Sentences with phrase «century painting long»

Scientific examinations have also provided insight into materials and techniques of a 17th century painting long thought to be by an anonymous Spanish artist, bolstering evidence that the painting could be an early work by Diego Velazquez, according to Ian McClure, the Susan Morse Hilles chief conservator at the Yale University Art Gallery.

Not exact matches

According to this story, the great discoveries since the time of Copernicus and Galileo have disclosed a world that looks ever less like the picture religion painted of it, and have forced religious believers to fight a centuries «long rearguard action against the truth.

Over the centuries their love has been portrayed in thousands of exquisite miniature paintings, which depict the lovers in separation and union, longing and abandonment.

It's all very 21st century: we are no longer in a Victorian age, where authority figures were painted as benevolent, and rogueish types were commonly the outsider, the foreigner, or anyone else who tampered with societal norms.

Although papyri exist to describe who they are — mostly priests from the cult of Sobek — they were removed during excavation more than a century ago and no longer correspond with the correct paintings, Walton said.

Just past the town of Almere, as you round a right - hand bend, you will find a sight unseen in Europe for centuries, if not millennia: hundreds of red deer, plodding groups of long - horned wild cattle, and skittish herds of low - slung brown horses, all moving through the open landscape like something out of a cave painting.

Ultimately, de Grey paints a picture of a world in which a barrage of regular medical procedures can stave off aging for decades, centuries or even longer.

In a gracefully detailed interpretative narrative that stretches from ancient Greek and Roman mosaics to twentieth - century paintings, art historian Ebert - Schifferer presents the long and fascinating history of the still life, a highly symbolic genre.

The Bolognese dog breed was prized by nobility as long ago as the 11th century, and many Bolognese can be seen in old paintings.

There was star gazing and camel rides, sheesha pipes and henna hand - painting, all making us feel a long way from the 21st century.

Optical painting may look anything but emotional in its content, but its direct engagement with the viewer underscores a deep - seated longing to connect... The genre has matured considerably over the past half - century, veering from cheap tricks toward labor - intensive analyses of form and color, and a deeper understanding of the act of seeing.

Cap D'Antibes, France; Long Island, New York; Paris Banking 17th -, 18th -, and 19th - century French painting Top 200 appearance: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014

But because traditional Chinese painting has long been poised between figuration and abstraction, many 20th - century Chinese artists have hesitated to embrace this Western tradition.

«I've had a long fascination and interest in American Modernism and American landscape painting in the 19th century and early 20th century,» Martin said.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

Each of these stretched - out paintings (which are made on separate abutting canvases or, in the case of Chemin de Peinture, a long roll of paper) recapitulates nearly the whole of 20th century painting from Constructivism to Abstract Expressionism, Neo-Dada, Minimalism and Neo-Expressionism, but because of the extreme horizontal format, artist and viewer are constantly treading into unknown territory.

I think the thought depends on being at a greater distance from the early 20th century, that while Reinhardt and everyone else could not imagine abstraction (whatever he may have said to the contrary) other than as a struggle to find what an abstract as opposed to a representational painting really might be and do, is no longer the case.

Diebenkorn's long engagement with Matisse's work is among the most productive instances of one painter looking at another's paintings in the history of 20th - century art.

His constructed paintings as spider webs, shown at Boone and in a 1992 exhibition at the Parrish, came out of a 1970s movement of sculptured three - dimensional paintings that devalued the centuries» long culture of layering paint and creating an illusion of space.

«In the 20th century, it was impossible to get away from the notion that the canvas or the painted surface was no longer beholden to illusionistic depth,» he tells me.

Fine painting, long centuries had taught, resembled a mirror or a lens, devices that reverse an image.

Curated by UC Berkeley students, this exhibition explores the cataclysmic end of the Ming dynasty through paintings and literature of China's long 17th century.

From the first experiments with aerial perspective, to the Impressionists» revision of painted light, to records of the creeping modernisation of the 20th - century countryside, landscape has long been a popular and experimental genre in art.

His investigation of ancient mythological creatures has long been understood as a parable for the forces of nature, and it was characterized by Clement Greenberg as the best and the worst of nineteenth - century painting.

The spectacular gilded state rooms of this lavish 18th - century mansion will soon be taken over by Damien Hirst, who will present a new series of his long - running spot paintings.

I developed a longing for pictures evoking a classical sense of permanence, solidity, in the spirit of 15th century Italian painting.

An important painting by the British painter Frank Auerbach of his long - term lover, Estella Olive West, entitled Head of E.O.W. III, 1961, sold yesterday (30 June) for a remarkable # 860,000 at Bonhams, New Bond Street, as part of its 20th Century British Art sale.

Finally, the Goat Paintings on reproduced 19th century wallpaper evoke majesty, as well as laughs and longing.

Upcoming exhibitions for gallery artists include: Susan Lee - Chun, Losing Yourself in the 21st Century, Maryland Art Place, Baltimore, Maryland, performance June 23, 2010; Pepe Mar, Mystic Visage, World Class Boxing: Debra & Dennis Scholl Collection, Miami, Florida, opening June 12, 2010; Glexis Novoa, Arte y confrontación en América Latina (1910 - 2010), Museo del Palacio de Bellas Artes, Mexico City, Mexico, opening January 2011; Frances Trombly, Paintings, Girls» Club: Collection of Francie Bishop Good & David Horvitz, Ft. Lauderdale, Florida, opening November 2010; and Wendy Wischer, No Longer Empty's exhibition The Sixth Borough on Governors Island, opening June 5, 2010.

Long Island Landscape Painting — The 20th Century Ronald G. Pisano, Little Brown & Co., 1990 Who's Who: The Millenium Edition, 2000

Atlanta - based artist Hale Woodruff (American, 1900 — 1980) painted a series of murals that remain symbols of the centuries - long struggle for civil rights.

Created in collaboration with a UC Berkeley course, this exhibition explores the cataclysmic end of the Ming dynasty through paintings and literature of China's long seventeenth century.

It surveys the artist's half - century - long career with just about as many paintings as the walls can carry.

From 1946 to 1966, Charles C. Cunningham, the museum's longest - running director, enlarged the scope of the collections in medieval and Asian art, seventeenth - century Dutch paintings, French impressionism, nineteenth - century American art, modernism, and contemporary art.

A list of 20th - and 21st - century artists painting in monochrome, let alone those making single - colour paintings, would be very long indeed.

The Chrysler has long been celebrated for its distinguished collection of European and American painting and sculpture of the late 19th and early 20th centuries — so much so that soon we'll be appearing in a new book on hidden - gem art museums.

The Bizantine Fresco Chapel was built in 1997 to house two rare 13th century fresco paintings; after a long inquiry, it emerged that the paintings were actually stolen in the»80s from the church of St. Evphemianos in Cyprus and, after an agreement between the Menil Foundation and the Church of Cyprus, the frescoes were finally returned to their original country in 2012.

A legendary figure in both photography and film with a career spanning over half a century, it has long been recognised that William Klein began his artistic career as a painter, however his paintings have scarcely been seen or published since they were first exhibited in the early 1950s.

A long - term exhibition, A Century in Flux: Highlights from the Barjeel Art Foundation, will open at the Sharjah Art Museum featuring a selection of key modernist paintings, sculptures and mixed media artworks from the Barjeel Art Foundation collection.

This spring, concluding a year - long emphasis on 20th - century painting, the Grey Art Gallery presents New York Cool: Painting and Sculpture from the NYU Art Colpainting, the Grey Art Gallery presents New York Cool: Painting and Sculpture from the NYU Art ColPainting and Sculpture from the NYU Art Collection.

In the first decades of the last century, Kazimir Malevich announced that «painting was done for long ago.»

An exhibition opening this summer at the Blanton explores this 33 - century - long fascination through more than 150 cat - and dog - inspired paintings, sculptures, drawings, and etchings.

Aside from symbolizing Britain's long tradition of horse racing and fox hunting, equine images are etched in the public imagination, from centuries - old hillside chalk carvings of horse figures to George Stubbs's paintings of noble mares and stallions.

If young artists told him they loved fourteenth - century Sienese painting, he would tell them to look at it longer and harder and make it their own.

Over a long and varied career, the evolution of Bowling's work can be seen as a reflection of a major evolution in painting throughout the latter half of the 20th century.

Included are such signal paintings as «The Burning of the Houses of Lords and Commons, 16th October, 1834,» the darkly gyrating «Snow Storm — Steam - Boat Off a Harbor's Mouth» (a much longer full title asserts its documentary veracity) and a pair of large - scale Roman scenes, one of the ancient city and another a 19th century vision.

Randall Griffey, an associate curator at the Met who was involved in the acquisition with the help of the Alexandre Gallery in Manhattan, said he and Sheena Wagstaff, who leads the museum's modern and contemporary department, had long been trying to build on the Met's strength in early - 20th - century works on paper by African - American artists and were on the hunt for major paintings.

Vibrant and complex, the geometric compositions draw on her long career as a weaver and on her drawings, but they also resemble paintings by early - 20th - century artists like Sonia Delaunay.

Then again, long before Instagram permitted millions and millions to indulge in perfect pictures of other people's lunches, the still - life paintings — with their depiction of food, flowers and other commonplace objects — had gained popularity and found ample amounts of buyers during the the 16th and 17th century «Golden Age of Dutch Painting».