Sentences with phrase «century paintings and photography»

Highlighted by Tanner's iconic painting The Annunciation, the exhibition features a wide range of items such as pre-Civil War - era decorative pottery, early 20th - century paintings and photography, sculpture and portraits.

Not exact matches

[44] The museum's collections include art in many media from around the world, including European and American paintings, prints, sculpture and drawings, 18th and 19th century Japanese Ukiyo - e prints, 15th through 19th century Persian and Indian miniature paintings, 20th century Haitian art, 20th century Japanese netsuke, 20th century and contemporary photography, and Rapa Nui, African, and Native American artifacts.

The Warehouse exhibitions feature 20 and 21st century sculpture, photography, video, painting and large scale installations by international artists culled from the collection of Martin Z. Margulies.

One of the great artistic innovators of the 20th century, Hungarian - born László Moholy - Nagy worked in a dizzying array of mediums, including painting, photography, film, sculpture, advertising and theater design.

View a collection of art ranging across centuries and cultures from sculpture and oil paintings to charcoal drawings and photography at the... Read More

The symbolism traditionally associated with each genre has continued to resonate over the past century and serve as a point of dialogue with contemporary artwork with a range of contemporary mediums including photography, video, installation and painting.

Conceived as an adjunct to painting in the earliest years of its development in the first decades of the 19th century, when many painters discovered how useful photographs could be in composing their canvases, photography quickly assumed an artistic presence and legitimacy of its own (albeit one that often still took its cues from traditional painterly modes of representation).

Inspired by 18th Century French portraiture and Polaroid photography, his paintings combine different color schemes of lush tones and ghostly pastels.

This March, the Dallas Museum of Art, in collaboration with the Mexican Secretariat of Culture, will open the exclusive U.S. presentation of México 1900 — 1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant - Garde, a sweeping survey featuring almost 200 works of painting, sculpture, photography, drawings, and films that document the country's artistic Renaissance during the first half of the 20th century.

The Pyes» artistic output spans photography, film, performance, video, and installation while acknowledging the profound influences of surrealism in film, narrative conventions in painting, 19th and early 20th century portraiture, and conceptual approaches to subject matter.

Wall has created a unique, seductive and complex pictorial universe by drawing upon philosophy, literature, nineteenth - century painting, Neo-Realist cinema and the traditions of both Conceptual art and documentary photography.

Organized by Dena M. Woodall, associate curator of prints and drawings, and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture, photography, painting, installation, and dance.

[2017-11-08] «Dada is Dada» presents paintings, drawings, documents, photography, collages, objects, sound recordings, and films from one of the most influential art movements of the 20th century.

«Dada is Dada» presents paintings, drawings, documents, photography, collages, objects, sound recordings, and films from one of the most influential art movements of the 20th century.

A century or so ago, championed by Alfred Stieglitz and Camera Work, the Pictorialist photographers emulated the visual characteristics of painting, often through extensive darkroom manipulation, in a bid to establish photography as an art form.

BASIM MAGDY: THE STARS WERE ALIGNED FOR A CENTURY OF NEW BEGINNINGS The work of the Egyptian - born artist Basim Magdy ranges from paintings on paper and canvas to photography and film, all with a common devotion to color and an exploration of the gap between utopian aspirations and human failures.

It presents a diverse and eclectic selection of the finest works produced, from the 19th century to the present, and features paintings, sculpture, video installation, works on paper, photography, and fashion design.

Mostly paintings and drawings are featured, along with some photography, mixed - media works and sculpture by artists active in the early, middle and late periods of the century, and many contemporary figures still working today such as Hurvin Anderson, Stan Douglas, Kori Newkirk, Lorna Simpson, Mickalene Thomas and Barkley L. Hendricks (whose «New Orleans Niggah,» 1973 covers the volume).

The National Portrait Gallery, meanwhile, looks at the origins of art photography via the work of four celebrated figures of the Victorian era, and Tate Modern takes things further with Shape of Light, which entwines the histories of photography and abstract art from the early 20th century to now and positions work by the likes of Man Ray and Thomas Ruff against abstract paintings, sculptures and installations.

As always, for those wishing to get hearty dose of modern and historical artwork, Frieze Masters offers everything from Ancient Egyptian artefacts to Old Master paintings as well as 20th - century photography.

Returning to visual arts in 2000, Coupland uses various media including painting, photography, printing, installation and quilts, to cleverly merge pop culture and technology with art historical references ranging from historical painting, to 20th century Pop Art.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

With more than 15,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a significant collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African - American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African art.

One of the most persistent themes in contemporary art since the early 1990s has been the proliferation of work that addresses «ruined modernity» and «failed utopias»: in other words, a type of art that reformats iconic examples of 20th - century architecture and design into painting, sculpture, photography, video, slide shows, archival installations, etc..

Morisot's archive exemplifies the emergence of photography in the nineteenth century and its relationship to the conventions of painting and representing the exotic landscape.

For the past twenty years, Kincaid's artwork has featured the interplay between painting and photography, at times referencing to the Pictorialist style that dominated photography during the late 19th century, while creating new forms of his own.

Important collections include 20th century American paintings and prints, 20th century American photography, 19th century European painting, 15th through 20th century western graphic art, Korean ceramics, Pre-Columbian ceramics and fabrics, and folk art from the subcontinent India.

Important collections include 20th century American paintings and prints, 20th century American photography, 19th century European painting, 15th through 20th century western graphic art, Korean ceramics, Pre-Columbian ceramics and fabrics, and folk art from the sub-continent of India.

One example is a collaboration between Peter Fetterman, a California dealer in classic Twentieth Century photography, and Jonathan Boos, a New York dealer in Twentieth Century American paintings and sculpture, according to the Winter Antiques Show.

But smoking at all was unladylike, and so, in 17th century painting, cigarettes appeared only in the hands of prostitutes and other «fallen women»; later, the cigarette became an important marker of Victorian erotic photography.

Starting from the early experiments of the beginning of the 20th century to recent digital innovations, the show will examine the history of abstract photography side - by - side with seminal paintings and sculptures.

The collection has particular strengths in Ming and Qing dynasty Chinese painting, Mughal dynasty Indian miniature painting, Baroque painting, old master prints and drawings, early American painting, nineteenth - and early - twentieth - century photography, Conceptual art, international contemporary art, West Coast avant - garde film, international animation, Soviet cinema, early video art, and the largest collection of Japanese films outside of Japan.

Over the past half century, Gerhard Richter (born 1932) has built up a stylistically heterogeneous and conceptually complex body of painting, photography, sculpture and artist's books that firmly establishes his status as the most important living artist of our time: today, this diverse oeuvre totals in excess of 3,000 individual works.

Also joining the AVV roster is Grob Gallery, which offers a selection of work from its collection of 20th - century photography, painting and sculpture (11 May — 21 July).

With photography now going through the same identity crisis that painting went through a century and a half ago at the advent of photography — the question then was «what's special about painting the world realistically when you can take a photo,» now it's «what's special about taking a photo when everyone takes a photo of everything all the time» — artists have been searching the edges of the medium to find a compelling way forward.

Shows cancelled or postponed • Baltimore, Walters Art Museum, «Jean - Léon Gérôme», February - May 2010, cancelled • Boston, Museum of Fine Arts, «Subversion of the Images: Surrealism and Photography», spring 2010, cancelled • Chicago, Field Museum, «Lucy's Legacy: the Hidden Treasures of Ethiopia», planned for 2009 - 10, dropped • Denver, Denver Art Museum, «Imperial Mughal Albums from the Chester Beatty Library», July - September 2009, cancelled • Honolulu, Contemporary Art Museum, «Japan Fantastic» (11 contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010, cancelled ``

SJMA's permanent collection of more than 2,000 20th - and 21st - century works of art includes paintings, sculpture, installation, new media, photography, drawings, prints, and artist books.

With more than 15,000 works of art in its permanent collection, the High Museum of Art has an extensive anthology of 19th - and 20th - century American art; a substantial collection of historical and contemporary decorative arts and design; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, photography, folk and self - taught art, and African art.

This exhibition will include important paintings, sculpture, photography and works on paper by more than thirty artists, offering a rare opportunity to examine the significance of an artistic tradition that, outside of the African - American community, was too often ignored during much of the twentieth century.

From as early as the 1980s, photography and video art have found their place in the German Pavilion, side by side with painting, sculpture and installation: the works of Bernd and Hilla Becher, Thomas Ruff, Candida Höfer, Katharina Sieverding and Rosemarie Trockel — all of them protagonists in the vibrant art scene at the Düsseldorfer Akademie in the late 20th century — were followed by the actions and films of Christoph Schlingensief and Romuald Karmakar, along with the documentary approaches of the Indian artist Dayanita Singh and the South African photographer Santu Mofokeng.

By bringing a collection of painting, sculpture, photography, digital art and installations into this space, curator Vito Abba initiates a dialogue between the Renaissance and contemporary art, connecting works created half a century apart.

Featuring 250 works spanning the 16th to the 21st centuries, five continents and a broad range of disciplines — including painting, photography, ceramics, sculpture, furniture, and jewelry — Unexpected Encounters will challenge audiences to seek connections between a multitude of disciplines and consider new ways of thinking about art.

In a nutshell: A cautious academic exploration of the impact of photography upon painting during the 19th century and into the Edwardian age.

Collections Along with site - specific art commissions, the museum's collections, which encompass works dating from the 17th century to the present, include one of the world's largest collections of American painting and decorative arts; artworks from Africa, the Americas and Oceania; over 13,000 textiles and costumes; a 90,000 - item collection of works of paper, prints and etchings; and a remarkable collection of 19th and 20th century photography.

A legendary figure in both photography and film with a career spanning over half a century, it has long been recognised that William Klein began his artistic career as a painter, however his paintings have scarcely been seen or published since they were first exhibited in the early 1950s.

«This painting is a metaphor for the power of figurative painting, which, even today, after a couple of centuries of photography, TV and video games, is still able to bewitch the mind of modern viewers,» Verlato explains.

SAAM contains the world's largest collection of New Deal art; a collection of contemporary craft, American impressionist paintings, and masterpieces from the Gilded Age; photography, modern folk art, works by African American and Latino artists, images of western expansion, and realist art from the first half of the twentieth century.

Interweaving highlights from the Museum's seven curatorial departments — Painting and Sculpture, Drawings, Prints and Illustrated Books, Photography, Architecture and Design, Film and Media — this volume presents a broadly chronological overview of the most innovative, provocative and fascinating art of the past quarter century.

Through paintings, sculptures, photography and decorative arts, Visions of US explores evolving ideas about American cultural identity from the eighteenth through the twentieth centuries to tell a rich and inclusive story about how we imagine and represent the United States.