who are taking on this traditional context.

Francis Picabia was a French avant - garde painter, poet and typographist who was a vital part of most key modern art movements of the 20th century.

Edwin Landseer was a famous painter of 19th - century British art, who was commissioned to do a series of large - scale paintings for Westminster Palace in London.

Like so many other foreign painters who settled in Rome in the early seventeenth century, Valentin was inspired by the revolutionary example of Caravaggio (1571 — 1610), whose work, based... Read More

Inspired by the hand scrolls and painted screens of early 17th Century Japanese artist Tawaraya Sōtatsu, who combined the traditional themes of the indigenous school of Japanese narrative scroll painting with the bold, decorative designs of the great screen painters of the Azuchi - Momoyama period.

The fierce desire to be noticed and heard was celebrated and carried on by the later 20th century painters and contemporary artists who were rising up against racism, the war in Vietnam and government policies.

While primarily known as one of the most influential landscape architects of the 20th Century, designing the pavements of Copacabana Beach and the grounds of Inhotim, Roberto Burle Marx was also a painter and sculptor who had an orchestral approach to composed colour and composition.

Josef Albers was a renowned German abstract painter and color theorist, one of the most prominent and influential pioneers of 20th - century modernism, who dedicated a great deal of his life to art — either teaching it or producing it.

Considered one of the most important painters of the 20th century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

Its subject is the 1940 - born painter Robert Cenedella, who rose up during one of the nation's most interesting periods of 20th - century painting, when Pollock, Rothko and their comrades were making abstract expressionism synonymous with the American art scene.