Sentences with phrase «century painting alongside»

Gottlieb's Burst series would become one of the most iconic artistic motifs of modern, 20th century painting alongside Mark Rothko's floating rectangles and Barnett Newman's zip.

Elements include Projection sur caisse (Projection on Crate, 1968), a slide show of nineteenth - century paintings alongside art postcards tacked up on a wall; and Section Publicité (Publicity Section, 1972), extensive, annotated photo - documentation of eagle imagery in everything from public sculpture to soccer clubs.

Not exact matches

French Prime Minister Manuel Valls visited the Mer de Glace (the Sea of Ice) Friday on Mont Blanc, where the retreating glacier has been documented for more than a century, through water colors painted before the invention of the still camera, black - and - white photos depicting a then - modern steam locomotive chuffing alongside the ice and today's high - definition satellite photos.

Janis Ellison Drawn to the dramatic landscape of New Mexico, Janis painted alongside her friends and mentors in the budding days of the early pastel painters of this century.

s paintings were included in Peggy Guggenheim?s Art of This Century Gallery, alongside works by Jackson Pollock and Mark Rothko.

Our Post-War and Contemporary Art Evening Auction features work by some of the most revered figures in 20th and 21st century art, with Andy Warhol's seminal pop portraiture and the visceral action painting of Jackson Pollock offered alongside superb pieces from the likes of Francis Bacon, Jean - Michel Basquiat, Lucio Fontana and Peter Doig.

Showcasing the work of the celebrated American Abstract Expressionist painter, Helen Frankenthaler, alongside paintings by JMW Turner from the nineteenth century, the exhibition includes 24 paintings by Frankenthaler, whose last public gallery exhibition in the UK was at the Whitechapel in 1969.

Showcasing the work of the celebrated American Abstract Expressionist painter, Helen Frankenthaler, alongside paintings by JMW Turner from the nineteenth century, the exhibition included 24 paintings by Frankenthaler, whose last public gallery exhibition in the UK was at the Whitechapel in 1969.

Her paintings, alongside those of her contemporaries that comprise the St Ives school, contributed greatly to the development of Modernist British painting in the mid to late twentieth century.

All around it, newly commissioned artworks mix with pieces from the Bardis» collection: a marble statue of Diana from the fifth to first century BC alongside a Sarah Morris painting, Lina Bo Bardi (2013), describing the curves of Bo Bardi's nearby 1951 Bowl chair.

The event is presented alongside Markus Schinwald, the Vienna - based artist's first major museum commission in the United States, featuring 19th - century paintings and wooden sculptures created from the legs of Chippendale - style tables that alter the physical and psychological potential of the gallery space.

But leave Satan aside: the paintings are lush and beautiful, and show influences as varied as the works of Eugene Delacroix and Abstract Expressionism, alongside the writing of Beaudelaire and the story of 17th - century composer Giuseppe Tartini.

For it's U.S. premiere at SFMOMA, the video work will be paired with an unprecedented showing of The Deluge (1805), a visceral and ravishing large - scale oil painting by the 19th century English Romantic artist J.M.W. Turner, selected specifically by Akomfrah to be shown alongside his work and on loan from London's Tate.

In 1962, he received a commission to paint eight large paintings of the Life of St. Anthony of Padua, which were permanently installed in the 11th Century Church of San Giovanni de Malta, in Venice, where his paintings hang alongside a painting by Giovanni Bellini.

And until 20 April, the Pushkin State Museum of Fine Arts in Moscow exhibits a solo show of works from his series Les Derniers Hosneurs Rendus Aux Infortunes Illustrisismes Comtes D'Egmont Et De Horne, an homage to 19th century Belgian painter Louis Gallait, alongside the original paintings that inspired the photographs.

The gallery will exhibit sculptural creations of Aneta Regel, a London - based Polish visual artist working in clay and stone, alongside the 20th - century paintings by the Belgian Artist Pol Mara and American Op Art painter Richard Anuszkiewicz.

Franz Kline was born in Pennsylvania in 1910, and became one of the most influential artists of the 20th Century, playing a central role in the rise of Abstract Expressionism and Action Painting, alongside fellow New York School artists Willem de Kooning, Robert Motherwell and Lee Krasner.

and Hong - Do Kim (1745 - 1806), while some elements are taken from Farmer's Life, an eighteenth - century genre of Korean paintings applied to folding screens, reproductions of which are displayed alongside Ri's paintings.

Through placing these works alongside paintings from the 15th century, Grasso provocatively alludes to literal and figurative connections between the past and present.

Alongside the «Big Girl» paintings will be two paintings on Kabuki theater backdrops from 1987; a 16 square foot painting, E o OEN (1988), recalling the name of Andy Warhol's estate in Montauk, Long Island where Schnabel lived and worked and painted the painting; El Espontaneo, a 22 square foot painting from 1990; and a recent Untitled «Goat Painting» (2012), where Schnabel painted on a transposed image of a stuffed goat with a rabbit on its head over 19th century Dufour wallpaper depicting George Washington accepting Cornwallis's supainting, E o OEN (1988), recalling the name of Andy Warhol's estate in Montauk, Long Island where Schnabel lived and worked and painted the painting; El Espontaneo, a 22 square foot painting from 1990; and a recent Untitled «Goat Painting» (2012), where Schnabel painted on a transposed image of a stuffed goat with a rabbit on its head over 19th century Dufour wallpaper depicting George Washington accepting Cornwallis's supainting; El Espontaneo, a 22 square foot painting from 1990; and a recent Untitled «Goat Painting» (2012), where Schnabel painted on a transposed image of a stuffed goat with a rabbit on its head over 19th century Dufour wallpaper depicting George Washington accepting Cornwallis's supainting from 1990; and a recent Untitled «Goat Painting» (2012), where Schnabel painted on a transposed image of a stuffed goat with a rabbit on its head over 19th century Dufour wallpaper depicting George Washington accepting Cornwallis's suPainting» (2012), where Schnabel painted on a transposed image of a stuffed goat with a rabbit on its head over 19th century Dufour wallpaper depicting George Washington accepting Cornwallis's surrender.

This exhibition explored early photography from the mid-19th century and exciting contemporary photographs, alongside historical painting.

Alongside Rubens's own paintings are works by a veritable who's who of art history: from Van Dyck and Rembrandt to Gainsborough and Constable, Delacroix and right up to Picasso in the twentieth century.

The first floor of the exhibition features wow - factor conjunctions in the manner of Jean - Hubert Martin's work at La Maison Rogue: behold, a Basquiat paired with spotlit prehistoric Menhirs from southern France; a medieval sculpture of a Madonna and child paired with a big, white, gaping circular Anish Kapoor; rods studded with healing crystals by Marina Abramović alongside a painted 19th century palmistry illustration.

The exhibition explores early photography from the mid-19th century and the most exciting contemporary photographs, alongside historical painting.

19th Century Painting Part of the European Painting and Sculpture department, the Museum's collection of Impressionism and Post-Impressionism ranks alongside any museum in the world.

Alongside the traditional areas of Old Master Paintings and antique Works of Art, the Fair presents a wide variety of Classical Modern and Contemporary Art, Photographs, Jewellery, Twentieth Century Design and Works on Paper.

Shown alongside the paintings and drawings are three items which are designed to re-orientate the reading of the work: an early 19th century Indian miniature (Rhodes spent her childhood in Bengal and has an affinity with Indian court painting); an aerial photograph from 1926 of the site of Woodhenge in Wiltshire — drawing attention to the artist's interest in what becomes visible though distance; and a photograph by Luigi Ghirri of an avenue of trees disappearing into the mist.

Starting with eighteenth - century French architectural painting and passing by Charles Burchfield's starved landscapes, the show placed contemporary works of ecotrauma by Pierre Huyghe, Erin Shirreff, Alexis Rockman, and Mark Dion alongside an indelible video from Fukushima, in which an unknown worker in a hazmat suit points at the camera for long minutes: a speechless, unanswerable indictment.

Painting a Century Modern British painters including Sandra Blow, Merlyn Evans and Victor Pasmore, shown alongside sculpture by their peers and contemporaries.

«Woman with a Lute» will be installed in the Norton Simon Museum's 17th - century Dutch gallery, alongside the Museum's significant collection of Rembrandt portraits and other genre paintings.

See the painting at our New York gallery until 17 May, alongside other highlights from our 20th Century auctions..

A grid of photographs from pioneering feminist conceptual photographer Natalia LL's series «Sztuka Postkonsumpcyjna» (Post-Consumer Art, 1975) and «TAK / YES» (1971) was placed alongside Zuzanna Janin's video Walka / Fight (2001)-- in which the artist boxes the professional heavyweight Przemysław Saleta — and new paintings by the emerging artist Ewa Juszkiewicz based on eighteenth - and nineteenth - century society portraits.

Scenes from mythology and history, alongside portrait and landscape paintings, seen through the eyes of Old Master painters and painters from the 19th century.

MOMA was so impressed (or so misled) that in 1968 it showcased the work as an example of 20th - century history painting, alongside works by Jacques - Louis David and Nicolas Poussin.

Alongside the «Big Girl» paintings will be two paintings on Kabuki theater backdrops from 1987; a 16 square foot painting, E o OEN (1988), recalling the name of Andy Warhol's estate in Montauk, Long Island where Schnabel lived and worked and painted the painting; El Espontaneo, a 22 square foot painting from 1990; and a recent work, The Sky of Illimitableness (2012), where Schnabel painted on a transposed image of a stuffed goat with a rabbit on its head over 19th century Dufour wallpaper depicting George Washington accepting Cornwallis's surrender.