26x40 inches ink, acrylic, gouache on paper Angelo Monserat's Constraint series is inspired by the abstract expressionists of the 50s and references the movement and mark - making of their work in response to the rapid movement of present - day international trade and communication and the confluence of mid
century social ideas still at play in this contemporary economy.
26x40 inches ink, acrylic, gouache on paper Angelo Monserat's Diligence series is inspired by the abstract expressionists of the 50s and references the movement and mark - making of their work in response to the rapid movement of present - day international trade and communication and the confluence of mid
century social ideas still at play in this contemporary economy.
Not exact matches
It is understandable that the idealistic emphasis on the efficacy of spiritual motives and forces,
ideas, and energies in the philosophy and history of the early nineteenth
century led to a reaction which urged students of
social life and development to concentrate on the opposite viewpoint according to which spiritual developments have to be regarded as products of material conditions (Feuerbach, Marx, Engels, against Hegel).
This was true in general of the
social gospel movement of the first half of the
century, with the
idea of a second coming or last judgment relegated to the Pentecostal sects.
So Mr. George Henry Soule says of the Puritan revolution in the sixteenth
century: «The conflict of religious
ideas was indeed important, but it was important not so much because of the abstract significance of these
ideas as because they represented the mechanism of attack and defense between economic and
social classes who were struggling for power.»
Still, his insistence that politics is not therapy, his resolute refusal to deny the reality of conflicts among
social goods, and his insistence that utopian politics inevitably become coercive politics (and, in the modern world, extraordinarily brutal coercive politics) were all important
ideas to defend, in Europe and America, against the coercive utopians of the twentieth
century.
John Paul II took Catholic
social doctrine in a new direction by teaching that, in the post-industrial world of the twenty - first
century, Adam Smith's «wealth of nations» resides, not so much in stuff (as in natural resources or land) as in human creativity: in
ideas, skills, work - habits and entrepreneurial instincts.
His mischaracterization of 20th -
century philosopher Michel Foucault — Ambrosino warps the philosopher's
idea that sexuality is a «
social construct» to justify his view that gays choose their sexuality — has
And I am not suggesting that tweets from the chamber should be protected by parliamentary privilege... But in this age of immediate crowd - sourced mass communication, the
idea that the Commons chamber can cut itself off from modern technology and
social media is as doomed as when written reports of Commons debates were banned in the 18th
century, or when discussion of current Commons business on the radio was not allowed until the 1950s, or, indeed, as obsolete as the ban on television itself before 1989.
And in the 20th
century the
ideas were developed into decision theory, an elegant formulation beloved of economists and
social scientists today.
A
century of work with dozens of
social species has borne out his
ideas to some degree, but the details of how and why cooperation evolved remain to be worked out.
It was only in this
century, and especially after the second World War, that wide - ranging
social security systems were implemented with the
idea that all «necessary care» should be free.
Haidt: For the last half of the 20th
century, the dominant
idea in the
social sciences was that people are selfish.
Cheating in relationships became more popular, especially in the 21st
century, thanks to Technology and
Social Media, we can easily connect with people and Couples who are dating should come up with sexy and kinky
ideas in bed, this is not just to ignite the spark but to constantly get to know each other even more.
«All schools should be the base for a productive
social enterprise so that children associate learning with work, get pleasure from working productively together and contributing to a business,» he explains in his book Innovation — What's Next - 21
Ideas for the 21st
Century.
«Learning in the 21st
century is all about
social learning — working on a goal,
idea, or project with a group of diverse learners.
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Exchange
ideas and connect with other educators interested in STEM, 21st
century learning, and leadership on the
social networking site ASCD EDge at edge.ascd.org.
Exchange
ideas and connect with other educators interested in global education, overseas / international schools, Common Core State Standards, and 21st
century learning on the
social networking site ASCD Edge ™ at http://ascdedge.ascd.org/
In it, he suggests that sport psychology, which fits under the umbrella of
social - emotional learning (SEL), should be taught on youth and school sports teams and that the
idea that sports is extra-curricular is a 19th
century idea.
Civil War pensions and company pensions came close, too, but it wasn't until late 19th
century Europe that the
idea of
Social Security in a modern industrialized world truly come to be.
The advanced, independent artist as a martyr of society was a standard fixture of Romantic hagiography, apotheosized in Vigny's Chatterton, and he had been immortalized on canvas by at least two obscure artists by the middle of the nineteenth
century; both of these paintings serve to remind us that there is no necessary connection between advanced
social or political
ideas and pictorial adventurousness.
The exhibition looks at the international exchange of
ideas opened up by early twentieth -
century Russian artists, suggesting how we might re-conceive spheres of public and private life to bring about
social change.
Using ceramic practices as a cue, the group exhibition explores
ideas about the division between fine art and craft initiated in the 19th
century, and the position of decorative arts within 20th
century art history calling into question the relationship between contemporary aesthetics and
social life.
And yet, though the early decades of 20th -
century Russia have been firmly registered in today's art history as a time of radical
social and artistic change, the uncompromising and often absurd
ideas in Avant - Garde Museology appear alien to a contemporary art history that explains suprematism and constructivism in terms of formal abstraction.
,» in reference to the 12th -
century Iranian mystic Sohrevardi's
idea of a zone full of imagination beyond earthly geography, the 2016 Gwangju Biennale engages with the world in all its natural and
social ecologies.
Four years, Groys gave a talk at SVA that outlined the
idea that «
social media and the internet is the new arena for the avant garde's production of «weak signs and low visibility»; the masses creating their own work for minuscule audiences in the 21st
Century vs consuming the spectacles created by mass media in the 20th.»
Focusing particularly on how the
ideas of the 1960s counterculture permeated the desires of the «silent majority», Jones re-stages this historical event as an adapted verbatim script, revealing the shifts in our understanding of gender,
social roles and notions of the Self in relation to others and how these perspectives might have shifted in the last half
century.
In his talk, Thomas Lessl said much of this attitude is rooted in what he and some other
social science scholars call «scientism,» the
idea — rooted in the 19th
century — that scientific inquiry is a «distinctive mode of inquiry that promises to bring clarity to all human endeavors.»
In it, he suggests that sport psychology, which fits under the umbrella of
social - emotional learning (SEL), should be taught on youth and school sports teams and that the
idea that sports is extra-curricular is a 19th
century idea.