Create one's own 21st
century studio practice based upon one's own personal vision and imagination.
Marrinon redeploys nineteenth -
century studio practices, and the historical association of plaster casts with the serious study of classical antiquities, in her own whimsical subversion of the genre.
Not exact matches
O'Melveny & Myers Entertainment, Sports and Media
Practice For nearly a
century, O'Melveny & Myers LLP has represented motion picture
studios, television, music, and new media companies, sports organizations, governing bodies, professional sports teams (and their owners), financial institutions, strategic investors, and individual talent on groundbreaking and significant industry transactions.
The first traces a tradition of expressiveness, materiality, and the handmade in what the curators call the «
studio - based»
practice of twentieth - and twenty - first -
century sculpture.
A favored technique among surrealist draftsmen, frottage continued to be explored throughout the twentieth
century and remains an experimental
practice in
studios today.
Featuring portraits, nudes, still lifes, and the controversial X Portfolio, the exhibition explores Mapplethorpe's
studio practice and the creation of his foundation, which has shepherded his legacy into the 21st
century.
Designed by architecture
studio Carmody Groarke the exhibition reveals the contemporary
practices and creative possibilities of the
centuries - long skill of tailoring by presenting and pushing pattern cutting beyond the fashion garment.
After their usual Sunday afternoon
practice, Rail Publisher Phong Bui visited the Carroll Garden
studio of Rosamund Morley and Larry Lipnik, two members of Parthenia, a critically acclaimed New York - based viol consort whose ethereal, spirited and virtuoso performances of sixteenth to twenty - first
century music has delighted audiences across the United States and Europe.
This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of
studio — and «post-
studio» —
practice over the last half
century.
Irwin, who has lived in San Diego for the past quarter
century, is one of the last giants standing from a generation of artists who, in the early seventies, sought to bring the
practice of visual art out of the
studio, gallery, and museum and into the world.