Today's Rhodes Must Fall march in Oxford will pass the statue of the Victorian colonialist in Oriel College, before stopping off at All Souls College's Codrington library, named after a 17th -
century slaver, and the Old Indian Institute building, where Brits trained the Indian civil service.
Not exact matches
He started sprinting as a boy in the parish of Trelawny, tucked deep in Jamaica's Cockpit Country, a sugar - farming area that was the former stronghold of the Maroons, Jamaica's 18th
century freedom fighters who resisted British
slavers.
And the other anniversary is of 1978 — the election of Pope St. John Paul, the first non-Italian Pope in
centuries, the first
Slav Pope, and the beginning of a more confident and authentic affirmation of what Vatican II really taught.
When Constantine - Cyril and Methodius came as Christian missionaries to the
Slavs in the ninth
century, they translated not only the Bible but the Eastern Orthodox liturgy into Slavonic.
A monument to the importance of that achievement for the history of the
Slavs is the very alphabet in which most
Slavs write, which is called Cyrillic, in honor of Saint Cyril, the ninth -
century «apostle to the
Slavs,» who, with his brother Methodius, is traditionally given credit for having invented it... Not only among the
Slavs in the ninth
century, but also among the other so - called heathen in the 19th
century, the two fundamental elements of missionary culture for more than a millennium have therefore been the translation of the Bible, especially of the New Testament, and education in the missionary schools.
In its last
centuries as capital of the Byzantine Empire, it was not only the holy city of the Orthodox world, dedicated to the Mother of God, but also a cosmopolitan trading centre, with Venetian, Genoese, Muslim, Jewish,
Slav and Avar inhabitants.
The
Slavs, known here as the Wends, were the successors of the invading barbarians from many
centuries previously, and were now there farming on the east side of the Elbe — and a surviving Wend community still holds together in twentieth -
century East Germany.
Melkorka, a tenth -
century Irish princess, must adapt to a harsh new life after she is stolen from her home by Russian
slavers.
Her installation is called Typhoon Coming On, and is an uneasy 21st -
century remake of Turner's 1840 masterpiece, often known simply as Slave Ship, but called by him
Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On.