Her post-catastrophic landscapes are obtained using digital montage techniques and 19th
century painting methods.
Not exact matches
Being heavily influenced by the traditional
methods of
painting and representational imagery of landscapes of the 14th to early 18th
century, BADR ALI's work seeks to express particular sensations, such as euphoria and melodrama.
Learn more about grisaille, the
painting method that uses shades of neutral grayish colors and that has been around for
centuries.
By the turn of the 20th
century, Henri began
painting in the Pointillist style — a
method of
painting in which an artist uses small dots of color rather than full brushstrokes.
Popularised in 1950's America, a time when acrylic
paint was also developed, viewing this series of works via these
methods results in a strange collision of time and place, part 21st
century, part historic.
The figurative painter Frank Auerbach is widely - regarded as one of Britain's best loved living artists, his intense working
methods and uncompromising attitude to his own work have made him a celebrated exponent of
painting in the 21st
century.
★ MoMA PS1: Maria Lassnig (through May 25) In 1948, this Austrian artist coined the term «body awareness» to describe her
method of
painting, which she has pursued for more than half a
century.
This complex and laborious
method of
painting makes his a singular vision from the later half of the 20th
century.
Inspired by the flat East Anglian landscape with its big skies, Norfolk Broads and rivers, and by 17th
century Dutch Realist painters such as Meindert Hobbema (1638 - 1709) and Jacob van Ruisdael (1628 - 82), Norwich School artists included amateurs as well as professionals, many of whom practised the avant - garde
method of plein air
painting.
In pursuit of a visual language tendered in a similarly suggestive manner to that of the written word through themes informed by paradigms of 21st
century cultural and social establishments, Brannon undertakes traditional
methods of printmaking, including letterpress prints, silkscreens, and lush hand
painting on paper.
The early years of the 19th
century witnessed the Golden Age of English landscape
painting, led by Turner and Constable, and also the development of plein - air techniques by the Barbizon school, and later by Monet's style of French Impressionism -
methods greatly facilitated by the invention of portable collapsible tin
paint tubes in 1841, by American painter John Rand.
Selected group exhibitions: PRESENT, SHANGHAI GALLERY OF ART, Shanghai, 2014; OPENING EXHIBITION OF ANNTENNA SPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative
painting, White Box Museum of Art, Beijing, 2011; LEARNING
METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ; XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST
CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEARS?
The exhibition is accompanied by new scientific studies of Picasso's working
methods and a groundbreaking book that uses the
painting as the touchstone for examining an array of issues vital to modernist culture of the 19th and 20th
centuries.